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
MAIN
INJECT
VOLUME BALANCE
2 CH
STEREO
SHAPE
OUT
SHAPE
OUT
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH 1
CH 2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3 CH 4
4 CHANNEL
HEADPHONE AM
P
CH 2
CH 3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
0 10
0 1
0
0 1
00 10 L R
0 1
0
A U D I O
1

Copyright 2005, Samson Technologies Corp.
Printed March, 2005
Samson Technologies Corp.
575 Underhill Blvd.
P.O. Box 9031
Syosset, NY 11791-9031
Phone: 1-800-3-SAMSON (1-800-372-6766)
Fax: 516-364-3888
www.samsontech.com


2

3

Front Panel Layout 4
Rear Panel Layout 5

Setting Up the C•que 8 6-7
C•que 8 Master section 7
Stereo and Two Channel Modes 8
C•que 8 Channels 9

Linking Multiple C•que 8’s 10
Headphone Impedance and Sensitivity ratings 11
Cue Mix Set-up for Multitrack Vocal Recording 12
Cue Mix Set-up for Multitrack Rhythm section
Recording 13

14

15
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58
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

30
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Vorderseite 32
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Vorderseite 32

Rückseite 33

C•que 8 einrichten 34-35

C•que 8 einrichten 34-35

C•que 8 Master-Sektion 35
C•que 8 einrichten 34-35
C•que 8 Master-Sektion 35
C•que 8 einrichten 34-35
C•que 8 Kanäle 36
C•que 8 Master-Sektion 35
C•que 8 Kanäle 36
C•que 8 Master-Sektion 35
Stereo- und 2-Channel-Modi 37
C•que 8 Kanäle 36
Stereo- und 2-Channel-Modi 37
C•que 8 Kanäle 36

Mehrere C•que 8 koppeln 38

Mehrere C•que 8 koppeln 38

Köpfhörer-Impedanz und Empfindlichkeits-Nennwerte
Mehrere C•que 8 koppeln 38
Köpfhörer-Impedanz und Empfindlichkeits-Nennwerte
Mehrere C•que 8 koppeln 38
39
Cue-Mischung für Mehrspur-Gesangsaufnahme ein-
richten 40
Cue-Mischung für Mehrspur-Gesangsaufnahme ein-
richten 40
Cue-Mischung für Mehrspur-Gesangsaufnahme ein-
Cue-Mischung für Mehrspur-Rhythm Section-
Aufnahme einrichten 41
Cue-Mischung für Mehrspur-Rhythm Section-
Aufnahme einrichten 41
Cue-Mischung für Mehrspur-Rhythm Section-

42




43

59

60



16

17

Face avant 18
Face arrière 19

Configuration du C•que 8 20-21
Réglages généraux du C•que 8 21-22
Modes Stereo et 2 canaux 23

Couplage de plusieurs C•que 8’s 24
Impédances et Sensibilités de casque 25
Écoute au casque en enregistrement multipiste 26
Écoute au casque en enregistrement multipiste d’une
section rythmique 27

28

29

58

60


44

45

Panel frontal

46
Panel trasero
47

Configuración del C•que 8 48-49
Sección master del C•que 8 49

50
Modos Stereo y 2-Channel 51
Enlace de varios C•que 8 52
Conexiones del C•que 8 53
Valores de impedancia y sensibilidad de auriculares 53
Mezcla de escucha para grabación vocal multipistas 54
Mezcla de escucha para grabación multipistas de sec-
ción rítmica 55

56

57

59

60
ENGLISH
2
Congratulations on purchasing the Samson C•que 8 Headphone Amplifier! Although this unit is
designed for easy operation, we suggest you take some time out first to go through these pages
so you can fully understand how we’ve implemented a number of unique features. The C•que 8 is a
compact, high-quality device that allows you to monitor any stereo or monophonic source signal
(balanced or unbalanced) over as many as twelve separate headphones. Providing unusually high
power levels and superb audio fidelity, the C•que 8 is compatible with virtually all popular head-
phone models. Front panel controls include a Master Input Level control and Stereo/2 Channel
switch. Each headphone output has its own individual Shape Circuit Level Meters, and Level control.
Special output jacks on the rear panel allows any number of C•que 8 units to be linked together with
no loss of signal. The C•que 8 can be used in a wide variety of applications, including recording stu-
dios, teaching labs, broadcast environments, and for live performance. In this manual, you’ll find a
more detailed description of the features of the C•que 8, as well as a guided tour through the front
and rear panels, step-by-step instructions for using the C•que 8, a reference chart that gives imped-
ance and sensitivity ratings for a number of popular headphone models, and full specifications.
You’ll also find a warranty card enclosed—please don’t forget to fill it out and mail it so that you can
receive online technical support and so we can send you updated information about other Samson
products in the future.
With proper care and adequate air circulation, your C•que 8 will operate trouble free for many years.
We recommend you record your serial number in the space provided below for future reference.
Serial number:
Date of purchase:
Should your unit ever require servicing, a Return Authorization number (RA) must be obtained
before shipping your unit to Samson. Without this number, the unit will not be accepted. Please call
Samson at 1-800-3SAMSON (1-800-372-6766) for a Return Authorization number prior to shipping
your unit. Please retain the original packing materials and if possible, return the unit in the original
carton and packing materials.

ENGLISH
3

The Samson C•que 8 headphone amplifier utilizes the latest technology in gain management design. Here are some of its
features:
Four channel headphone mixer amplifier providing individual controls for each channel. Ideal for digital-audio-
workstations, stage and studios.
Dual headphone outputs; one rear, plus one front panel output per channel allowing a total of eight headphones
connected at the same time.
Maximum output power on each channel regardless of different headphone impedances.
Left and Right Line inputs for master stereo bus on balanced TRS (Tip Ring Sleeve) 1/4” phone connectors.
Inject input on TRS (Tip Ring Sleeve) unbalanced stereo phone connector allowing for the insertion of an addi-
tional stereo signal that is mixed with the stereo Line input for "more me" mixing.
2-Channel/Stereo mode switch configures the C que 8 to operate in traditional stereo mode, or in 2-Channel,
mono mode.
Balance controls pan in Stereo mode, or the level balance between the Line and Inject inputs in 2-Channel mode.
EQ Shape circuit on each channel provides a “music contour equalization curve that boosts the low and high fre-
quencies of the headphone output.
Each channel has a six-segment, LED Output meter, with a range of –24 to clip, making it easy to monitor the
channel output level.
A six-segment Main Level meter provides a clear and accurate indication of Line input level with an operating
range of –24 to clip.
Stacking Rubber Bumpers are included allowing several C que 8’s, or other Samson C Class units, to be stacked
on top of each other creating a neat array of high quality signal processors.
Tilting Feet are also included so that the C class units can be positioned in a comfortable and ergonomic position
on desktops and workstations.
19”, 1 u (one rack space) rack-mount kit available.
Three year extended warranty.
MAIN
INJECT
2 CH
STEREO
SHAPE
OUT
SHAPE
OUT
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH 1
CH 2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3 CH 4
4 CHANNEL
HEADPHONE AM
P
CH 2
CH 3
CH 4
VOLUME
VOLUME VOLUME
VOLUME
VOLUME BALANCE
0 10 L
R
0 1
0
0 1
0
0 1
0
0 1
0
ENGLISH
8

The C•que 8’s Headphone Output jack accepts a standard 1/4” TRS connector for easy interface with most
professional headphones. Once the master VOLUME has been set, the channels output level is set by the
VOLUME knob.

Each of the four C•que 8 channels features an EQ SHAPE
switch allowing individual equalization contour for each
channel. When the EQ SHAPE switch is in, the LED will
illuminate indicating the EQ SHAPE circuit is engaged.
The EQ SHAPE circuit provides a pre-set equalization
curve designed to sound good on most program music.
In this mode, the low frequencies have a 6dB boost at
100Hz and the high frequency are boosted 6dB at 12kHz.
When the EQ SHAPE switch is in the out position, fre-
quency response of the channel is flat.

The channel VOLUME control is used to adjust the channel headphone output. The volume control will
adjust the level of the front panel headphone outputs, as well as that channel’s rear panel headphone out-
puts.

Each C•que 8 Channel has an 6 segment, LEDlevel meter which monitors the output of the channel in
Decibels (dBs) –24 toOL (overload). If the LEVEL meter displays an OL signal, then turn down the channel
VOLUME, and if necessary, also turn down the master VOLUME .
MAIN
INJECT
VOLUME BALANCE
2 CH
STEREO
SHAPE
OUT
SHAPE
OUT
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH 1
CH 2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3 CH 4
4 CHANNEL
HEADPHONE AM
P
CH 2
CH 3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
0 10
0 1
0
0 1
00 10 L R
0 1
0

1
2
3
4
5
6
8
7
9
1
2
3
4
5
6
8
7
9
1
2
3
4
5
6
8
7
9

1
2
3
4
5
6
8
7
9
1
2
3
4
5
6
8
7
9
1
2
3
4
5
6
8
7
9
1
2
3
4
5
6
8
7
9
1
2
3
4
5
6
8
7
9
ENGLISH
9


All of the C•que 8’s four channels can be set to operate in two different modes: Stereo and 2 Channel.

Stereo mode is a normal operating mode where all mix inputs from MAIN and INJECT, maintain their stereo image
throughout the signal path to each headphone output. The BALANCE control is used to adjust the stereo image ,
between the Left and Right side. To design a monitor mix in the Stereo mode, follow these steps:
Press the ST/2CH switch to the OUT position, you’ll notice the switch LED is not illuminated indicating that thde
main input is in STEREO mode.
Make a Stereo connection from your mixers auxiliary or bus outputs to the main Left and Right Line inputs on
the C•que 8’s rear panel.
In the Stereo mode, the BALANCE control adjusts the loudness between the left and right headphone outputs.

In 2- Channel mode, all mix inputs including MAIN and INJECT are summed to a mono signal. In this mode, the BALANCE
control is used to adjust the loudness between the MAIN and the INJECT input. To design a monitor mix in the 2-Channel
mode, follow these steps:
Press the ST/2CH switch to the IN position, you’ll notice the
switch LED is now illuminated indicating that C•que 8 is in 2-
Channel mode.
Make a Stereo connection from your mixers auxiliary or bus
outputs to the MAIN Left and Right LINE inputs on the C•que 8’s
rear panel.
If a second mix is desired, make a Stereo connection from your
mixer’s auxiliary or bus outputs to the INJECT located on the
C•que 8’s front panel.
In the 2-CH mode you adjust the mix balance between the
MAIN and the INJECT input by using the BALANCE control in the
Master Section.
MAIN
INJECT
VOLUME BALANCE
2 CH
STEREO
SHAPE
OUT
SHAPE
OUT
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH 1
CH 2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3 CH 4
4 CHANNEL
HEADPHONE AM
P
CH 2
CH 3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
0 10
0 1
0
0 1
00 10 L R
0 1
0
ENGLISH
13


RHYTHM SECTION AND BACKING TRACKS MIX
FROM CONSOLE AUX SEND
SIGNAL FLOW
Bass Guitar
From Mixer Direct Out
Rhythm Guitar
From Mixer Direct Out
Lead Guitar
From Mixer Direct Out
Keyboards
From Mixer Direct Out
SIGNAL FLOW
MAIN
INJECT
VOLUME
2 CH
STEREO
SHAPE
OU
T
SHAPE
OUT
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH
1
CH
2
SHAPE
OUT
SHAPE
OU
T
OL
0
-6
-12
-18
-24
CH 3 CH
4
4 CHANNEL
HEADPHONE AMP
CH 2
CH
3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
MAIN
INJECT
2 CH
STEREO
SHAPE
OU
T
SHAPE
OU
T
0 10
0 10
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH
1
CH
2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3 CH
4
4 CHANNEL
HEADPHONE AMP
CH 2
CH
3
CH 4
VOLUME
VOLUME
VOLUME
VOLUME
MAIN
INJECT
2 CH
STEREO
SHAPE
OU
T
SHAPE
OU
T
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH
1
CH
2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3 CH
4
4 CHANNEL
HEADPHONE AMP
CH 2
CH
3
CH 4
VOLUME
VOLUME VOLUME
VOLUME
MAIN
INJECT
2 CH
STEREO
SHAPE
OU
T
SHAPE
OU
T
0 10
0 10
CH 1
OL
0
-6
-12
-18
-24
OL
0
-6
-12
-18
-24
CH
1
CH
2
SHAPE
OUT
SHAPE
OUT
OL
0
-6
-12
-18
-24
CH 3 CH
4
4 CHANNEL
HEADPHONE AMP
CH 2
CH
3
CH 4
VOLUME
VOLUME VOLUME
VOLUME
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
0 10
BALANCE
L R
0 1
0
0 1
0
0 1
0
0 1
0
VOLUME
0 10
BALANCE
L R
0 1
0
0 1
0
0 1
0
0 1
0
VOLUME
0 1
0
BALANCE
L R
0 1
0
0 1
0
0 1
0
0 1
0
VOLUME
0 10
BALANCE
L R
0 1
0
0 1
0
0 1
0
0 1
0
TO RIGHT
LINE INPUT ON
REAR PANEL
LINK OUTPUT
BALANCED
LEFT
RIGHT
LINE INPUT
BALANCED
LEFT
RIGH
T
LINK OUTPUT
BALANCED
LEFT
RIGH
T
LINE INPUT
BALANCED
LEFT
RIGH
T
LINK OUTPUT
BALANCED
LEFT
RIGH
T
LINE INPUT
BALANCED
LEFT
RIGH
T
LINK OUTPUT
BALANCED
LEFT
RIGH
T
LINE INPUT
BALANCED
LEFT
RIGH
T
The following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five C
The following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five CThe following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five C
que 8’s. The complete mix for all the
musicians is sent via the consoles auxiliary send to the C
musicians is sent via the consoles auxiliary send to the Cmusicians is sent via the consoles auxiliary send to the C
que 8’s RIGHT LINE input and daisy-chained from unit to unit. Then signal from each instrument is con-
nected from the consoles direct outputs to each of C
nected from the consoles direct outputs to each of Cnected from the consoles direct outputs to each of C
que 8’s master INJECT inputs using a mono 1/4-inch (TIP/SLEEVE) cable. (By using a mono 1/4-inch cable only
the Left Inject input is connected). The C
the Left Inject input is connected). The Cthe Left Inject input is connected). The C
cue 8’s are set to 2-channel mode, so that the BALANCE controls the level difference between the backing tracks and indi-
vidual instruments. This allows the lead vocalist or musician to dial up his or her own track for a “more me mix.
FRANÇAIS
16
Nous tenons à vous remercier d’avoir choisi l’amplificateur de casques Samson C•que 8. Bien que cet
appareil ait été conçu pour être d’une extrême simplicité d’utilisation, nous vous suggérons vive-
ment de lire ce mode d’emploi pour en comprendre toutes les fonctions. Le
C•que 8 est un appareil compact et de très haute qualité vous permettant d’écouter toute source
mono ou stéréo (symétrique ou asymétrique) avec un maximum de douze casques. Offrant une
puissance de sortie très puissante et une fidélité audio inhabituelle pour ce type d’équipement, le
C•que 8 est compatible avec quasiment tous les types de casques du marché. Les réglages de face
avant regroupent un niveau d’entrée général Master et un sélecteur stéréo/2 canaux. Chaque sortie
casque possède son circuit Shape, son afficheur de niveau et son réglage de niveau de sortie. Les
connecteurs de sortie spéciaux en face arrière vous permettent de coupler autant de C•que 8 que
vous le souhaitez, sans perte de signal. Le C•que 8 peut être utilisé pour de très nombreuses applica-
tions, en studio d’enregistrement, dans les laboratoires pédagogiques, en radiodiffusion ou pour la
scène. Dans ce mode d’emploi, vous trouverez des explications détaillées des fonctions du C•que
8, ainsi qu’une description des faces avant et arrière. Vous trouverez également les instructions
pas-à-pas pour l’utilisation du C•que 8, un tableau de référence avec les valeurs d’impédances et de
sensibilité pour les casques les plus utilisés, ainsi que le détail des caractéristiques techniques. Vous
trouverez également une carte de garantie — noubliez pas de la remplir et de nous la renvoyer. Ceci
vous donne accès à nos services techniques et nous permet de vous faire parvenir les informations
sur les nouveaux produits Samson.
Avec une utilisation correcte et un refroidissement adéquat, le C•que 8 vous donnera satisfaction
pendant de nombreuses années. Prenez le temps de noter le numéro de série pour toute référence
future.
Numéro de série :
Date d’achat :
Si vous devez faire réparer cet appareil, vous devez obtenir un numéro d’autorisation auprès de nos
services avant tout envoi. Sans ce numéro, l’appareil ne sera pas accepté. Appelez votre revendeur
ou le distributeur de votre pays, ou Samson aux USA au 1-800-3SAMSON
(1-800-372-6766) pour obtenir un numéro d’autorisation avant d’expédier l’appareil. Conservez
l’emballage d’origine pour toute expédition.

DEUTSCHE
38

Da die Stereo Link-Ausgangsbuchsen des C•que 8 elektronisch symmetriert sind, empfehlen wir die Verwendung von
3-adrigen Kabeln und 1/4" Stereo-Anschlüssen (Spitze/Ring/Schirm). Auch wenn mehrere C•que 8 auf diese Weise gekop-
pelt sind, ist keine Verringerung der Leistung oder Klangtreue festzustellen – jeder Kanal jedes C•que 8 klingt so laut und
klar, als wäre es das einzige angeschlossene Gerät. Der Status der vorderseitigen Stereo/2 CH-Taste wirkt nur auf das jew-
eilige Gerät und nicht auf die weiteren gekoppelten Geräte.
Sie können eine beliebige Anzahl von C•que 8 miteinander koppeln (seriell verketten) und auf diese Weise ein
Eingangssignal über mehr als zwölf Kopfhörer abhören oder den einzelnen Musikern mehr Kontrolle über Ihre eigene
Kopfhörer-Mischung geben. Gehen Sie einfach schrittweise wie folgt vor:
Stellen Sie eine Verbindung zwischen dem linken/rechten Link-Ausgang eines C•que 8 und dem linken/rechten
Haupt-Eingang des nächsten C•que 8 her.
POWER
AC IN
18
V
MADE IN CHINA
+
-
CH 4
CH
3
CH 2 CH
1
LINK OUTPUT
BALANCED
LEFT
RIGHT
LINE INPUT
BALANCED
LEFT
RIGHT
SAMSON
500mA
SAMSON
500mA
POWER
AC IN
18
V
MADE IN CHINA
+
-
CH 4
CH
3
CH 2 CH
1
LINK OUTPUT
BALANCED
LEFT
RIGHT
LINE INPUT
BALANCED
LEFT
RIGHT
CH 1
CH
2
CH
3
CH
4
CH
1
CH
2
CH
3
CH
4
SIGNALFLUSS
SIGNALFLUSS

1

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