Bedienungsanleitung Tascam MF-P01 Portastudio (Seite 14 von 16) (Englisch)

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PORTASTUDIO MF-P01

MF-P01, and may damage the ampliﬁer. Only use

outputs which are marked LINE OUT, PRE OUT,

DIRECT OUT and so on. Avoid using any outputs

marked SPEAKER OUT, SP OUT, 4

Ω

, 8

Ω

, 16

Ω

the like.

Recording with effects

Professional recordings often use effects like digital

reverberation on vocals, etc.

You can add effects such as a reverberation by

plugging a source (instrument or microphone) into an

effects unit, and plugging the unit into the MF-P01.

Note that the effects unit must be able to accept

microphone-level signals when connecting a

microphone.

In addition, you will need to use the internal balance

control in the unit to decide how much of the "dry"

(unaffected) sound will be passed through to the

MF-P01 for recording.

If you do not have access to a reverberation unit, you

can try recording vocals in a very "live" room

(without many furnishings).

When you’re not recording

Try to get into the habit of always leaving all the REC

FUNCTION switches in the "off" state unless you are

actually recording or rehearsing a take.

This will stop you recording by accident (remember

that pressing RECORD with all the REC

FUNCTION switches to "off" is the same as pressing

PLAY).

Recording more than four tracks

Although the MF-P01 has only 4 tracks, it is possible

to produce a mix with more than four sounds. There

are two methods, as shown below.

Method 1:

• By playing along with the track sounds while

mixdown recording, you can also mix an additional

sound together with tracks 1 through 4.

In this case, the "live" sound is fed via the MIC/

LINE input, so it is always positioned in the center.

1) Record on all four tracks of the MF-P01, and set

all REC FUNCTION switches to "off".

2) Adjust settings of LEVEL and PAN for all tracks

for mixdown.

3) Connect the source for the extra input to the MIC/

LINE jack.

4) Use the INPUT LEVEL fader to adjust the levels

of the input signals against the tape tracks.

5) Adjust the recording level of the master recorder

using the MASTER control of the MF-P01 or the

input level control of the master recorder.

Method 2:

For this method, there must be an ordinary stereo

cassette recorder used as the master recorder.

1) Make mixdown recording to a TYPE II cassette

tape with no noise reduction according to the pro-

cedures described in "Mixing down tracks" on

page 12.

2) Load this mixed tape in the MF-P01.

The mixed-down signals are played back from

tracks 1 and 2, and you can now record additional

materials on tracks 3 and 4.

There are a few points to remember:

• Although you can repeat this process of mixing 4

tracks to 2 and then adding 2 more, as you repeat

the mix process, noise and hiss will build up to a

point where the quality becomes unacceptable.

• The master recorder must have its noise reduction

turned off when mixing the MF-P01 tracks to the

mastering machine, as the MF-P01 does not use

noise reduction. Of course, on the ﬁnal stereo mix,

you can use noise reduction on the master recorder.

• Once you have mixed the four tracks to two, you

cannot adjust their levels or pan positions again on

the new tape. Think ahead to what tracks you will

record on the new tape, and mix accordingly.

Hints and advanced tips

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