Bedienungsanleitung Yamaha CLP240 (Seite 81 von 90) (Englisch)

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CLP-240/230 Owner’s Manual

• When a voice bank MSB/LSB is received, the number is

stored in the internal buffer regardless of the received order,

then the stored value is used to select the appropriate voice

when a program change message is received.

• The Multi-timbre and Poly modes are always active. No

change occurs when OMNI ON, OMNI OFF, MONO, or POLY

mode messages are received.

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number)

ppH = Program change number

P. C.#=Program Change number

• When program change reception is turned OFF in the Func-

tion mode, no program change data is transmitted or received.

Also, Bank MSB/LSB is not transmitted or received.

5. SYSTEM REALTIME MESSAGES

[rrH]

F8H: Timing clock

FAH: Start

FCH: Stop

FEH: Active sensing

• Caution: If an error occurs during MIDI reception, the Damper,

Sostenuto, and Soft effects for all channels are turned off and

an All Note Off occurs.

6. SYSTEM EXCLUSIVE MESSAGES

(Yamaha MIDI Format)

Panel Data Transmit

Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]

F0H, 43H, 0nH, 7CH (n: channel number)

00H, LLH (data length)

43H, 4CH, 20H, 20H (CL)

43H, 4CH, 50H, 27H, 30H, 35H (CLP05)

3xH, 3yH

aaH, bbH: Device No. aa=LSB, bb=MSB

aa=5EH, bb=16H (CLP-240)

aa=5BH, bb=16H (CLP-230)

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)

F7H

• Panel Data Contents

•Panel data send requests cannot be received.

7. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

(1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

[llH] -> [mmH] -> [F7H]

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel

master volume.

F0H = Exclusive status

7FH = Universal Realtime

7FH = ID of target device

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

F0H = Exclusive status

7FH = Universal Realtime

XnH = When n is received n=0~F, whichever is received.

X = don’t care

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

CLP-240 CLP-230 MSB LSB

P.C.#

GRANDPIANO 1 GRANDPIANO 1 0 122 0

VARIATION — 0 123 0

GRANDPIANO 2 GRANDPIANO 2 0 112 0

VARIATION — 0 112 1

E.PIANO 1 E.PIANO 1 0 122 5

VARIATION — 0 122 88

E.PIANO 2 E.PIANO 2 0 122 4

VARIATION — 0 123 4

HARPSICHORD HARPSICHORD 1 0 122 6

VARIATION HARPSICHORD 2 0 123 6

E. CLAVICHORD — 0 122 7

VARIATION — 0 123 7

VIBRAPHONE VIBRAPHONE 0 122 11

VARIATION — 0 122 12

CHURCH ORGAN CHURCH ORGAN 1 0 123 19

VARIATION CHURCH ORGAN 2 0 122 19

JAZZ ORGAN JAZZ ORGAN 0 122 16

VARIATION — 0 123 16

STRINGS STRINGS 1 0 122 48

VARIATION STRINGS 2 0 122 49

CHOIR CHOIR 0 122 52

VARIATION — 0 123 52

GUITAR GUITAR 0 122 24

VARIATION — 0 122 25

WOOD BASS — 0 122 32

VARIATION — 0 124 32

E.BASS — 0 122 33

VARIATION — 0 122 35

Data Transmission Reception

F8H

Transmitted every

96 clocks

Received as 96-clock tempo timing

when MIDI clock is set to External

FAH Recorder start

Recorder start

Not received when the MIDI clock is

set to Internal.

FCH Recorder stop

Recorder stop

Not received when the MIDI clock is

set to Internal.

FEH

Transmitted every

200 milliseconds

If a signal is not received via MIDI for

more than 400 milliseconds, the

same processing will take place for All

Sound Off, All Notes Off and Reset All

Controllers as when those signals are

received.

(1) 1'st Voice

(2) Dual On/Off

(3) Dual Voice

(4) Dual Balance

(5) Dual Detune

(6) Dual Voice1 Octave

(7) Dual Voice2 Octave

(8) Dual Voice1 Effect Depth

(9) Dual Voice2 Effect Depth

(10) Split On/Off

(11) Split Voice

(12) Split Point

(13) Split Balance

(14) Split Voice1 Octave

(15) Split Voice2 Octave

(16) Split Voice1 Effect Depth

(17) Split Voice2 Effect Depth

(18) Split Dumper Mode

(19) Reverb Type 1

(20) Reverb Type 2

(21) Reverb Depth 1

(22) Reverb Depth 2

(23) Effect Type 1

(24) Effect Type 2

(25) Effect Depth

(26) Variation On/Off

(27) Touch Sensitivity

(28) Fixed Data

(29) Left Pedal

(30) Soft Pedal Depth

(31) Absolute tempo low byte

(32) Absolute tempo high byte

(33) Key-Off Sampling Depth

(34) DDE On/Off

(35) DDE Depth

(36) Brilliance

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