Bedienungsanleitung TC Helicon VoiceLive Rack (Seite 60 von 89) (Englisch)

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REVERB Tab Overview

Reverb is the arguably the most common vocal

effect. It can add a spaciousness that softens the

abrupt beginnings and endings of lyric phrases.

Many reverb types are meant to imitate the natu-

ral sound of spaces like churches, clubs and halls

but not all. Some reverb effects are recreations of

electro-mechanical effects meant to imitate real

spaces like plates and springs.

Reverbs are made up of early reections and the

longer reverberant sounds known as the tails.

There are usually controls to control the balance

of room level and tail. Additionally, a small delay

can be added between the dry voice and the

reverb signal that adds clarity by briey separat-

ing the dry voice from its reverb. By far the most

important control for reverb is the level. A single

reverb patch can have a different result for the

audience whether it is mixed quietly or boldly in

the mix.

f STYLE

Use the soft knob assigned to this parameter to

choose a pre-programmed reverb style you like.

f LEVEL

Sets the mix level for the Reverb effect.

f WIDTH

Sets the stereo imaging of the Reverb effect. 0% is

mono, 100% is fully stereo.

f DECAY

Sets the length of the reverb tail from 10mS

to 20 seconds. Note that, due to the complex

nature of Reverb algorithms, a decay time of 4

seconds may sound quiet different from one style

to the next, even when the rest of the settings

are identical.

f LO COLOR / HI COLOR

These are preset-frequency lters inserted into

the Reverb feedback path that tailor the low and

high frequency response and decay of the tails.

Values toward -50 will cut response in its respec-

tive band and a values toward 50 increase re-

sponse.

f HI FACTOR

This allows you to raise or lower the level of the

high band of the Reverb tail independently.

f EARLY REFLECTIONS / TAIL LEVEL

These parameters allow you to attain the right

balance between reections you would hear

from close surfaces (EARLY REFLECTIONS) with

those from surfaces further away (TAIL LEVEL).

The settings for the early reections in each style

are slightly different but non-editable.

f DUCKING

When DUCKING is set to ON, the Reverb

block’s output will be reduced while you are sing-

ing. At the end of a sung phrase, the effects return

to the level you set, increasing the clarity of your

vocals while still sounding very “wet”. The amount

of attenuation and attack time for ducking are set

with the DUCKING AMOUNT and DUCKING

TIME parameters further down in this menu.

f DIFFUSE

Also known as Diffusion, this is a very subtle pa-

rameter used to simulate and control the density

of the reections inherent in real acoustic spaces.

Low DIFFUSE values (-25 to 0) are intended to

introduce more discrete echo-like motion to the

tail where high values (0 to 25) make the tail

smoother-sounding.

The Edit Button

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TC Helicon VoiceLive Rack Seite 60

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