7
Signal (PART) Flow ....................................................................................................................
Parameters 117
Digital Connections Using R-BUS
Settings for the Digital Interface ([SYSTEM/UTILITY] - [F2 (Output)]) ............................ 119
Eight-Channel R-BUS Digital Connection 120
Converting to the Various Digital Formats ........................................................................................
Digital Output to an ADAT 121
Digital Output to a TASCAM DA Series 122
Digital Output to an AES/EBU Device....................................................................................
Synchronizing the XV-5080 to the Word Clock arriving at WORD CLOCK IN
Chapter 4 Creating Patches
Types of Patches and Their Composition
Four-Tone Patch .......................................................................................................................... 125
How a Tone Is Organized
Multi-partial Patch
How a Partial Is Organized .......................................................................................................
Selecting the Tones That Will Sound (Tone On/Off) 126
Settings Common to the Entire Patch
Common (Patch Common) 127
Control (Patch Control)
Structure (Patch Structure) ........................................................................................................ 131
K. Range (Patch Key Range) 132
V. Range (Patch Velocity Range) .............................................................................................. 133
Creating Four-Tone Patches.................................................................................................................. 134
Tips for Creating a Patch
More Advanced Editing of Tones
Tips for Selecting a Waveform
Modifying the Waveform and Pitch ([F2] (WG)) ...................................................................
Using the Filter to Modify the Brightness ([F3 (TVF)]).......................................................... 140
Changing the Volume and Stereo Location ([F4 (TVA)])
Applying Vibrato or Tremolo ([F5 (LFO&CTL)])
Creating Multi-Partial Patches ............................................................................................................. 148
Assigning Partials ....................................................................................................................... 148
Editing Partials ............................................................................................................................ 149
Editing Samples
Using the Filter to Modify the Brightness ([F3 (TVF)]).......................................................... 152
Making the Volume Change ([F4 (TVA)])
Applying Vibrato or Tremolo ([F5 (LFO&CTL)])
Making Effect Settings 158
Saving Patches You Create
Copying the Settings of Another Patch (Patch Tone Copy) 158
Chapter 5 Creating a Performance
How a Performance Is Organized
Basic Ways to Use Performances .........................................................................................................
Choosing the Parts to Play .................................................................................................................... 159
Establishing Settings for an Entire Performance (COMMON)
Settings for Each Part
Comparing the Settings of Each Part as You Make Settings.................................................
Setting the Keyboard Range
Selecting the Patch, and Setting the Volume, Pan, Pitch, and Polyphony 162
Editing the Attack and Release of the Sound and Changing the Way the Sound is Played
163
Establishing a Part’ s MIDI Settings .......................................................................................... 164
Confirming MIDI Information for Each MIDI Channel
Making Effect Settings 166
Saving Performances You Create
Copying the Settings of Another Part (Performance Part Copy) ....................................................
