Bedienungsanleitung Roland C-380 (Seite 38 von 96) (Englisch)

527430

Zoom out

Zoom in

Vorherige Seite

1/96

Nächste Seite

Performing

Historical styles of music such as baroque can be played in the tunings that were used during that time.

Most works today are composed with the assumption that they will be played in equal temperament (the most common

temperament used today). However, various other temperaments have been used in the past.

By playing a composition in the temperament in which it would have originally been played, you can experience the chordal

sonorities that were intended by the composer.

From the main screen, press the [Select/Menu] knob.

Turn the [Select/Menu] knob to select “2 Pitch / Tuning.”

fig.LCD003.eps

Press the [Select/Menu] knob to access the “Pitch / Tuning” screen.

You can also access the “Pitch/Tuning” screen from the main screen by holding in the [SET] piston and fingering the

keyboard.

Turn the [Select/Menu] knob to select “Temperament.”

fig.LCD025.eps

Turn the [Value/Exit Menu] knob to select the desired temperament.

This setting will return to “EQUAL” when you turn off the power.

Press the [Value/Exit Menu] knob twice to return to the main screen.

Changing the Tuning (Temperament)

Setting

Temperament Explanation

EQUAL

Equal temperament

This temperament divides the octave into twelve equal intervals. Modulating to a different key will not

affect the sonority of the chords.

WERCK. Werckmeister

This temperament combines the meantone temperament and the Pythagorean temperament. It allows

playing in all keys (method 1, number 3).

KIRN.1 Kirnberger 1

This is an improvement of meantone temperament and just intonation to allow greater freedom of

modulation. It allows playing in all keys (method 1).

KIRN.3 Kirnberger 3 This is a variation of Kirnberger 1 (method 3).

VALLO. Vallotti

This is a relatively recent temperament. It is close to equal temperament but has a certain amount of just

intonation, making it easier to stay in tune with other instruments, and is thus frequently used for

ensembles.

MEAN.D Meantone temperament

This temperament is a partial compromise from just intonation in order to allow a certain degree of

modulation. Preference is given to the sonority in D

MEAN.E Meantone temperament

This temperament is a partial compromise from just intonation in order to allow a certain degree of

modulation. Preference is given to the sonority in E

PYTHG. Pythagorean tuning

This is a system of tuning attributed to the philosopher Pythagoras, in which the fourth and fifth are pure.

Chords including the third will not sound smooth, but the melody will sound good.

M.BACH Modern Bach This is one of the recently researched temperaments from the era of Bach. It allows playing in all keys.

C-380_330_e.book 38 ページ２０１０年４月２８日　水曜日　午後１０時１１分

Missbrauch melden von Frage und/oder Antwort

Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

Roland C-380 Seite 38

Brauchen Sie Hilfe? Stellen Sie Ihre Frage.

Missbrauch melden von Frage und/oder Antwort

Art des Missbrauchs:

Forenregeln

Neu registrieren

Andere Handbücher von Roland C-380

Das Handbuch wird per E-Mail gesendet. Überprüfen Sie ihre E-Mail.

Ihre Frage wurde zu diesem Forum hinzugefügt

Info