Bedienungsanleitung Yamaha CLP-611 (Seite 34 von 72) (Englisch)

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CLP-811/611 Configuration Functions (FUNCTION mode)

5.2 S.Balance (Voice volume balance)

Values: 0,...,20 [10 = equal balance]

[Right voice gets louder as value increases.]

Default: Varies according to voice combination

Sets the relative volumes for the two voices.

5.3 VcR.Octave (Octave shift for right zone)

5.4 VcL.Octave (Octave shift for left zone)

Values: -1, 0, +1

Default: Varies according to voice combination

These subfunctions allow you to shift each voice up or down

an octave. Set the values in accordance with the range of the

music you are playing.

5.5 VcR.EffDpt (Effect depth for right zone)

5.6 VcL.EffDpt (Effect depth for left zone)

Values: 0,...,20

Default: Varies according to voice combination

These subfunctions allow you to set separate effect depths for

each zone. Setting is not available if the effect is OFF. Note

that you cannot change a voice’s effect selection while

working in FUNCTION mode; you must first exit the mode.

5.7 Sus.Pedal (Effective range of damper pedal)

Values: L, L+R, R

Default: L+R

Selects whether the damper pedal operates on both zones

(L+R), on the left zone only (L), or on the right zone only (R).

5.8 ResetOK? (Return to factory defaults.)

Press [+/YES] to reset all of the SPLIT-mode subfunction

settings to their factory-default values. (Factory defaults are

different for each voice combination.)

NOTE

As a shortcut, you can switch directly into

FUNCTION mode’s F5.SplitFunc. area by

holding down [SPLIT] and pressing the [FUNC-

TION] button. Once you have changed the

settings, press [FUNCTION] again to return to

normal mode.

F6.OrganEdit (ORGAN COMBINATION settings)

The CLP-811/611 offers you eight different

editable organ types. You use the OrganEdit

function to edit these types, and to select the type

to be played.

• You can use the Backup function (F15 on the CLP-811, F14

on the CLP-611) to select whether editing results are

retained after power goes off. See page 36.

You edit an organ voice by adjusting its various

stops — each represented as a separate bar that

appears on the display — and by setting a variety

of other edit parameters. Specifically, you can edit

the following items for each of the eight organ

types.

• Volume levels for each of eight continuous tones

• Response time for continuous tones

• Volume levels for each of three decay (attack) tones

• Attack length for the three decay tones

• Attack mode (EACH or FIRST)

• Rotary speaker effect (depth and speed)

As an example, you can build a very realistic

percussive organ sound by applying appropriate

decay volumes and attack length. Or you might

create a pipe-organ sound by combining slow

response with a weak attack.

1 To access this function: first select the ORGAN

COMBINATION voice, then enter FUNCTION mode

and go to main function F6.

2 Next, press [+/YES] to enter the subfunction group.

Then use [t], [s] to move among the different

subfunctions, and [-/NO], [-/YES] to set the values.

(But see additional information below regarding

operation of the VoiceEdit subfunction.)

NOTE

If the ORGAN COMBINATION voice is not yet

selected when you move to the main F6 screen...

The top right of the screen will display a triple

dash (---), and you will not be able to enter the

subfunction group. To enable entry, you must

first select the ORGAN COMBINATION voice.

(You can do this without leaving FUNCTION

mode.)

BRILLIANCE

REVERB EFFECT TOUCH

NORMAL

ROOM

MEDIUM

TEMPO

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