Bedienungsanleitung Yamaha 01X (Seite 52 von 156) (Englisch)

48716

Zoom out

Zoom in

Vorherige Seite

1/156

Nächste Seite

Mixing Tutorial

01X Owner’s Manual

Before Using Basics Section AppendixGetting Started Reference

Using Dynamics —

applying compression, etc.

The Dynamics effects of the 01X provide useful, powerful

ways to process the sound, both during and after recording.

They can be used to tame excessively wild sounds or

expand and enhance less lively sounds.

•For the most natural, transparent sound, use compression on individ-

ual instruments rather than the overall mix. The effects will be less

audible.

■ Operation

q Select the desired channel by pressing the correspond-

ing [SEL] button.

w Press the [DYNAMICS] button.

e Press [SELECTED CHANNEL] to switch between the

Single Channel and Multi Channel modes.

The Selected Channel mode lets you see and edit all

Dynamics parameters for the selected channel.

The Multi Channel mode, on the other hand, is for

viewing and changing the on/off status of Dynamics for

all channels.

r From the Selected Channel mode, press the [DYNAM-

ICS] button to select the desired displays. The ﬁrst

contains the Dynamics parameters; the second contains

the Dynamics library (page 54).

t Adjust the desired Dynamics parameter by turning the

corresponding knob.

● About Dynamics and Compression

Of all the aspects of modern music production, com-

pression is one of the least understood. This is mainly

because the sonic results are so subtle and hard to dis-

tinguish.

Compression is a type of dynamics (loudness) process-

ing, and affects the dynamic range of a signal—in other

words, the difference between the softest and loudest

sounds of the signal. Other dynamics processors

include gates, expanders and limiters.

A compressor “squeezes” the dynamic range of a

sound—making the soft parts louder and the loud parts

softer. For this reason, it is ideal for smoothing out wild

ﬂuctuations in level, such in a vocalist who both whis-

pers and screams in the same song. Once the audio is

compressed, the level can be raised, so that the loud

parts are as loud as before (or even louder), and the

soft parts can be clearly heard (including your vocalist’s

breathing).

Since a smoother dynamic range is easier to record,

you’ll probably want to apply compression while record-

ing. Don’t overdo it, though. You should only apply

compression to the source enough to tame the levels,

keeping the sound relatively natural and uncolored.

Process it later after it’s recorded, if necessary.

Compression also can be used to change and enhance

certain sounds—such as putting a mean attack on a

wimpy snare drum, adding crunch, bite and sustain to a

mild-mannered electric guitar, or making a soft lead

vocal sound urgent and up-close.

DYN-ON THRESH RATIO ATTACK RELEAS GAIN KNEE

OFF - 8.0 2.5:1 60ms 229ms 0.0 2

DYNAMICS

OFF ON ON OFF OFF OFF OFF OFF

Threshold

DYNAMICS LIBRARY SEL<CH1 >

*01[Comp ] RECALL/STORE /CLEAR

DYN-ON THRESH RATIO ATTACK RELEAS GAIN KNEE

OFF - 8.0 2.5:1 60ms 229ms 0.0 2

● Example — Compressor

* Dynamics Parameter page (See pages 118 – 124.)

* Dynamics Library page (See pages 100, 118.)

Ratio Attack Release Gain Knee

Missbrauch melden von Frage und/oder Antwort

Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

Yamaha 01X Seite 52

Brauchen Sie Hilfe? Stellen Sie Ihre Frage.

Missbrauch melden von Frage und/oder Antwort

Art des Missbrauchs:

Forenregeln

Neu registrieren

Das Handbuch wird per E-Mail gesendet. Überprüfen Sie ihre E-Mail.

Ihre Frage wurde zu diesem Forum hinzugefügt

Info