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Yamaha A4000 Seite 268

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Effect Parameter List
268 Appendix • A5000/A4000 ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
88: TEMPO DELAY (MONO)
1 Dry/Wet D63>W — D=W — D<W63 Balance of the dry sound and effect sound
@2 Delay Time 32nd note — whole note Delay length specified by note length
3 Feedback Level -63 — +63 Amount of feedback
4 Feedback High Damp 0.1 — 1.0 High range attenuation (lower values cause the high range to decay faster)
5 L/R Diffusion -63ms — +63ms The feeling of “width” produced by the delay
6 Lag -63ms — +63ms Lag in relation to tempo
7 EQ Low Frequency 32Hz — 2.0kHz Frequency at which the EQ will boost/cut the low range
8 EQ Low Gain -12dB — +12dB Gain with which the EQ will boost/cut the low range
9 EQ High Frequency 500Hz — 16.0kHz Frequency at which the EQ will boost/cut the high range
10 EQ High Gain -12dB — +12dB Gain with which the EQ will boost/cut the high range
Synchronizes to external MIDI clock when Program LFO sync is set to “MIDI,” and to the Program LFO tempo when set to “Manual.”
89: TEMPO DELAY (STEREO)
1 Dry/Wet D63>W — D=W — D<W63 Balance of the dry sound and effect sound
@2 Delay Time 32nd note — half note Delay length specified by note length
3 Feedback Level -63 — +63 Amount of feedback
4 Feedback High Damp 0.1 — 1.0 High range attenuation (lower values cause the high range to decay faster)
5 L/R Diffusion -63ms — +63ms The feeling of “width” produced by the delay
6 Lag -63ms — +63ms Lag in relation to tempo
7 EQ Low Frequency 32Hz — 2.0kHz Frequency at which the EQ will boost/cut the low range
8 EQ Low Gain -12dB — +12dB Gain with which the EQ will boost/cut the low range
9 EQ High Frequency 500Hz — 16.0kHz Frequency at which the EQ will boost/cut the high range
10 EQ High Gain -12dB — +12dB Gain with which the EQ will boost/cut the high range
Synchronizes to external MIDI clock when Program LFO sync is set to “MIDI,” and to the Program LFO tempo when set to “Manual.”
90: TEMPO CROSS DELAY
1 Dry/Wet Balance D63>W — D=W — D<W63 Balance of the dry sound and effect sound
@2 Delay Time L>R 32nd note — half note Left (input) to right (output) delay specified by note length
@3 Delay Time R>L 32nd note — half note Right (input) to left (output) delay specified by note length
4 Feedback Level -63 — +63 Amount of feedback
5 Feedback High Damp 0.1 — 1.0 High range attenuation (lower values cause the high range to decay faster)
6 Input Select L, R, L&R Input selection
7 Lag -63ms — +63ms Lag in relation to tempo
8 EQ Low Frequency 32Hz — 2.0kHz Frequency at which the EQ will boost/cut the low range
9 EQ Low Gain -12dB — +12dB Gain with which the EQ will boost/cut the low range
10 EQ High Frequency 500Hz — 16.0kHz Frequency at which the EQ will boost/cut the high range
11 EQ High Gain -12dB — +12dB Gain with which the EQ will boost/cut the high range
Synchronizes to external MIDI clock when Program LFO sync is set to “MIDI,” and to the Program LFO tempo when set to “Manual.”
91: TEMPO FLANGER
1 Dry/Wet Balance D63>W — D=W — D<W63 Balance of the dry sound and effect sound
2 LFO frequency 32nd note — 1/4 note x 16 Delay modulation frequency specified by note length
3 LFO depth 0 — 127 Delay modulation depth
4 Feedback Level -63 — +63 Level at which the delay output is returned to the input
5 Delay Offset 0.0ms — 50.0ms Offset value for delay modulation
6 LFO Phase Difference -180deg — +180deg L/R phase difference in the modulation waveform (no difference at 0 deg)
@7 LFO Init Phase 0deg, 90deg, 180deg, 270deg Sets the initial phase of the LFO waveform
8 EQ Low Frequency 32Hz — 2.0kHz Frequency at which the EQ will boost/cut the low range
9 EQ Low Gain -12dB — +12dB Gain with which the EQ will boost/cut the low range
10 EQ Mid Frequency 100Hz — 10.0kHz Frequency at which the EQ will boost/cut the mid range
11 EQ Mid Gain -12dB — +12dB Gain with which the EQ will boost/cut the mid range
12 EQ Mid Width 1 — 12.0 Width of the mid range area which the EQ will boost/cut
13 EQ High Frequency 500Hz — 16.0kHz Frequency at which the EQ will boost/cut the high range
14 EQ High Gain -12dB — +12dB Gain with which the EQ will boost/cut the high range
15 LFO Reset (Ctrl) Reset to initial phase (for MIDI control)
Synchronizes to external MIDI clock when Program LFO sync is set to “MIDI,” and to the Program LFO tempo when set to “Manual.”
The initial phase of the LFO modulation waveform can be reset from a MIDI controller.
In order to do this the controller to be used must be assigned to “E*-15” (“*” is the effect number used for this effect) via the program controller setup display. The phase is reset when
a corresponding MIDI control change message is received, regardless of the control change value.
92: TEMPO PHASER
1 Dry/Wet Balance D63>W — D=W — D<W63 Balance of the dry sound and effect sound
2 LFO frequency 32nd note — 1/4 note x 16 Phase modulation frequency specified by note length
3 LFO depth 0 — 127 Depth of phase modulation
4 phase shift offset 0 — 127 Phase shift offset value
5 feedback level -63 — +63 Level at which phaser output will be returned to the input (negative values invert the phase)
6 stage 3, 4, 5, 6 Number of phaser shifter stages
7 LFO phase difference -180deg — +180deg L/R phase difference in the modulation waveform (no difference at 0 deg)
@8 LFO Init Phase 0deg, 90deg, 180deg, 270deg Sets the initial phase of the LFO waveform
9 EQ Low Frequency 32Hz — 2.0kHz Frequency at which the EQ will boost/cut the low range
10 EQ Low Gain -12dB — +12dB Gain with which the EQ will boost/cut the low range
11 EQ High Frequency 500Hz — 16.0kHz Frequency at which the EQ will boost/cut the high range
12 EQ High Gain -12dB — +12dB Gain with which the EQ will boost/cut the high range
13 LFO Reset (Ctrl) Reset to initial phase (for MIDI control)
Synchronizes to external MIDI clock when Program LFO sync is set to “MIDI,” and to the Program LFO tempo when set to “Manual.”
The initial phase of the LFO modulation waveform can be reset from a MIDI controller.
In order to do this the controller to be used must be assigned to “E*-13” (“*” is the effect number used for this effect) via the program controller setup display. The phase is reset when
a corresponding MIDI control change message is received, regardless of the control change value.
… 268 …

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