Bedienungsanleitung Yamaha CP33 (Seite 52 von 64) (Englisch)

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MIDI Data Format

CP33 Owner’s Manual

Appendix

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number)

ppH = Program change number

P. C.#=Program Change number

• Some devices use a “0 to 127” numbering system for program

change messages. Since the CP33 uses a “1 to 128” number-

ing system, you will need to subtract 1 from the transmitted

program change numbers to select the appropriate sound:

e.g. to select P.C.#1 in the list above, transmit program

change number 0.

5. PITCH BEND CHANGE

[EnH] -> [ccH] -> [ddH]

ccH = LSB

ddH = MSB

6. CHANNEL AFTER TOUCH

[Dnh]->[vvH]

7. SYSTEM REALTIME MESSAGES

[rrH]

F8H: Timing clock

FEH: Active sensing

• Caution: If an error occurs during MIDI reception, the Sustain,

Sostenuto, and Soft effects for all channels are turned off and

an All Note Off message occurs.

8. SYSTEM EXCLUSIVE MESSAGES

(Yamaha MIDI Format)

Panel Data Transmit

Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]

F0H, 43H, 0nH, 7CH (n: channel number)

00H, LLH (data length)

43H, 4CH, 20H, 20H (CL)

43H, 4CH, 50H, 27H, 30H, 35H (CLP05)

3xH, 3yH (version x.y)

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)

F7H (End of Exclusive)

• Panel Data Contents

•Panel data send requests cannot be received.

9. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

(1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

[llH] -> [mmH] -> [F7H]

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel

master volume.

F0H = Exclusive status

7FH = Universal Realtime

7FH = ID of target device

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

F0H = Exclusive status

7FH = Universal Realtime

XnH = When n is received n=0~F, whichever is received.

X = irrelevant

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

(2) Universal Non-Realtime Message (GM On)

General MIDI Mode On

Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->

[F7H]

F0H = Exclusive status

7EH = Universal Non-Realtime

7FH = ID of target device

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

F0H = Exclusive status

7EH = Universal Non-Realtime

XnH = When received, n=0~F.

X = irrelevant

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

VoiceName MSB LSB

P.C.#

GRAND PIANO 1 0 122 1

Variation 0 123 1

GRAND PIANO 2 0 112 1

Variation 0 112 2

MONO PIANO 0 123 2

Variation 0 114 2

E.PIANO 1 0 122 5

Variation 0 123 5

E.PIANO 2 0 122 6

Variation 0 122 89

E.CLAVICHORD 0 122 8

Variation 0 123 8

VIBRAPHONE 0 122 12

Variation 0 122 13

CHURCH ORGAN 0 123 20

Variation 0 122 20

JAZZ ORGAN 0 122 17

Variation 0 123 17

HARPSICHORD 0 122 7

Variation 0 123 7

STRINGS/CHOIR 0 122 49

Variation 0 122 53

GUITAR 0 122 25

Variation 0 122 26

WOOD BASS 0 122 33

Variation 0 124 33

E.BASS 0 122 34

Variation 0 122 36

Data Transmission Reception

F8H

Transmitted every

96 clocks

Received as 96-clock tempo timing

when MIDI clock is set to External.

FEH

Transmitted every

200 milliseconds

If a signal is not received via MIDI for

more than 400 milliseconds, the

same processing will take place for All

Sound Off, All Notes Off and Reset All

Controllers as when those signals are

received.

(1) 1’st Voice

(2) Dual On/Off

(3) Dual Voice

(4) Dual Balance

(5) Dual Detune

(6) Dual Voice1 Octave

(7) Dual Voice2 Octave

(8) Dual Voice1 Effect Depth

(9) Dual Voice2 Effect Depth

(10) Split On/Off

(11) Split Voice

(12) Split Point

(13) Split Balance

(14) Split Voice1 Octave

(15) Split Voice2 Octave

(16) Split Voice1 Effect Depth

(17) Split Voice2 Effect Depth

(18) Split Sustain Mode

(19) Reverb Type 1

(20) Reverb Type 2

(21) Reverb Depth 1

(22) Reverb Depth 2

(23) Effect Type 1

(24) Effect Type 2

(25) Effect Depth

(26) —

(27) Touch Sensitivity

(28) Fixed Data

(29) AUX Pedal

(30) Soft Pedal Depth

(31) Absolute tempo low byte

(32) Absolute tempo high byte

(33) Key-Off Sampling Depth

(34) —

(35) —

(36) Variation

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