Bedienungsanleitung Yamaha CLP240 (Seite 71 von 90) (Englisch)

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Preset Voice List

CLP-240/230 Owner’s Manual

ENGLISH

Preset Voice List

CLP-240

Voice Name

Stereo

Sampling

Touch

Response

Dynamic

Sampling

Key-Off

Sampling

Voice Descriptions

GRANDPIANO 1

Recorded samples from a full concert grand piano. Also

includes three levels of dynamic sampling, sustain samples,

and key-off samples for exceptionally realistic acoustic

grand piano sound. Perfect for classical compositions as

well as any other style that requires acoustic piano.

VARIATION

Warm and mellow piano. Good for classical compositions.

GRANDPIANO 2

Spacious and clear piano with bright reverb. Good for popu-

lar music.

VARIATION

Bright, spacious piano. Good for popular or rock music.

E.PIANO 1

An electronic piano sound created by FM synthesis.

Extremely “musical” response with varying timbre according

to keyboard dynamics. Good for standard popular music.

VARIATION

A synth-generated type electronic piano sound often heard

in popular music. Used in the DUAL mode it blends well with

an acoustic piano voice.

E.PIANO 2

The sound of an electric piano using hammer-struck metallic

“tines”. Soft tone when played lightly, and an aggressive

tone when played hard.

VARIATION

A slightly different electric piano sound often heard in rock

and popular music.

HARPSICHORD

The deﬁnitive instrument for baroque music. Since harpsi-

chord uses plucked strings, there is no touch response.

There is, however, a characteristic additional sound when

the keys are released.

VARIATION

Mixes the same voice an octave higher for a more brilliant

tone.

E. CLAVICHORD

A hammer-struck keyboard instrument that utilizes an elec-

tric pickup that is often heard in funk and soul music. Its tone

is noted for the unique sound produced when the keys are

released.

VARIATION

Includes a unique preset effect.

VIBRAPHONE

Vibraphone played with relatively soft mallets. The tone

becomes more metallic the harder you play.

VARIATION

Stereo-sampled, spacious, and realistic marimba.

CHURCH ORGAN

This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).

Good for sacred music from the Baroque period.

VARIATION

This is the organ's full coupler sound often associated with

Bach’s “Toccata and Fugue”.

JAZZ ORGAN

The sound of a “tonewheel” type electric organ. Often heard

in jazz and rock idioms.

VARIATION

Uses a rotary speaker effect with a different speed. The vari-

ations speed is faster. If the variation is selected while hold-

ing a chord, the speed of the effect will gradually change.

STRINGS

Stereo-sampled, large-scale strings ensemble with realistic

reverb. Try combining this voice with piano in the DUAL

mode.

VARIATION

Spacious strings ensemble with a slow attack. Try combining

this voice with a piano or electric piano in the DUAL mode.

CHOIR

A big, spacious choir voice. Perfect for creating rich harmo-

nies in slow pieces.

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