Bedienungsanleitung Roland CUBE-60 (Seite 6 von 12) (Englisch)

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Panel Descriptions

Control Panel

fig.01

1. INPUT Jack

Connect your guitar here.

2. SELECT Switch

Switches you between the JC CLEAN and LEAD channels.

You can confirm which channel is selected by checking the

indicator’s color (JC CLEAN: green; LEAD: red).

The channel can be switched using the optional BOSS FS-5U

foot switch.

JC CLEAN Channel

This is a model of Roland’s famous JC-120 Jazz Chorus guitar

amplifier.

The ultra-clean, ultra-flat sound offers a smooth. This becomes

more effective when used in combination with a multi effector.

3. BRIGHT Switch

Creates a sparkling midrange and high end for a crisp and

distinct sound.

This is perfect for chord strumming with humbucking pickups.

4. VOLUME Knob

Adjusts the JC CLEAN channel volume. On the CUBE-60,

distortion is gradually added as you turn this knob to the

right, producing a crunch sound as the knob is turned up

near maximum.

LEAD Channel

5. Type Switch

You can select from the following eight amp types:

ACOUSTIC

This is an original amp type included with the acoustic

simulator. Turns the sounds from your electric guitar into a

clear, refined acoustic guitar sound.

Using this type together with a single coil pickup in the

front position provides optimum sound quality. If using

a humbucking pickup, slightly turn down the

equalizer’s BASS and MIDDLE settings.

BLACK PANEL

This is modeled on the classic Fender Twin Reverb amplifier,

used in a wide variety of musical styles, from country to blues,

jazz and rock. Exhibiting rich lows and a bright high end.

BRIT COMBO

This is modeled on the Vox AC-30TB, the rock amplifier that

created the Liverpool sound of the ’60s. It can produce a

broad range of sounds, from clean to overdrive.

TWEED

This is modeled on the vintage Tweed Fender Bassman 4x10

Combo. The amplifier’s four 10-inch speakers produce a

clear upper-midrange with a fat low end, and its unique

crunch tones make it a favorite of blues-rock guitarists.

CLASSIC STACK

This is modeled on the sound and response of a Marshall

JMP1987. Used extensively in hard rock during the 1970s,

this is truly the perfect amp for the “top rock” guitar sound.

METAL STACK

This is modeled on the Peavey EVH-5150. This is the high

gain amp, so even at low volumes, you can still get heavy

distortion and sustain.

R-FIER STACK

This is modeled on the MESA/Boogie Rectifier. This super

high gain amp is capable of producing slash metal, grunge,

and a wide range of other lead sounds.

DYNA AMP

This is an original amp sound that lets the player create

previously unobtainable tonal changes according to the

picking strength. Soft picking produces a transparent clean

amp sound, while hard picking results in a deeply distorted

high-gain amp sound. Once the sound is distorted, the tone

then changes according to the force used in picking, greatly

expanding your range of expression.

Setting the GAIN knob to the optimal position provides

the greatest effect.

Start by setting the GAIN knob to the center position,

then adjust the knob so that a clean tone is obtained

with soft picking and deep distortion is obtained with

hard picking.

“Sample Settings” (p. 10; Dynamic Style)

31 4 5 6

14131110

CUBE-60_e.book 6 ページ２００６年９月７日　木曜日　午後９時５分

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