Bedienungsanleitung Samson Studio GT (Seite 16 von 112) (Deutsch, Englisch, Französisch, Italienisch, Spanisch)

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Studio GT

Background on the Studio GT Active Monitors with Studio Interface

The Studio GT are near field reference monitors featuring a custom designed, 4-inch

copolymer, low frequency driver and a 25mm silk dome tweeters, employing a ferro-

fluid cooled voice coil and neodymium magnet. The monitors’ crossover has been

carefully designed with high quality components ensuring a linear frequency and

phase response. The Studio GT enclosures are constructed from MDF (Medium Density

Fiberboard) and are finished in scuff resistant, textured vinyl covering. The monitors’

enclosures also include tuned vent ports that provide extended low-end response,

and with a low turbulence design, the low frequency driver can move freely with

minimal effect on the overall impedance. On the front panel, you’ll find two XLR ¼”

input channels with Gain controls, two 3.5mm Headphone output jacks, Headphone

and Speaker Volume controls, Direct Monitoring STEREO/MONO switch, and MIX

control. On the rear of one enclosure, you’ll find Studio GT’s connection panel, which

features an RCA unbalanced input, 3.5mm Aux input, USB “B” style connector and AC

power inlet. Input and output signals are connected to Studio GT’s internal stereo

power module, providing 20 watts per channel through passive crossovers.

Positioning the Studio GT

Near field monitoring has become the choice of many engineers in large and small

studios because it minimizes the effect of room acoustics. This is especially important

in today’s project studios since the budget for room acoustics is often minimal. By

positioning the reference monitors in the near field (close to the listeners), you can

greatly reduce the effects of room acoustics. The most important considerations when

evaluating the effects of room acoustics are reflective surfaces that are around the

monitoring area. These can include flat tabletops, glass mirrors or framed pictures,

large open walls and even the surface of your mixing console. Most reflecting sound

will eventually reach the listening position, but since it is slightly delayed from the

direct source, the result is random cancellation of some frequencies, or comb filtering.

If possible, remove any and all reflective surfaces from the vicinity of the studio

monitors. You may also want to hang some acoustic foam on walls that are close to

the monitors. When positioning the monitors, you’ll want to set up what is commonly

referred to as the “mix triangle.” In this ideal configuration, the space between the left

and right monitor is equal to the distance from the listener to each monitor, forming

an equilateral triangle.

Prime Listening Spot

Equal Distance

Setting Up the Studio GT

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Samson Studio GT Seite 16

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