Bedienungsanleitung Yamaha AN1X (Seite 6 von 122) (Englisch)

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PITCH

MODULATION

VOLUME

CTRL

SCENE

Algorithm

Wave

Attack

ASSIGN 1 ASSIGN 2

ASSIGN 3

ASSIGN 4

PEG Decay

Wave

VCO1

Fine

PEG Sw

FM Src2

LFO2 Spd

PmodDepth PmodDepth

Level

LFO1 Wave LFO1 Spd

LFO1 Dly

ASSIGN 5

ASSIGN 6 ASSIGN 7 ASSIGN 8

VCF

Cutoff

Sync

Pmod Sw

Sync Pitch

Pitch Pitch

PEG Depth

Decay

VCO2

Level

FM Depth

FM Src1

PHONES

L / MONO

OUTPUT

DC IN POWER

FOOT

VOLUME

FOOT

CONTROLLER

FOOT

SWITCH

Sync Pitch

Depth

Sustain

Ring

Mod

Sustain

Sync Pitch

Src

Edge

Port Time

Edge

Release

Noise

Level

HPF

Feedback

VCF

PWM Depth

PWM Src PWM Src

PWM Depth

Type

Reso

nance

Volume

FEG

Depth

Fmod

Depth

Amod Depth

Vel

Sens

Key

Track

Vel Sens

OUT

MIDI

THRU

PROGRAM CHANGE

VWX

MNO

PQR

GHI

–

DEF

ABC

OTHERS

STU

JKL

YES/ ENTERNO

DEMO

PORTAMENTO

STORE

ARPEGGIO/SEQ

LAYER

Mode

Poly

Temp

Track

Trigge

Comm

Arp /S

Knob

Event

Syste

Mstr Tu

KNOB PARAMETER GROUP

PEG/ LFOSYNC/FM

VCO1

VCO2

MIX/VCF

VCF

VCA

ASSIGN

[VOLUME] knob

This knob controls the AN1x’s overall

volume level output from the PHONES

and OUTPUT jacks. Turn the [VOLUME]

between left-most (minimum) and right-

most (maximum) positions to set the

proper listening level whether using

headphones or amplified speakers.

[SCENE] switches

Each of the AN1x's 128 voices has two Scene

memories, each of which are instantly accessible

by pressing the [SCENE 1] or [SCENE 2] switch.

Each Scene can have its own distinct sound.

Pressing both [SCENE] switches simultaneously

activates the Scene Control function, which lets you

"morph", or cross-fade between Scenes in real-

time using the assignable [MODULATION] wheel,

an assignable Foot Controller, or any other

continuous controller.

[RIBBON] controller

The assignable [RIBBON] controller gives you

horizontal slide (X) and pressure (Z) control of

designated controllable parameters as you play,

including filter cutoff, resonance, LFO, panpot,

reverb, and more.

[PITCH] wheel

The [PITCH] wheel lets you bend the pitch up or

down as you play. It is spring-loaded to

automatically return to center position when you let

go of it. You can use the Control Matrix to designate

specific Pitch Bend parameters for the upper and

lower bend ranges for each Scene.

[MODULATION] wheel

The assignable [MODULATION] wheel lets you

apply modulation or another designated

controllable parameter as you play, or morph

between Scenes when the Scene Control function is

active (and the [MODULATION] wheel is

designated as the source controller).

CONTROL knobs with push-switch (knob parameters)

The eight assignable CONTROL knobs are used for real-time control and edit of the various tone

generator parameters, depending on which KNOB PARAMETER GROUP select switch is currently

selected, plus instant access to each step event when the [EDIT ROTARY] switch is set to the SEQ

EDIT/SETUP menu. Press a CONTROL knob (push-switch) to confirm the current parameter in the LCD.

Turn a CONTROL knob left to decrease values or right to increase them. Make fine edit adjustments by

turning a knob while pressing it. Since all CONTROL knobs are assignable, you can have each one

access one of many different available parameters to give you maximum real-time control over specific

aspects of your sound, including versatile control of external instruments via MIDI output.

PROGRAM

The PROGRAM

used for selectin

currently selecte

Other functions

naming a User v

canceling ([NO]

operations.

LCD

The back-lit LCD

Display) provide

of information w

indicates the cu

status of the AN

voices, turn kno

switches.

KNOB PARAMETER GROUP switches

These switches determine which set of parameters are

controlled by the CONTROL knobs. The switches are

color coded in cross-reference to the parameter names

as printed in the same color on the panel beside each

knob. Whenever you select a voice, the [ASSIGN]

switch is automatically selected, to give you instant

access to your assigned CONTROL knob parameters.

The AN1x At A

Front Panel

Rear Panel

1 MIDI terminals

MIDI [IN], [OUT] and [THRU] terminals let you connect external MIDI

devices such as a MIDI keyboard, tone generator, sequencer or

computer or others, using a MIDI cable. [IN] is for input of MIDI data,

including data dumps from another AN1x or MIDI data storage

device. [OUT] is for output of MIDI data, including data dumps to

another AN1x or MIDI data storage device. [THRU] is for “daisy-

chain” connection of additional MIDI instruments, as the MIDI data

received at the AN1x’s [IN] terminal is passed along unchanged to

the [THRU] terminal.

2 [FOOTSWITCH

An optional Yamaha

used to control hold

3 [FOOT CONTRO

An optional Yamaha

used for control of va

assignment.

4 [FOOT VOLUM

An optional Yamaha

to regulate overall vo

5 [POWER] switc

Press the [POWER] s

FOOT

VOLUME

FOOT

CONTROLLER

FOOT

SWITCH

ON OFF

DC IN R L/MONO

OUTPUT PHONES

POWER

ASSIGNABLE

MIDI

OUTTHRU IN

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