Bedienungsanleitung Tascam DP-02 (Seite 13 von 80) (Englisch)

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IMPORTANT SAFETY INSTRUCTIONS

TASCAM DP-02/DP-02CF 13

1 – Starting out with your DP-02/DP-02CF

DC input

To MIDI sequencer,

drum machine, etc.

From stereo effects

unit outputs

Synths, pre-amps etc.

fo here

Guitars, basses etc. go here

From submixer/MIDI tone

generator, etc.

To analog recorder,

monitoring system, etc.

To effects unit

To digital

recorder, etc.

Microphones go here

Microphones are connected to the rear panel inputs.

Set the GUITAR switches to MIC/LINE. Turn the input

level controls so that the OL indicators light up only in the

loudest part of the recording.

NOTE

The unit includes phantom-powered XLR microphone

input connectors. See “Balanced XLR inputs” on page

14 for details of using these connectors.

Synthesizers, etc. including drum machines, guitar

amplifier simulators, active basses, etc. as well as CD play-

ers, cassette decks, and so on can be connected to the rear

panel input jacks using standard 1/4” mono plugs (unbal-

anced). When you are recording a stereo source, make sure

the INPUT MODE key is set to STEREO (see “The INPUT

MODE key” below).

Set the GUITAR switch to MIC/LINE. Adjust the input level

controls and use the instrument’s output volume controls

to adjust the level so that the OL indicators light up only

during the very loudest passages.

WARNING

NEVER plug the speaker outputs of a guitar ampliﬁer

into the unit.

Guitars and basses (passive types) are connected to

the rear panel INPUT A using a standard 1/4” mono plug

(unbalanced).

Set the MIC/LINE switch to GUITAR. Turn the input level

control until the OL indicators barely light on the loudest

passages.

T I P

Use the built-in tuner (on the DP- 02 only) to tune the

guitar or bass (see “Tuning a guitar” on page 58).

The INPUT MODE key You will use this key when you

are recording from input A and input B at the same time.

This top panel key affects the way that you monitor the

input signals, both through the headphones and/or through

the LINE OUTPUT jacks. There are two positions:

NOTE

INPUT MODE does not affect the recording at all—just

the monitoring process.

MONO x 2—The signals from input A and input B are

both sent to the center of the monitoring “stage”.

NOTE

In the MONO X 2 mode, the A and B input signals are

added together in the center, and you may hear distor-

tion in the monitoring system This does not affect the

recording, though.

STEREO—The signal from input A is sent to the left,

and the signal from input B is sent to the right of the

monitoring “stage” forming a stereo pair for use when

you are recording stereo instruments such as synthesiz-

ers, etc.

Monitoring and recording Use the rear panel LINE

OUTPUT RCA jacks to connect the unit to your monitoring

system (that is, an amplifier/ speaker setup). When you’re

ready to make your final stereo master, you can use these

jacks to connect to an analog recorder.

A typical setup would connect these jacks to the AUX IN

of a stereo system.

Use the stereo system’s selector switch to listen to the AUX

source when tracking, bouncing or mastering on the unit.

NOTE

“Tracking” means recording tracks on the unit.

“Mastering” means taking these recording tracks and

mixing them down to stereo.

When you have mastered the stereo track and you want

to record it, set the stereo monitoring system so that the

recorder is set to the AUX source. Now you are monitoring

(or listening) through your stereo system.

Effect processor When you want to use an exter-

nal effect processor with the unit, connect the rear panel

•

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