Bedienungsanleitung Roland Micro Cube GX (Seite 8 von 92) (Deutsch, Englisch, Holländisch, Französisch, Italienisch, Portugiesisch, Spanisch)

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Control Panel

iPhone, iPad, etc.

Microphone,

Electric Guitar

3 4 5 6

7 8 9 10

Panel Descriptions

* To prevent malfunction and equipment failure, always turn

down the volume, and turn o all the units before making

any connections.

1 INPUT jack

Connect your guitar or microphone here.

* Howling could be produced depending on the location of

microphones relative to speakers. This can be remedied

by:

1. Changing the orientation of the microphone(s).

2. Relocating microphone(s) at a greater distance from

speakers.

3. Lowering volume levels.

2 i-CUBE LINK/AUX IN jack

i-CUBE LINK

If you use the included mini cable (4-pole) to connect

your iPad/ iPhone, you’ll be able to use the i-CUBE LINK

function (p. 10).

AUX IN

Use the included mini cable (4-pole) or a commercially

available stereo-mini cable to connect your digital audio

player or iPad/iPhone here.

3 [MEMORY] button

Turns the unit’s memory feature on/o.

The memory feature lets you individually save your

settings for each of the eight amp types (p. 9).

Memory Explanation

ON (lit)

The MICRO CUBE GX will sound according to

the knob settings you previously stored.

OFF (unlit)

The MICRO CUBE GX will sound according to

the current knob settings.

4 [AMP TYPE] switch

You can select from the following eight amp types:

Type Explanation

ACOUSTIC

SIM

This original amplier model gives you a dynamic

acoustic guitar sound using a standard electric

guitar.

JC CLEAN

This is a model of Roland’s famous JC-120 Jazz

Chorus guitar amplier. The ultra-clean, ultra-at

sound oers a smooth tone. This becomes more

eective when used in combination with a external

eector.

BLACK

PANEL

This is modeled on the classic Fender Twin Reverb

amplier, used in a wide variety of musical styles,

from country to blues, jazz and rock. Exhibiting rich

lows and a bright high end.

BRIT

COMBO

This is modeled on the Vox AC-30TB, the rock

amplier that created the Liverpool sound of the

‘60s. It can produce a broad range of sounds, from

clean to overdrive, with increased distortion and

greater power in the low-midrange when the

amplier’s gain is boosted.

CLASSIC

STACK

This is modeled on the sound and response of a

Marshall JMP1987. This is a rock amp distinctive for

its fat, solid sound, and a smooth tone that extends

into the “presence” frequency range.

R-FIER

STACK

This is modeled on the MESA/Boogie Rectier.

This super high gain amp is capable of producing

slash metal, grunge, and a wide range of other

lead sounds.

EXTREME

This original high-gain amp delivers thick lows and

intense distortion while still preserving the sound’s

clear denition.

MIC

Select this position when a microphone is

connected.

* All product names mentioned in this document are trademarks

or registered trademarks of their respective owners, and are

not related to Roland Corporation. In this manual, these names

are used as appropriate ways to indicate sounds that are

simulated using COSM technology.

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Roland Micro Cube GX Seite 8

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