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Reference Booklet
Referenzhandbuch
Guide de référence
Manual de referencia
Table of Contents (English)
Voice List ..............................................................................3
Demo Songs .........................................................................7
Drum/key Assignment List ....................................................8
Style List .............................................................................10
Parameter Chart .................................................................11
Fingering Chart ...................................................................12
MIDI Data Format ...............................................................13
MIDI Implementation Chart.................................................30
Assembly ............................................................................32
Specifications .....................................................................38
Inhalt (Deutsch)
Stimmenverzeichnis .............................................................3
Demo-Songs.........................................................................7
Verzeichnis der Schlagzeugklänge ......................................8
Style-Verzeichnis ................................................................10
Parameterübersicht ............................................................11
Akkordliste ..........................................................................12
MIDI-Datenformat ...............................................................13
MIDI-Implementierungstabelle............................................30
Zusammenbau....................................................................32
Technische Daten...............................................................38
Table des matières (Français)
Liste des voix........................................................................3
Morceaux de démo ...............................................................7
Liste d’assignation instrument de batterie/touche
du clavier ........................................................................8
Liste des styles ...................................................................10
Tableau des paramètres.....................................................11
Tablature ............................................................................12
Format des données MIDI ..................................................13
Feuille d’implantation MIDI .................................................30
Montage..............................................................................32
Spécifications .....................................................................38
Índice (Español)
Lista de voces ......................................................................3
Canciones de demostración .................................................7
Lista de asignaciones de teclas/batería ...............................8
Lista de estilos ....................................................................10
Gráfica de parámetros ........................................................11
Gráfica de digitado .............................................................12
Formato de datos MIDI .......................................................13
Gráfico de puesta en práctica de MIDI ...............................30
Montaje ...............................................................................32
Especificationes..................................................................38
CVP-201
2
CVP-201
3
Voice #
Category Voice Name
MSB # LSB #
Program
Change #
Voice #
Category Voice Name
MSB # LSB #
Program
Change #
Piano Grand Piano 0 112 0
Bright Piano 0 112 1
Mellow Piano 0 114 0
Rock Piano 0 113 1
Midi Grand 0 115 2
Harpsichord1 0 112 6
Harpsichord2 0 113 6
Grand Harpsi 0 115 6
Honky Tonk 0 112 3
NewAge Piano 0 118 2
E.Piano Stage EP 1 0 112 4
Galaxy EP 0 118 5
New Tines 0 113 5
Funk EP 0 113 4
DX EP Modern 0 115 5
CP80 0 116 2
Tremolo EP 0 118 4
Hyper Tines 0 117 5
Venus EP 0 116 5
Clavi. 0 112 7
Dream EP 0 114 5
Stage EP 2 0 117 4
Wah Clavi. 0 113 7
DX treme 0 113 92
Funky Clavi. 0 114 7
Galaxian EP 0 113 100
DX-EP & Str. 0 118 88
Guitar Spanish Gtr. 0 113 24
12Str.Guitar 0 115 25
Solid Guitar 0 115 27
Bright Clean 0 113 27
Clean Guitar 0 112 27
Jazz Guitar1 0 113 26
Mute Guitar 0 112 28
Banjo 0 112 105
HawaiianGtr. 0 114 26
Dist. Guitar 0 112 30
Smooth Nylon 0 114 24
Elec12string 0 126 27
Folk Guitar1 0 116 25
Jazz Guitar2 0 112 26
OctaveGuitar 0 115 26
Gut Guitar 0 112 24
Folk Guitar2 0 112 25
Pedal Steel 0 114 27
Synth Golden Age 0 115 88
Insomnia 0 113 94
Wave 2010 0 114 95
NewAge Pad 0 113 88
Fire Wire 0 113 81
Wire Lead 0 114 81
Blaster 0 112 87
Synth Square Lead 0 112 80
Analogon 0 115 81
Saw. Lead 0 112 81
Cyber Pad 0 113 99
Choir Pad 0 112 91
Atmosphere 0 112 99
Brass Pad 0 112 90
Warm Pad 0 112 89
Equinox 0 112 94
Stardust 0 112 96
Millenium 0 114 88
Strings Pad 0 112 51
Wave 2001 0 112 95
Harp Pad 0 112 88
DX Pad 0 112 92
Organ Pipe Organ 0 112 19
ChapelOrgan1 0 115 19
ChapelOrgan2 0 116 19
Accordion 0 112 21
Tutti Accord 0 115 21
Rotor Organ 0 112 18
Jazz Organ 1 0 114 17
Rock Organ 0 116 18
Elec. Organ 0 113 16
Jazz Organ 2 0 117 16
Class. Organ 0 113 19
ChapelOrgan3 0 114 19
Tango Accrd. 0 112 23
Jazz Organ 3 0 115 16
Perc. Organ 0 115 17
Theatre Org. 0 114 16
60’s Organ 0 113 17
Strings / Choir OrchStrings1 0 115 48
ClassicalStr 0 114 48
Popular Str 0 116 48
Vivaldi Str 0 116 49
Chamber Str 0 113 48
Violin 0 112 40
Cello 0 114 42
Choir 0 112 52
Air Choir 0 112 54
Pizzicato 0 112 45
OrchStrings2 0 117 48
Strings Slow 0 113 49
Str.Quartet 0 113 40
Fiddle 0 112 110
Choir Oohs 0 112 53
Choir Slow 0 113 52
Harp 0 112 46
OrchestraHit 0 112 55
Voice List
/
Stimmenverzeichnis
/
Liste des voix
/
Lista de voces
CVP-201
4
Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces
Brass SweetTrumpet 0 115 56
Trombone 0 114 57
MuteTrumpet1 0 113 59
Soft Trumpet 0 114 56
Brass Band 0 118 57
BrassSection 0 112 61
Mellow Brass 0 123 61
Big Brass 0 114 61
Analog Brass 0 112 63
Synth Brass 0 112 62
Solo Trumpet 0 112 56
Trb.Section 0 113 57
MuteTrumpet2 0 112 59
Flugel Horn 0 113 56
Tuba 0 113 58
French Horn 0 112 60
BallroomBrs 0 114 59
Sax / Flute Breath Tenor 0 115 66
Flute 0 112 73
Clarinet 0 112 71
Breath Alto 0 115 65
Baritone Sax 0 113 67
Soprano Sax 0 112 64
Pan Flute 1 0 113 75
Harmonica 0 112 22
Sax Section 0 114 65
WindEnsemble 0 113 73
Tenor Sax 0 116 66
Alto Sax 0 112 65
Oboe 0 112 68
Piccolo 0 113 72
Bassoon 0 113 70
Whistle 0 112 78
English Horn 0 112 69
Recorder 0 113 74
Pan Flute 2 0 112 75
Bass Acous.Bass 0 112 32
Elec. Bass 0 113 33
Finger Bass 0 114 33
E. Bass Slap 0 112 33
Pick Bass 0 112 34
FretlessBass 0 112 35
Slap Bass 0 112 36
Synth Bass 1 0 112 38
Analog Bass 0 113 39
Bass&Cymbal 0 114 32
Bert’s Bass 0 113 34
Synth Bass 2 0 112 39
Hi Q Bass 0 114 38
Synth Bass 3 0 113 38
Percussion Vibes 0 112 11
Marimba 0 112 12
Music Box 0 113 10
Steel Drums 0 112 114
Celesta 0 113 8
Jazz Vibes 0 113 11
Xylophone 0 112 13
Glockenspiel 0 113 9
TubularBells 0 112 14
Timpani 0 112 47
Xylomarimba 0 113 12
Dulcimer 0 112 15
Kalimba 0 112 108
Standard Kit 127 0 0
Standard2Kit 127 0 1
Room Kit 127 0 8
Rock Kit 127 0 16
Electro Kit 127 0 24
Analog Kit 127 0 25
Dance Kit 127 0 27
Jazz Kit 127 0 32
Brush Kit 127 0 40
Classic Kit 127 0 48
SFX1 Kit 126 0 0
SFX2 Kit 126 0 1
Ensemble 1 Oct. Piano 0 113 3
2 Oct. Piano 0 114 3
Piano & Str 0 118 1
Piano Heaven 0 114 100
Piano&Choir 0 118 0
Orchestral 1 0 117 49
Orchestral 2 0 118 49
Orchestral 3 0 118 68
Orchestral 4 0 116 68
Orchestral 5 0 117 68
Baroque 0 118 6
Flute&Mallet 0 118 73
Guitar&Flute 0 118 24
Guitar&Str 0 115 99
TwelveString 0 114 99
Hallelujah 0 113 53
Evensong 1 0 118 53
Evensong 2 0 118 52
X’mas Organ 0 118 19
Sunrise Pad 0 116 100
Brass&Sax 1 0 118 65
Brass&Sax 2 0 118 66
Moonsax 1 0 117 71
Moonsax 2 0 118 71
Trump.&Clari 0 118 56
Brass&Lyra 0 118 63
Flute&Lyra 0 118 72
ElectricJazz 0 116 26
GalaxyChoir 0 117 100
Heaven Stack 0 115 100
Voice #
Category Voice Name
MSB # LSB #
Program
Change #
Voice #
Category Voice Name
MSB # LSB #
Program
Change #
CVP-201
5
Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces
Voice #
Voice Name
MSB # LSB #
Program
Change #
XG
GrandPno 0 0 0
GrndPnoK 0 1 0
MelloGrP 0 18 0
PianoStr 0 40 0
Dream 0 41 0
BritePno 0 0 1
BritPnoK 0 1 1
El.Grand 0 0 2
ElGrPnoK 0 1 2
Det.CP80 0 32 2
LayerCP1 0 40 2
LayerCP2 0 41 2
HnkyTonk 0 0 3
HnkyTnkK 0 1 3
E.Piano1 0 0 4
El.Pno1K 0 1 4
MelloEP1 0 18 4
Chor.EP1 0 32 4
HardEl.P 0 40 4
VX El.P1 0 45 4
60sEl.P1 0 64 4
E.Piano2 0 0 5
El.Pno2K 0 1 5
Chor.EP2 0 32 5
DX Hard 0 33 5
DXLegend 0 34 5
DX Phase 0 40 5
DX+Analg 0 41 5
DXKotoEP 0 42 5
VX El.P2 0 45 5
Harpsi. 0 0 6
Harpsi.K 0 1 6
Harpsi.2 0 25 6
Harpsi.3 0 35 6
Clavi 0 0 7
Clavi K 0 1 7
ClaviWah 0 27 7
PulseClv 0 64 7
PierceCl 0 65 7
Celesta 0 0 8
Glocken 0 0 9
MusicBox 0 0 10
Orgel 0 64 10
Vibes 0 0 11
Vibes K 0 1 11
HardVibe 0 45 11
Marimba 0 0 12
MarimbaK 0 1 12
SineMrmb 0 64 12
Balimba 0 97 12
Log Drum 0 98 12
Xylophon 0 0 13
TubulBel 0 0 14
ChrchBel 0 96 14
Carillon 0 97 14
Dulcimer 0 0 15
Dulcimr2 0 35 15
Cimbalom 0 96 15
Santur 0 97 15
DrawOrgn 0 0 16
Voice #
Voice Name
MSB # LSB #
Program
Change #
Voice #
Voice Name
MSB # LSB #
Program
Change #
DetDrwOr 0 32 16
60sDrOr1 0 33 16
60sDrOr2 0 34 16
70sDrOr1 0 35 16
DrawOrg2 0 36 16
60sDrOr3 0 37 16
EvenBar 0 38 16
16+2’2/3 0 40 16
Organ Ba 0 64 16
70sDrOr2 0 65 16
CheezOrg 0 66 16
DrawOrg3 0 67 16
PercOrgn 0 0 17
70sPcOr1 0 24 17
DetPrcOr 0 32 17
Lite Org 0 33 17
PercOrg2 0 37 17
RockOrgn 0 0 18
RotaryOr 0 64 18
SloRotar 0 65 18
FstRotar 0 66 18
ChrchOrg 0 0 19
ChurOrg3 0 32 19
ChurOrg2 0 35 19
NotreDam 0 40 19
OrgFlute 0 64 19
TrmOrgFl 0 65 19
ReedOrgn 0 0 20
Puff Org 0 40 20
Acordion 0 0 21
AccordIt 0 32 21
Harmnica 0 0 22
Harmo. 2 0 32 22
TangoAcd 0 0 23
TngoAcd2 0 64 23
NylonGtr 0 0 24
NylonGt2 0 16 24
NylonGt3 0 25 24
VelGtHrm 0 43 24
Ukulele 0 96 24
SteelGtr 0 0 25
SteelGt2 0 16 25
12StrGtr 0 35 25
Nyln&Stl 0 40 25
Stl&Body 0 41 25
Mandolin 0 96 25
Jazz Gtr 0 0 26
MelloGtr 0 18 26
Jazz Amp 0 32 26
CleanGtr 0 0 27
ChorusGt 0 32 27
Mute Gtr 0 0 28
FunkGtr1 0 40 28
MuteStlG 0 41 28
FunkGtr2 0 43 28
Jazz Man 0 45 28
Ovrdrive 0 0 29
Gt.Pinch 0 43 29
Dist.Gtr 0 0 30
FeedbkGt 0 40 30
FeedbGt2 0 41 30
GtrHarmo 0 0 31
GtFeedbk 0 65 31
GtrHrmo2 0 66 31
Aco.Bass 0 0 32
JazzRthm 0 40 32
VXUprght 0 45 32
FngrBass 0 0 33
FingrDrk 0 18 33
FlangeBa 0 27 33
Ba&DstEG 0 40 33
FngrSlap 0 43 33
FngBass2 0 45 33
Mod.Bass 0 65 33
PickBass 0 0 34
MutePkBa 0 28 34
Fretless 0 0 35
Fretles2 0 32 35
Fretles3 0 33 35
Fretles4 0 34 35
SynFretl 0 96 35
SmthFrt1 0 97 35
SlapBas1 0 0 36
ResoSlap 0 27 36
PunchThm 0 32 36
SlapBas2 0 0 37
VeloSlap 0 43 37
SynBass1 0 0 38
SynBa1Dk 0 18 38
FastResB 0 20 38
AcidBass 0 24 38
Clv Bass 0 35 38
TechnoBa 0 40 38
Orbiter 0 64 38
Sqr.Bass 0 65 38
RubberBa 0 66 38
Hammer 0 96 38
SynBass2 0 0 39
MelloSBa 0 6 39
Seq Bass 0 12 39
ClkSynBa 0 18 39
SynBa2Dk 0 19 39
SmthSynB 0 32 39
ModulrBa 0 40 39
DX Bass 0 41 39
X WireBa 0 64 39
Violin 0 0 40
Slow Vln 0 8 40
Viola 0 0 41
Cello 0 0 42
Contrabs 0 0 43
Trem.Str 0 0 44
SlwTrStr 0 8 44
Susp. Str 0 40 44
Pizz.Str 0 0 45
Harp 0 0 46
YangChin 0 40 46
Timpani 0 0 47
Strings1 0 0 48
S.Strngs 0 3 48
CVP-201
6
Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces
Slow Str 0 8 48
Arco Str 0 24 48
60sStrng 0 35 48
Orchestr 0 40 48
Orchstr2 0 41 48
TremOrch 0 42 48
Velo.Str 0 45 48
Strings2 0 0 49
S.SlwStr 0 3 49
LegatoSt 0 8 49
Warm Str 0 40 49
Kingdom 0 41 49
70s Str 0 64 49
Strings3 0 65 49
Syn Str1 0 0 50
Reso Str 0 27 50
Syn Str4 0 64 50
Syn Str5 0 65 50
Syn Str2 0 0 51
ChoirAah 0 0 52
S.Choir 0 3 52
Ch.Aahs2 0 16 52
MelChoir 0 32 52
ChoirStr 0 40 52
VoiceOoh 0 0 53
SynVoice 0 0 54
SyVoice2 0 40 54
Choral 0 41 54
AnaVoice 0 64 54
Orch.Hit 0 0 55
OrchHit2 0 35 55
Impact 0 64 55
Trumpet 0 0 56
Trumpet2 0 16 56
BriteTrp 0 17 56
Warm Trp 0 32 56
Trombone 0 0 57
Trmbone2 0 18 57
Tuba 0 0 58
Tuba 2 0 16 58
Mute Trp 0 0 59
Fr.Horn 0 0 60
FrHrSolo 0 6 60
FrHorn 2 0 32 60
HornOrch 0 37 60
BrssSect 0 0 61
Tp&TbSec 0 35 61
BrssSec2 0 40 61
HiBrass 0 41 61
MelloBrs 0 42 61
SynBrss1 0 0 62
Quack Br 0 12 62
RezSynBr 0 20 62
PolyBrss 0 24 62
SynBrss3 0 27 62
JumpBrss 0 32 62
AnVelBr1 0 45 62
AnVelBr2 0 64 62
SynBrss2 0 0 63
Soft Brs 0 18 63
SynBrss4 0 40 63
Voice #
Voice Name
MSB # LSB #
Program
Change #
Voice #
Voice Name
MSB # LSB #
Program
Change #
Voice #
Voice Name
MSB # LSB #
Program
Change #
ChoirBrs 0 41 63
VelBrss2 0 45 63
AnaBrss2 0 64 63
SprnoSax 0 0 64
Alto Sax 0 0 65
Sax Sect 0 40 65
HyprAlto 0 43 65
TenorSax 0 0 66
BrthTnSx 0 40 66
SoftTenr 0 41 66
TnrSax 2 0 64 66
Bari.Sax 0 0 67
Oboe 0 0 68
Eng.Horn 0 0 69
Bassoon 0 0 70
Clarinet 0 0 71
Piccolo 0 0 72
Flute 0 0 73
Recorder 0 0 74
PanFlute 0 0 75
Bottle 0 0 76
Shakhchi 0 0 77
Whistle 0 0 78
Ocarina 0 0 79
SquareLd 0 0 80
SquarLd2 0 6 80
LMSquare 0 8 80
Hollow 0 18 80
Shroud 0 19 80
Mellow 0 64 80
SoloSine 0 65 80
SineLead 0 66 80
Saw Lead 0 0 81
Saw Ld 2 0 6 81
ThickSaw 0 8 81
Dyna Saw 0 18 81
Digi Saw 0 19 81
Big Lead 0 20 81
HeavySyn 0 24 81
WaspySyn 0 25 81
PulseSaw 0 40 81
Dr. Lead 0 41 81
VeloLead 0 45 81
Seq Ana. 0 96 81
CaliopLd 0 0 82
PureLead 0 65 82
Chiff Ld 0 0 83
Rubby 0 64 83
CharanLd 0 0 84
DistLead 0 64 84
WireLead 0 65 84
Voice Ld 0 0 85
SynthAah 0 24 85
Vox Lead 0 64 85
Fifth Ld 0 0 86
Big Five 0 35 86
Bass&Ld 0 0 87
Big&Low 0 16 87
Fat&Prky 0 64 87
Soft Wrl 0 65 87
NewAgePd 0 0 88
Fantasy 0 64 88
Warm Pad 0 0 89
ThickPad 0 16 89
Soft Pad 0 17 89
Sine Pad 0 18 89
Horn Pad 0 64 89
RotarStr 0 65 89
PolySyPd 0 0 90
PolyPd80 0 64 90
ClickPad 0 65 90
Ana. Pad 0 66 90
SquarPad 0 67 90
ChoirPad 0 0 91
Heaven 0 64 91
Itopia 0 66 91
CC Pad 0 67 91
BowedPad 0 0 92
Glacier 0 64 92
GlassPad 0 65 92
MetalPad 0 0 93
Tine Pad 0 64 93
Pan Pad 0 65 93
Halo Pad 0 0 94
SweepPad 0 0 95
Shwimmer 0 20 95
Converge 0 27 95
PolarPad 0 64 95
Celstial 0 66 95
Rain 0 0 96
ClaviPad 0 45 96
HrmoRain 0 64 96
AfrcnWnd 0 65 96
Carib 0 66 96
SoundTrk 0 0 97
Prologue 0 27 97
Ancestrl 0 64 97
Crystal 0 0 98
SynDrCmp 0 12 98
Popcorn 0 14 98
TinyBell 0 18 98
RndGlock 0 35 98
GlockChi 0 40 98
ClearBel 0 41 98
ChorBell 0 42 98
SynMalet 0 64 98
SftCryst 0 65 98
LoudGlok 0 66 98
ChrstBel 0 67 98
VibeBell 0 68 98
DigiBell 0 69 98
AirBells 0 70 98
BellHarp 0 71 98
Gamelmba 0 72 98
Atmosphr 0 0 99
WarmAtms 0 18 99
HollwRls 0 19 99
Nylon EP 0 40 99
NylnHarp 0 64 99
Harp Vox 0 65 99
AtmosPad 0 66 99
Planet 0 67 99
XG
CVP-201
7
Voice #
Voice Name
MSB # LSB #
Program
Change #
Voice #
Voice Name
MSB # LSB #
Program
Change #
Bright 0 0 100
FantaBel 0 64 100
Smokey 0 96 100
Goblins 0 0 101
GobSynth 0 64 101
Creeper 0 65 101
Ring Pad 0 66 101
Ritual 0 67 101
ToHeaven 0 68 101
Night 0 70 101
Glisten 0 71 101
BelChoir 0 96 101
Echoes 0 0 102
Echoes 2 0 8 102
Echo Pan 0 14 102
EchoBell 0 64 102
Big Pan 0 65 102
SynPiano 0 66 102
Creation 0 67 102
StarDust 0 68 102
Reso&Pan 0 69 102
Sci-Fi 0 0 103
Starz 0 64 103
Sitar 0 0 104
DetSitar 0 32 104
Sitar 2 0 35 104
Tambra 0 96 104
Tamboura 0 97 104
Banjo 0 0 105
MuteBnjo 0 28 105
Rabab 0 96 105
Gopichnt 0 97 105
Oud 0 98 105
Shamisen 0 0 106
Koto 0 0 107
Taisho-k 0 96 107
Kanoon 0 97 107
Kalimba 0 0 108
Bagpipe 0 0 109
Fiddle 0 0 110
Shanai 0 0 111
Shanai 2 0 64 111
Pungi 0 96 111
Hichriki 0 97 111
TnklBell 0 0 112
Bonang 0 96 112
Altair 0 97 112
Gamelan 0 98 112
S.Gamlan 0 99 112
Rama Cym 0 100 112
AsianBel 0 101 112
Agogo 0 0 113
SteelDrm 0 0 114
GlasPerc 0 97 114
ThaiBell 0 98 114
WoodBlok 0 0 115
Castanet 0 96 115
TaikoDrm 0 0 116
Gr.Cassa 0 96 116
MelodTom 0 0 117
Mel Tom2 0 64 117
Real Tom 0 65 117
Rock Tom 0 66 117
Syn Drum 0 0 118
Ana Tom 0 64 118
ElecPerc 0 65 118
RevCymbl 0 0 119
FretNoiz 0 0 120
BrthNoiz 0 0 121
Seashore 0 0 122
Tweet 0 0 123
Telphone 0 0 124
Helicptr 0 0 125
Applause 0 0 126
Gunshot 0 0 127
CuttngNz 64 0 0
CttngNz2 64 0 1
Str Slap 64 0 3
SONG DEMO
Title Composer
Song 1
Klavier Konzert a moll op.16
(Piano Concert a minor op.16)
E.Grieg
Song 3 Beautiful Dreamer S.C.Foster
Song 4 Annie Laurie Traditional
Voice #
Voice Name
MSB # LSB #
Program
Change #
Fl.KClik 64 0 16
Shower 64 0 32
Thunder 64 0 33
Wind 64 0 34
Stream 64 0 35
Bubble 64 0 36
Feed 64 0 37
Dog 64 0 48
Horse 64 0 49
Tweet 2 64 0 50
Ghost 64 0 54
Maou 64 0 55
Tel.Dial 64 0 64
DoorSqek 64 0 65
DoorSlam 64 0 66
ScratchC 64 0 67
ScratchS 64 0 68
WindChim 64 0 69
Telphon2 64 0 70
CarEIgnt 64 0 80
CarTSqel 64 0 81
Car Pass 64 0 82
CarCrash 64 0 83
Siren 64 0 84
Train 64 0 85
JetPlane 64 0 86
Starship 64 0 87
Burst 64 0 88
Coaster 64 0 89
Submarin 64 0 90
Laugh 64 0 96
Scream 64 0 97
Punch 64 0 98
Heart 64 0 99
Footstep 64 0 100
MchinGun 64 0 112
LaserGun 64 0 113
Xplosion 64 0 114
Firework 64 0 115
Demo Songs / Demo-Songs /
Morceaux de démo / Canciones de demostración
Some of the demonstration pieces listed above are specially-arranged excerpts from the original compositions listed above.
All other songs are original (©2001 Yamaha Corporation).
Bei manchen der oben aufgelisteten Demostücke handelt es sich um Auszüge aus den Originalkompositionen mit speziel-
lem Arrangement. Alle anderen Stücke sind eigene Kompositionen (© 2001 Yamaha Corporation).
Certains des morceaux de démonstration énumérés ci-dessus sont de courts extraits des compositions originales.
Tous les autres morceaux sont des créations originales (© 2001 Yamaha Corporation).
Alguna de las piezas de demostración arriba listadas son exceptos especialmente preparados de las composiciones
originales de arriba. Todas las otras canciones son originales (© 2001 Yamaha Corporation.)
VOICE DEMO
Title Composer
PIANO Walzer op.70-1 F.Chopin
SYNTHESIZER Bruyeres C.A.Debussy
ORGAN
Choralvorspiele Ich ruf zu dir, Herr Jesus Christ
J.S.Bach
PERCUSSION Air de Ballet M.Moszkowski
XG TREPAK from Nutcracker Suite op.71a P.I.Tschaikovsky
XG
CVP-201
8
Drum/key Assignment List / Verzeichnis der
Liste d’assignation instrument de batterie/
Lista de asignaciones de teclas/batería
Bank Select MSB 127 127 127 127 127 127
Bank Select LSB 0 0 0000
Program # (1-128) 1 2 9 17 25 26
Keyboard MIDI Key Alternate Standard Kit Standard 2 Kit Room Kit Rock Kit Electro Kit Analog Kit
Note Note # Note off assign
C# 113C# -1 3 Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute
D 1 14 D -1 3 Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open
D# 115D# -1 Hi Q Hi Q Hi Q Hi Q Hi Q Hi Q
E 1 16 E -1 Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap
F 1 17 F -1 4 Scratch H Scratch H Scratch H Scratch H Scratch H Scratch H
F# 118F# -1 4 Scratch L Scratch L Scratch L Scratch L Scratch L Scratch L
G 1 19 G -1 Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap
G# 120G# -1 Click Noise Click Noise Click Noise Click Noise Click Noise Click Noise
A 1 21 A -1 Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click
A# 122A# -1 Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell
B 1 23 B -1 Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L
C 2 24 C 0 Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H
C# 225C# 0 Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap
D2 26 D0
O
Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl
D# 227D# 0 Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap
E2 28 E0
O
BrushTapSwrl BrushTapSwrl BrushTapSwrl BrushTapSwrl ReversCymbal ReversCymbal
F2 29 F0
O
Snare Roll Snare Roll 2 Snare Roll Snare Roll Snare Roll Snare Roll
F# 230F# 0 Castanet Castanet Castanet Castanet Hi Q 2 Hi Q 2
G 2 31 G 0 Snare Soft Snare Soft 2 Snare Soft Snare Noisy SnrSnpyElctr SnareNoisy 4
G# 232G# 0 Sticks Sticks Sticks Sticks Sticks Sticks
A 2 33 A 0 Kick Soft Kick Soft Kick Soft Kick Tight 2 Kick 3 Kick Tight 2
A# 234A# 0 OpenRimShot RimShotHShrt OpenRimShot OpenRimShot OpenRimShot OpenRimShot
B 2 35 B 0 Kick Tight KickTghtShrt Kick Tight Kick 2 Kick Gate KickAnlgShrt
C 3 36 C 1 Kick Kick Short Kick Kick Gate KckGateHeavy Kick Analog
C# 337C# 1 Side Stick Side Stick Side Stick Side Stick Side Stick SideStickAn
D 3 38 D 1 Snare Snare Short Snare Snappy Snare Rock SnareNoisy 2 SnareAnalog
D# 339D# 1 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap
E 3 40 E 1 Snare Tight SnareTight H SnrTightSnpy SnareRockRim SnareNoisy 3 SnareAnalog2
F 3 41 F 1 Floor Tom L Floor Tom L Tom Room 1 Tom Rock 1 TomElectro 1 Tom Analog 1
F# 342F# 1 1 Hi-HatClosed Hi-HatClosed Hi-HatClosed Hi-HatClosed Hi-HatClosed HatCloseAnlg
G 3 43 G 1 Floor Tom H Floor Tom H Tom Room 2 Tom Rock 2 TomElectro 2 Tom Analog 2
G# 344G# 1 1 Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal HatCloseAn 2
A 3 45 A 1 Low Tom Low Tom Tom Room 3 Tom Rock 3 TomElectro 3 Tom Analog 3
A# 346A# 1 1 Hi-Hat Open Hi-Hat Open Hi-Hat Open Hi-Hat Open Hi-Hat Open HatOpen Anlg
B 3 47 B 1 Mid Tom L Mid Tom L Tom Room 4 Tom Rock 4 TomElectro 4 Tom Analog 4
C 4 48 C 2 Mid Tom H Mid Tom H Tom Room 5 Tom Rock 5 TomElectro 5 Tom Analog 5
C# 449C# 2 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 Crash Analog
D 4 50 D 2 High Tom High Tom Tom Room 6 Tom Rock 6 TomElectro 6 Tom Analog 6
D# 451D# 2 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1
E 4 52 E 2 Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym
F 4 53 F 2 Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup
F# 454F# 2 Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine
G 4 55 G 2 SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal
G# 456G# 2 Cowbell Cowbell Cowbell Cowbell Cowbell Cowbell Anlg
A 4 57 A 2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2
A# 458A# 2 Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap
B 4 59 B 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2
C 5 60 C 3 Bongo H Bongo H Bongo H Bongo H Bongo H Bongo H
C# 561C# 3 Bongo L Bongo L Bongo L Bongo L Bongo L Bongo L
D 5 62 D 3 Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga Anlg H
D# 563D# 3 Conga H Open Conga H Open Conga H Open Conga H Open Conga H Open Conga Anlg M
E 5 64 E 3 Conga L Conga L Conga L Conga L Conga L Conga Anlg L
F 5 65 F 3 Timbale H Timbale H Timbale H Timbale H Timbale H Timbale H
F# 566F# 3 Timbale L Timbale L Timbale L Timbale L Timbale L Timbale L
G 5 67 G 3 Agogo H Agogo H Agogo H Agogo H Agogo H Agogo H
G# 568G# 3 Agogo L Agogo L Agogo L Agogo L Agogo L Agogo L
A 5 69 A 3 Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa
A# 570A# 3 Maracas Maracas Maracas Maracas Maracas Maracas 2
B5 71 B3
O
SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH
C6 72 C4
O
SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL
C# 673C# 4 Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short
D6 74 D4
O
Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long
D# 675D# 4 Claves Claves Claves Claves Claves Claves 2
E 6 76 E 4 Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H
F 6 77 F 4 Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L
F# 678F# 4 Cuica Mute Cuica Mute Cuica Mute Cuica Mute Scratch H 2 Scratch H 2
G 6 79 G 4 Cuica Open Cuica Open Cuica Open Cuica Open Scratch L 2 Scratch L 3
G# 680G# 4 2 TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute
A 6 81 A 4 2 TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen
A# 682A# 4 Shaker Shaker Shaker Shaker Shaker Shaker
B 6 83 B 4 Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells
C 7 84 C 5 Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree
85 C# 5
86 D 5
87 D# 5
88 E 5
89 F 5
90 F# 5
91 G 5
Key Off: Keys marked
O
stop sounding the instant they are released.
Alternate Assign: Playing any instrument within a numbered group will imme-
diately stop the sound of any other instrument in the same group of the same
number.
Key Off: Durch
O
gekennzeichnete Klänge verstummen beim Loslassen
der Taste.
Alternate Assign: Mit derselben Nummer gekennzeichnete Klänge werden
von demselben Instrument erzeugt und können daher nicht gleichzeitig
produziert werden. Spielt einer dieser Klänge gerade, wird er beim
Anschlagen einer anderen Taste mit derselben Alternate Assign-Nummer
stummgeschaltet.
CVP-201
10
Style List
/
Style-Verzeichnis
/
Liste des styles
/
Lista de estilos
8 BEAT 8 Beat 1
8 Beat 2
8Bt Adria
8Bt Pop 1
8Bt Pop 2
British Pop
8 Beat Soft
8Beat Ballad
Light Pop
16 BEAT 16 Beat 1
16 Beat 2
16 Beat 3
16 Beat 4
16 Beat 5
Soft Fusion
Hip Hop Pop
16Bt Funk
Funky Pop
Funky Dance
80s Fusion
Jazz Rock
16 Beat 6
BALLAD 16-Ballad 1
16-Ballad 2
Piano Ballad
Rock Ballad
U.S. Ballad
Slow Rock 1
Slow Rock 2
Slow Ballad
Modern 6/8
Pop Ballad 1
Pop Ballad 2
Cool Night
GuitarBallad
Organ Ballad
Pop Ballad 3
Epic Ballad
Pop Waltz
DANCE Clubdance
Techno
Entrance
Eurobeat
70s Disco
90s Disco
Disco Soul
Cool Dance
Miami Pop
Disco Tropic
Disco Hands
ROCK/R&B Rock
Hard Rock
R & Roll
Rock Shuffle
Gospel Shffl
R & B 1
Twist
Motown
4/4 Blues
8 Beat Heat
Soul Shuffle
Pop Shuffle
R & B 2
6/8 Blues
6/8 Rock
SWING/JAZZ
Swing
Big Band 1
BigBand Bld
Jazz Ballad
Jazz Trio
Boogie
Dixieland 1
Bebop
Big Band 2
Dixieland 2
Jazz Waltz 1
Jazz Waltz 2
Category Style Name
LATIN Samba Rio
Bossa Nova
Swing Reggae
GuitarRhumba
Guitar Bossa
Salsa
Mambo
Pop Bossa
Spanish Paso
Pop Reggae
COUNTRY Country Rock
Country 8Bt
Country Pop
CntryShuffle
Cntry Swing
Bluegrass
Cntry Ballad
Two Step
Hoedown
CountryWaltz
Folk
BALLROOM Vienna Waltz
Slow Waltz
Slow Fox
Quickstep 1
Tango
Cha Cha
Samba
Rhumba
Pasodoble
Jive
Orch.Waltz
Beguine
Foxtrot
Quickstep 2
TRAD./ U.S. March
WALTZ
German March
6/8 March 1
Showtune
Polka Pop
Ober Polka
Oberkrain.W.
Tarantella
Musette
Guitar Waltz
6/8 March 2
Enka 1
Enka 2
PIANIST Stride 1
Stride 2
Swing 1
Swing 2
Jazz Ballad
Blues 1
Blues 2
BoogieWoogie
Jazz Waltz
Arpeggio 1
8Bt Ballad 1
8Bt Ballad 2
8 Beat
Rockn Roll
Slow Rock
2Beat Swing
Ragtime 1
Ragtime 2
March 1
6/8 March
4 Stroke
March 2
Musical
Traditional1
Traditional2
Traditional3
Arpeggio 2
Arpeggio 3
Waltz
Slow Waltz
Bossa Nova
Samba
Rhumba
Cha Cha
Beguine
Category Style Name Category Style Name Category Style Name
CVP-201
11
Parameter Chart
/
Parameterübersicht
/
Tableau des paramètres
/
Gráfica de parámetros
One Touch
Setting
Music
Database
Set Up
Memory
Registration Freeze
Group
All Set Up
Backup Group Recall Group
OOOVOICE SETTING O VOICE SETTING VOICE SETTING
O O O VOICE SETTING O VOICE SETTING VOICE SETTING
OOOVOICE SETTING O VOICE SETTING VOICE SETTING
O O O VOICE SETTING O VOICE SETTING VOICE SETTING
——— O VOICE SETTING VOICE SETTING
O O O VOICE SETTING O VOICE SETTING VOICE SETTING
OOOVOICE SETTING O VOICE SETTING VOICE SETTING
O O O VOICE SETTING O VOICE SETTING VOICE SETTING
OOOVOICE SETTING O VOICE SETTING VOICE SETTING
O O O VOICE SETTING O VOICE SETTING VOICE SETTING
OOOVOICE SETTING O VOICE SETTING VOICE SETTING
O O O VOICE SETTING O VOICE SETTING VOICE SETTING
OOOVOICE SETTING O VOICE SETTING VOICE SETTING
O O O VOICE SETTING O VOICE SETTING VOICE SETTING
OOOVOICE SETTING O VOICE SETTING VOICE SETTING
O O VOICE SETTING O VOICE SETTING VOICE SETTING
OOVOICE SETTING O VOICE SETTING VOICE SETTING
O O VOICE SETTING O VOICE SETTING VOICE SETTING
—— O VOICE SETTING O VOICE SETTING VOICE SETTING
O O VOICE SETTING O VOICE SETTING VOICE SETTING
OOVOICE SETTING O VOICE SETTING VOICE SETTING
O PEDAL O PEDAL PEDAL
OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF
O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF
OOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF
O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF
OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF
O O O REV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF
OOOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF
REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF
OOOREV/CHO/EFF O
OOO O
OOO O
REV/CHO/EFF REV/CHO/EFF
OOREV/CHO/EFF O REV/CHO/EFF REV/CHO/EFF
REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF
Group Contents Default
VOICE RIGHT1 VOICE Grand Piano
RIGHT1 OCTAVE SHIFT 0
RIGHT1 PAN Center
RIGHT1 VOLUME 127
Selected voice in each VOICE SELECT page Top voice
HARMONY ON/OFF OFF
HARMONY TYPE Depends on voice selection.
HARMONY VOLUME Depends on voice selection.
HARMONY SPEED Depends on voice selection.
DUAL DUAL ON/OFF OFF
RIGHT2 VOICE Strings Slow
RIGHT2 OCTAVE SHIFT 0
DUAL DETUNE DEPTH 5
RIGHT2 PAN Center
RIGHT2 VOLUME 127
SPLIT SPLIT ON/OFF OFF
LEFT VOICE Acous.Bass 1
LEFT OCTAVE SHIFT +1
SPLIT POINT F#2
LEFT PAN Center
LEFT VOLUME 127
PEDAL RANGE RIGHT
REVERB REVERB ON/OFF Depends on voice selection.
REVERB TYPE Depends on style (voice)
selection.
REVERB TOTAL DEPTH 64
REVERB PART DEPTH (RHYTHM, ACMP) 64
REVERB PART DEPTH (LEFT, RIGHT1, RIGHT2) Depends on voice selection.
EFFECT EFFECT ON/OFF Depends on voice selection.
EFFECT TYPE (RIGHT1, RIGHT2, LEFT) Depends on voice selection.
EFFECT DEPTH Depends on voice selection.
EFFECT VARIATION Depends on voice selection.
CHORUS
CHORUS TYPE Depends on style selection.
CHORUS DEPTH (RIGHT1, RIGHT2, LEFT) Depends on voice selection.
REGISTRATION REGISTRATION FREEZE ON/OFF OFF REGISTRATION REGISTRATION
FREEZE CATEGORY ON/OFF (VOICE SETTING),
REVERB/EFFECT, TUNE, PEDAL, ACMP.SETTING
ACMP. SETTING: ON
Others: OFF
REGISTRATION REGISTRATION
ALL REGISTRATION Memory Data (20) Factory preset data
O REGISTRATION REGISTRATION
MIXER MIXER PART VOLUME (RHYTHM, BASS, CHORD,
PAD, PHRASE)
110 O ACMP. SETTING O ACMP SETTING ACMP SETTING
KEYBOARD VOLUME 127 O O VOICE SETTING O VOICE SETTING VOICE SETTING
ACCOMPANIMENT STYLE 8 Beat 1 O ACMP. SETTING O ACMP SETTING ACMP SETTING
Selected style in each STYLE SELECT page Top style O ACMP SETTING ACMP SETTING
MAIN A/B/C/D MAIN C O ACMP. SETTING O ACMP SETTING ACMP SETTING
ACMP. ON/OFF OFF ON ON ACMP. SETTING O ACMP SETTING ACMP SETTING
ACCOMPANIMENT MODE MULTI FINGER ACMP. SETTING O ACMP SETTING ACMP SETTING
TEMPO
1
Depends on style selection. O ACMP. SETTING O ACMP SETTING ACMP SETTING
INTRO/FILL IN/ENDING OFF ACMP. SETTING O ——
METRONOME METRONOME TYPE NORMAL O ACMP SETTING ACMP SETTING
METRONOME VOLUME 64 O ACMP SETTING ACMP SETTING
SONG GUIDE MODE NORMAL
SOUND REPEAT AUTO O SONG SETTING SONG SETTING
PIANO ROLL DISPLAY AUTO O SONG SETTING SONG SETTING
GUIDE LAMP ON/OFF ON O SONG SETTING SONG SETTING
LYRICS ON/OFF ON
——
O SONG SETTING SONG SETTING
SONG VOLUME [ACMP/SONG VOLUME]
slider value
SONG SETTING
HELP LANGUAGE ENGLISH O Always backed up.
FUNCTION TUNE 440.0Hz (A3) O TUNE TUNE
TRANSPOSE (ALL) 0 VOICE SETTING O VOICE SETTING VOICE SETTING
TRANSPOSE (SONG) 0 O VOICE SETTING VOICE SETTING
VOICE SETTING AUTO O VOICE SETTING VOICE SETTING
KEY TOUCH NORMAL VOICE SETTING O VOICE SETTING VOICE SETTING
FIXED VELOCITY 76 VOICE SETTING O VOICE SETTING VOICE SETTING
LEFT PEDAL FUNCTION SOFT O O PEDAL O PEDAL PEDAL
LEFT PART MIDI SEND Ch. 3 O MIDI SETTING MIDI SETTING
RIGHT 1 PART MIDI SEND Ch. 1 O MIDI SETTING MIDI SETTING
RIGHT 2 PART MIDI SEND Ch. 2 O MIDI SETTING MIDI SETTING
LOCAL CONTROL ON/OFF ON O MIDI SETTING MIDI SETTING
SYNC. CLOCK INT. O MIDI SETTING MIDI SETTING
PROGRAM CHANGE SEND/RECEIVE ON/OFF TX&RX (ON) O MIDI SETTING MIDI SETTING
CONTROL CHANGE SEND/RECEIVE ON/OFF TX&RX (ON) O MIDI SETTING MIDI SETTING
SYSTEM EXCLUSIVE SEND/RECEIVE ON/OFF TX&RX (ON) O MIDI SETTING MIDI SETTING
START/STOP SEND/RECEIVE ON/OFF OFF O MIDI SETTING MIDI SETTING
MIDI FILTER ON/OFF (all channels) ON O MIDI SETTING MIDI SETTING
MIDI TRANSPOSE RECEIVE ON/OFF ON O MIDI SETTING MIDI SETTING
ACMP & RHY SEND ON/OFF OFF O MIDI SETTING MIDI SETTING
HARMONY SEND ON/OFF OFF O MIDI SETTING MIDI SETTING
SEQUENCER SEND ON/OFF OFF O MIDI SETTING MIDI SETTING
REMOTE KEYBOARD OFF O MIDI SETTING MIDI SETTING
MICRO TUNING ON/OFF OFF O TUNE TUNE
MICRO TUNE. SETTING 0 O TUNE TUNE
SCALE TUNING SELECT PRESET TUNE O TUNE TUNE
PRESET SCALE SELECT EQUAL TUNE O TUNE TUNE
PRESET SCALE KEY C TUNE O TUNE TUNE
USER SCALE SETTING 0 TUNE O TUNE TUNE
BACKUP ON/OFF Set separately for each
group.
2
Always backed up.
——
1 When a Music Database setup or registration is recalled during Auto Accompaniment
playback, the style thereby selected will begin playing immediately if it is the same as
the style that is currently playing, or from the top of the next measure if it is a different
style.
2 REGISTRATION: ON; Others: OFF
1 Bei Wiederaufruf eines Musikdatenbank-Setup oder einer Registrierung während des
Auto Accompaniment-Backup (Backup von Autom. Begleitung) wird der dabei gewählte
Style sofort abgespielt, sofern dieser derselbe ist wie der aktuell abgespielte Style, oder
ab der obersten Stelle des nächsten Taktes, falls es sich um einen anderen Style
handelt.
2 REGISTRATION: ON; Andere: OFF
1 Si une configuration de Music Database ou une registration est rappelée au cours de
laccompagnement automatique, le style ainsi sélectionné sera joué immédiatement sil
est identique au style en cours de lecture, ou au début de la mesure suivante sil sagit
dun style différent.
2 REGISTRATION : ON ; Autres : OFF
1 Cuando un registro o los ajustes Music Database están llamados durante una
reproducción Auto Accompaniment, el estilo seleccionado reproducirá inmediatamente
si es el mismo que el estilo que se está reproduciendo o desde el principio del compás
siguiente si es un estilo diferente.
2 REGISTRATION: ON; Otros: OFF
CVP-201
12
Fingering Chart / Akkordliste /
Tablature / Gráfica de digitado
* All fingerings shown are simple root-position types.
* Die hier gezeigten Akkorde sind jeweils die Grundakkorde.
* Tous les doigtés indiqués sont du type à position fondamentale simple.
* Todos los digitados se muestran como tipos de posición de raíz sencilla.
Example for “C” chords
Beispiele für “C”-Akkorde
Exemples d’accords en “C”
Ejemplo de acordes “C”
C
C
6
CM
7
(
b
5)
CM
7
( )
( )
(
#
11)
CM
7
Cadd
9
(9)
CM
7
( )
( )
( )
(9)
C
6
C
(
b
5)
Caug
(
#
5)
CM
7
7
C
(
#
5)
( )
Cm
6
Cm
Cm
7
(
b
5)
Cm
7
( )
(9)
Cm
7
CmM
7
(
b
5)
Cmadd
9
( )
(11)
Cm
7
( )
( )
Cm
(
b
5)
CmM
7
Cdim
( )
( )
CmM
7
(9)
7
7
C
C sus
4
7
( )
( )
( )
(9)
C
7
(
#
11)
C
7
( )
7
C
(
b
5)
( )
(13)
C
7
7
C
(
b
9)
( )
(
b
13)
C
7
Csus
4
7
C
(
#
9)
( )
CVP-201
13
(2) RECEIVE FLOW
MIDI KEY OFF 8nH
IN
KEY ON/OFF 9nH
CONTROL CHANGE
BANK SELECT MSB BnH,00H
BANK SELECT LSB BnH,20H
MODULATION BnH,01H
PORTAMENTO TIME BnH,05H
DATA ENTRY MSB BnH,06H
DATA ENTRY LSB BnH,26H
MAIN VOLUME BnH,07H
PANPOT BnH,0AH
EXPRESSION BnH,0BH
SUSTAIN BnH,40H
PORTAMENTO BnH,41H
SOSTENUTO BnH,42H
SOFT PEDAL BnH,43H
HARMONIC CONTENT BnH,47H
RELEASE TIME BnH,48H
ATTACK TIME BnH,49H
BRIGHTNESS BnH,4AH
PORTAMENTO CONTROL BnH,54H
REVERB SEND LEVEL BnH,5BH
CHORUS SEND LEVEL BnH,5DH
VARIATION SEND LEVEL BnH,5EH
DATA INCREMENT BnH,60H
DATA DECREMENT BnH,61H
NRPN LSB BnH,62H
NRPN MSB BnH,63H
VIBRATO RATE BnH,63H,01H,62H,08H,06H,mmH
VIBRATO DEPTH BnH,63H,01H,62H,09H,06H,mmH
VIBRATO DELAY BnH,63H,01H,62H,0AH,06H,mmH
FILTER CUTOFF FREQ. BnH,63H,01H,62H,20H,06H,mmH
FILTER RESONANCE BnH,63H,01H,62H,21H,06H,mmH
EG ATTACK TIME BnH,63H,01H,62H,63H,06H,mmH
EG DECAY TIME BnH,63H,01H,62H,64H,06H,mmH
EG RELEASE BnH,63H,01H,62H,66H,06H,mmH
DRUM INST *1
CUTOFF FREQ. BnH,63H,14H,62H,rrH,06H,mmH
FILTER RESONANCE BnH,63H,15H,62H,rrH,06H,mmH
EG ATTACK RATE BnH,63H,16H,62H,rrH,06H,mmH
EG DECAY RATE BnH,63H,17H,62H,rrH,06H,mmH
PITCH COARSE BnH,63H,18H,62H,rrH,06H,mmH
Decimal Hexadecimal Binary Decimal Hexadecimal Binary
0 00 0000 0000
1 01 0000 0001
2 02 0000 0010
3 03 0000 0011
4 04 0000 0100
5 05 0000 0101
6 06 0000 0110
7 07 0000 0111
8 08 0000 1000
9 09 0000 1001
10 0A 0000 1010
11 0B 0000 1011
12 0C 0000 1100
13 0D 0000 1101
14 0E 0000 1110
15 0F 0000 1111
16 10 0001 0000
17 11 0001 0001
18 12 0001 0010
19 13 0001 0011
20 14 0001 0100
21 15 0001 0101
22 16 0001 0110
23 17 0001 0111
24 18 0001 1000
25 19 0001 1001
26 1A 0001 1010
27 1B 0001 1011
28 1C 0001 1100
29 1D 0001 1101
30 1E 0001 1110
31 1F 0001 1111
32 20 0010 0000
33 21 0010 0001
34 22 0010 0010
35 23 0010 0011
36 24 0010 0100
37 25 0010 0101
38 26 0010 0110
39 27 0010 0111
40 28 0010 1000
41 29 0010 1001
42 2A 0010 1010
43 2B 0010 1011
44 2C 0010 1100
45 2D 0010 1101
46 2E 0010 1110
47 2F 0010 1111
48 30 0011 0000
49 31 0011 0001
50 32 0011 0010
51 33 0011 0011
52 34 0011 0100
53 35 0011 0101
54 36 0011 0110
55 37 0011 0111
56 38 0011 1000
57 39 0011 1001
58 3A 0011 1010
59 3B 0011 1011
60 3C 0011 1100
61 3D 0011 1101
62 3E 0011 1110
63 3F 0011 1111
64 40 0100 0000
65 41 0100 0001
66 42 0100 0010
67 43 0100 0011
68 44 0100 0100
69 45 0100 0101
70 46 0100 0110
71 47 0100 0111
72 48 0100 1000
73 49 0100 1001
74 4A 0100 1010
75 4B 0100 1011
76 4C 0100 1100
77 4D 0100 1101
78 4E 0100 1110
79 4F 0100 1111
80 50 0101 0000
81 51 0101 0001
82 52 0101 0010
83 53 0101 0011
84 54 0101 0100
85 55 0101 0101
86 56 0101 0110
87 57 0101 0111
88 58 0101 1000
89 59 0101 1001
90 5A 0101 1010
91 5B 0101 1011
92 5C 0101 1100
93 5D 0101 1101
94 5E 0101 1110
95 5F 0101 1111
96 60 0110 0000
97 61 0110 0001
98 62 0110 0010
99 63 0110 0011
100 64 0110 0100
101 65 0110 0101
102 66 0110 0110
103 67 0110 0111
104 68 0110 1000
105 69 0110 1001
106 6A 0110 1010
107 6B 0110 1011
108 6C 0110 1100
109 6D 0110 1101
110 6E 0110 1110
111 6F 0110 1111
112 70 0111 0000
113 71 0111 0001
114 72 0111 0010
115 73 0111 0011
116 74 0111 0100
117 75 0111 0101
118 76 0111 0110
119 77 0111 0111
120 78 0111 1000
121 79 0111 1001
122 7A 0111 1010
123 7B 0111 1011
124 7C 0111 1100
125 7D 0111 1101
126 7E 0111 1110
127 7F 0111 1111
Many MIDI messages listed in the MIDI Data Format are expressed in decimal
numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers
may include the letter “H” as a suffix. Also, “n” can freely be defined as any
whole number.
To enter data/values, refer to the table below.
Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001
1111(binary) displays the Note On Message for each channel (1-16). 176-191/
BnH/1011 0000-1011 1111 displays the Control Change Message for each
channel (1-16). 192-207/CnH/1100 0000-1100 1111 displays the Program
Change Message for each channel (1-16). 240/F0H/1111 0000 denotes the
start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of
a System Exclusive Message.
aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address
contains High, Mid, and Low.
bbH/0bbbbbbb denotes the byte count.
ccH/0ccccccc denotes the check sum.
ddH/0ddddddd denotes the data/value.
(1) TRANSMIT FLOW
MIDI KEY OFF 8nH
OUT KEY ON/OFF 9nH
CONTROL CHANGE BnH
BANK SELECT MSB BnH,00H
BANK SELECT LSB BnH,20H
DATA ENTRY MSB BnH,06H
DATA ENTRY LSB BnH,26H
MAIN VOLUME BnH,07H
PANPOT BnH,0AH
EXPRESSION BnH,0BH
SUSTAIN BnH,40H
SOSTENUTE BnH,42H
SOFT PEDAL BnH,43H
PORTAMENTO CONTROL BnH,54H
REVERB SEND LEVEL BnH,5BH
CHORUS SEND LEVEL BnH,5DH
VARIATION SEND LEVEL BnH,5EH
RPN LSB BnH,64H
RPN MSB BnH,65H
PITCH BEND SENS. BnH,65H,00H,64H,00H,06H,mmH
PROGRAM CHANGE CnH
SYSTEM EXCLUSIVE MESSAGE
<YAMAHA MIDI FORMAT>
<UNIVERSAL>
UNIVERSAL NON-REALTIME F0H 7EH.....F7H
<XG STANDARD>
XG PARAMETER CHANGE
F0H 43H 1nH 4CH aaH aaH aaH ddH
.....ddH F7H
XG BULK DUMP
F0H 43H 0nH 4CH bbH bbH aaH aaH
aaH ddH.....ddH ccH F7H
<CLAVINOVA MIDI COMPLIANCE>
<SPECIAL OPERATORS>
SYSTEM REALTIME MESSAGE
MIDI CLOCK F8H
START FAH
STOP FCH
ACTIVE SENSING FEH
MIDI Data Format
/
MIDI-Datenformat
/
Format des données MIDI
/
Formato de datos MIDI
CVP-201
14
PITCH FINE BnH,63H,19H,62H,rrH,06H,mmH
LEVEL BnH,63H,1AH,62H,rrH,06H,mmH
PANPOT BnH,63H,1CH,62H,rrH,06H,mmH
REVERB SEND BnH,63H,1DH,62H,rrH,06H,mmH
CHORUS SEND BnH,63H,1EH,62H,rrH,06H,mmH
VARIATION SEND BnH,63H,1FH,62H,rrH,06H,mmH
RPN LSB BnH,64H
RPN MSB BnH,65H
PITCH BEND SENS. BnH,65H,00H,64H,00H,06H,mmH
FINE TUNING BnH,65H,00H,64H,01H,06H,mmH,
26H,llH
COARSE TUNING BnH,65H,00H,64H,02H,06H,mmH
NULL BnH,65H,7FH,64H,7FH
ALL SOUND OFF BnH,78H,00H
RESET ALL CONTROLLERS BnH,79H,00H
ALL NOTES OFF BnH,7BH,00H
OMNI OFF BnH,7CH,00H
OMNI ON BnH,7DH,00H
MONO BnH,7EH
POLY BnH,7FH
PROGRAM CHANGE CnH
CHANNEL AFTER TOUCH DnH
PITCH BEND CHANGE EnH
SYSTEM EXCLUSIVE MESSAGE
<YAMAHA MIDI FORMAT>
<UNIVERSAL>
UNIVERSAL REALTIME F0H 7FH.....F7H
UNIVERSAL NON-REALTIME F0H 7EH.....F7H
<XG STANDARD>
XG PARAMETER CHANGE
F0H 43H 1nH 4CH aaH aaH aaH ddH
.....ddH F7H
XG BULK DUMP
F0H 43H 0nH 4CH bbH bbH aaH aaH
aaH ddH.....ddH ccH F7H
PARAMETER REQUEST
F0H 43H 3nH 4CH aaH aaH aaH F7H
DUMP REQUEST
F0H 43H 2nH 4CH aaH aaH aaH F7H
<CLAVINOVA MIDI COMPLIANCE>
<SPETIAL OPERATORS>
<Others>
SYSTEM REALTIME MESSAGE
MIDI CLOCK F8H
START FAH
STOP FCH
ACTIVE SENSING FEH
When DRUM VOICE is selected and program change data for a different DRUM VOICE is
received, the currently selected Drum Setup data will be replaced with the new DRUM
VOICE DATA.
(3-1-4) CHANNEL AFTER TOUCH (Receive only)
STATUS 1101nnnn(DnH) n = 0 - 15 VOICE CHANNEL NUMBER
VALUE 0vvvvvvv v = 0 - 127 AFTER TOUCH VALUE
(3-1-5) PITCH BEND CHANGE
STATUS 1110nnnn(EnH) n = 0 - 15 VOICE CHANNEL NUMBER
LSB 0vvvvvvv PITCH BEND CHANGE LSB
MSB 0vvvvvvv PITCH BEND CHANGE MSB
(3-1-6) CONTROL CHANGE
STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
CONTROL NUMBER 0ccccccc
CONTROL VALUE 0vvvvvvv
* Transmit CONTROL NUMBER.
c = 0 BANK SELECT MSB ; v = 0:XG NORMAL,
64:SFX NORMAL,
126:XG SFX KIT,
127:XG DRUM
c = 32 BANK SELECT LSB ; v = 0 - 127
c = 6 DATA ENTRY MSB ; v = 0 - 127 *1
c = 38 DATA ENTRY LSB ; v = 0 - 127 *1
c = 7 MAIN VOLUME ; v = 0 - 127
c = 10 PANPOT; v = 0 - 127
c = 11 EXPRESSION ; v = 0 - 127
c = 64 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2
c = 66 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2
c = 67 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2
c = 84 PORTAMENTO CONTROL ; v = 0 - 127
c = 91 REVERB SEND LEVEL ; v = 0 - 127
c = 93 CHORUS SEND LEVEL ; v = 0 - 127
c = 94
VARIATION SEND LEVEL
; v = 0 - 127
(When only Connection = 1[System])
c = 100 RPN LSB ; v = 0 - 127
c = 101 RPN MSB ; v = 0 - 127
* Receive CONTROL NUMBER.
c = 0 BANK SELECT MSB ; v = 0:XG NORMAL,
64:SFX NORMAL,
126:XG SFX KIT,
127:XG DRUM
c = 32 BANK SELECT LSB ; v = 0 - 127
c = 1 MODULATION ; v = 0 - 127 *2
c = 5 PORTAMENTO TIME ; v = 0 - 127 *2
c = 6 DATA ENTRY MSB ; v = 0 - 127 *1
c = 38 DATA ENTRY LSB ; v = 0 - 127 *1
c = 7 MAIN VOLUME ; v = 0 - 127
c = 10 PANPOT; v = 0 - 127
c = 11 EXPRESSION ; v = 0 - 127
c = 64 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2
c = 65 PORTAMENTO ; v = 0-63:OFF , 64-127:ON *2
c = 66 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2
c = 67 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2
c = 71 HARMONIC CONTENT ;
v = 0:-64 - 64:0 - 127:+63 *2
c = 72 RELEASE TIME ;
v = 0:-64 - 64:0 - 127:+63 *2
c = 73 ATTACK TIME ;
v = 0:-64 - 64:0 - 127:+63 *2
c = 74 BRIGHTNESS ;
v = 0:-64 - 64:0 - 127:+63 *2
c = 84 PORTAMENT CONTROL ; v = 0 - 127 *2
c = 91 REVERB SEND LEVEL ; v = 0 - 127
c = 93 CHORUS SEND LEVEL ; v = 0 - 127
c = 94
VARIATION SEND LEVEL
; v = 0 - 127
(When only Connection = 1[System])
c = 96 DATA INCREMENT ; v = 0 - 127 *1
c = 97 DATA DECREMENT ; v = 0 - 127 *1
RPN MSB/LSB, NRPN MSB/LSB
*1 Only when setting the appointed parameter with RPN, NRPN.
*2 Does not effect Rhythm Voice.
Until a PROGRAM CHANGE message is received, the BANK SELECT
operation will be suspended. When a Voice, including VOICE BANK, is
changed, set the BANK SELECT and Program Change Message, and
transmit in the following order, BANK SELECT MSB, LSB, PROGRAM
CHANGE.
MODULATION controls the Vibrato Depth.
PORTAMENTO TIME controls the Pitch Change Speed when the
Portamento Switch = ON. 0 being the shortest time, and 127 being the
longest.
PANPOT changes the value for the melody voice and rhythm voice in
relation to the preset value.
(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES
(3-1-1) KEY OFF
STATUS 1000nnnn(8nH) n = 0 - 15 VOICE CHANNEL NUMBER
NOTE NUMBER 0kkkkkkk k = 0 (C-2) - 127 (G8)
VELOCITY 0vvvvvvv v: ignored
(3-1-2) KEY ON/OFF
STATUS 1001nnnn(9nH) n = 0 - 15 VOICE CHANNEL NUMBER
NOTE NUMBER 0kkkkkkk k = 0 (C-2) - 127 (G8)
VELOCITY 0vvvvvvv (v 0) NOTE ON
00000000 (v = 0) NOTE OFF
(3-1-3) PROGRAM CHANGE
STATUS 1100nnnn(CnH) n = 0 - 15 VOICE CHANNEL NUMBER
PROGRAM NUMBER 0ppppppp p = 0 - 127
* PROGRAM NUMBER: XG DRUM VOICE number correspondence
P = 0 Standard Kit
P = 1 Standard2 Kit
P = 8 Room Kit
P = 16 Rock Kit
P = 24 Electro Kit
P = 25 Analog Kit
P = 27 Dance Kit
P = 32 Jazz Kit
P = 40 Brush Kit
P = 48 Classic Kit
* PROGRAM NUMBER: XG SFX KIT number correspondence
P = 0 SFX1 Kit
P = 1 SFX2 Kit
MIDI Data Format
/
MIDI-Datenformat
/
Format des données MIDI
/
Formato de datos MIDI
CVP-201
15
Portamento time is fixed to 0 when the PORTAMENTO CONTROL is
used.
HARMONIC CONTENT applies adjustment to the resonance value that
is set by the voice. This parameter specifies relative change with the
value of 64 producing 0 adjustment. As values get higher the sound
becomes increasingly eccentric. Note that for some voices the effective
parameter range is narrower than the legal parameter range.
RELEASE TIME applies adjustment to the envelope release time set by
the voice. This parameter specifies relative change with the value of 64
producing 0 adjustment.
ATTACK TIME applies adjustment to the envelope attack time set by the
voice. This parameter specifies relative change with the value of 64
producing 0 adjustment.
BRIGHTNESS applies adjustment to the cut-off frequency set by the
voice. This parameter specifies relative change with the value of 64
producing 0 adjustment. Lower voices produce a softer sound. For some
voices the effective parameter range is narrower than the legal
parameter range.
(3-2) CHANNEL MODE MESSAGES
STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
CONTROL NUMBER 0ccccccc c = CONTROL NUMBER
CONTROL VALUE 0vvvvvvv v = DATA VALUE
(3-2-1) ALL SOUND OFF (Receive only)
(CONTROL NUMBER = 78H , DATA VALUE = 0)
Switches off all sound from the channel. Reset Note On and Hold On conditions established
by Channel Messages.
(3-2-2) RESET ALL CONTROLLERS (Receive only)
(CONTROL NUMBER = 79H , DATA VALUE = 0)
Resets controllers as follows.
PITCH BEND CHANGE 0 (Center)
AFTER TOUCH 0 (min.)
MODULATION 0 (min.)
EXPRESSION 127 (max.)
SUSTAIN 0 (off)
SOSTENUTO 0 (off)
SOFT PEDAL 0 (off)
NRPN Sets number to null. (Internal data remains unchanged)
RPN Sets number to null. (Internal data remains unchanged)
PORTAMENT CONTROL Resets portamento source note number
PORTAMENTO 0 (off)
(3-2-3) ALL NOTES OFF (Receive only)
(CONTROL NUMBER = 7BH , DATA VALUE = 0)
Switches off all of the channel’s “on” notes. However, any notes being held by SUSTAIN or
SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off.
(3-2-4)
OMNI OFF (Receive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0)
Same processing as for All Notes Off.
(3-2-5) OMNI ON (Receive only)
(CONTROL NUMBER = 7DH , DATA VALUE = 0)
Same processing as for All Notes Off. Omni On is not executed.
(3-2-6) MONO (Receive only)
(CONTROL NUMBER = 7EH , DATA VALUE = 0)
Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding
channel will be changed to Mode 4 (m=1).
(3-2-7) POLY (Receive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0)
Same processing as for All Sounds Off and the corresponding channel will be changed to
Mode 3.
(3-3) REGISTERED PARAMETER NUMBER(RPN)
STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
RPN LSB 01100100(64H)
RPN LSB NUMBER 0ppppppp p = RPN LSB (refer to the list below)
RPN MSB 01100101(65H)
RPN MSB NUMBER 0qqqqqqq q = RPN MSB (refer to the list below)
DATA ENTRY MSB 00000110(06H)
DATA VALUE 0mmmmmmm m = Data Value
DATA ENTRY LSB 00100110(26H)
DATA VALUE 0lllllll l = Data Value
First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry
MSB/LSB.
RPN D.ENTRY
LSB MSB MSB LSB PARAMETER NAME DATA RANGE
00H 00H mmH
PITCH BEND SENSITIVITY
00H-18H (0 - 24 semitones)
01H 00H mmH llH FINE TUNE
{mmH,llH} = {00H,00H}-{40H,00H}-{7FH,7FH}
(-8192*100/8192) - 0 - (+8192*100/8192)
02H 00H mmH COARSE TUNE
28H - 40H - 58H (-24 - 0 - +24 semitones)
7FH 7FH NULL Clears the current RPN number setting.
Does not change the internal parameter settings.
(3-4) NON-REGISTERED PARAMETER NUMBER(NRPN) (Receive only)
STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
NRPN LSB 01100010(62H)
NRPN LSB NUMBER 0ppppppp p = NRPN LSB (refer to the list below)
NRPN MSB 01100011(63H)
NRPN MSB NUMBER 0qqqqqqq q = NRPN MSB (refer to the list below)
DATA ENTRY MSB 00000110(06H)
DATA VALUE 0mmmmmmm m = Data Value
First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry
MSB/LSB.
NRPN D.ENTRY
MSB LSB MSB LSB PARAMETER NAMEDATA RANGE
01H 08H mmH VIBRATO RATE
00H - 40H - 7FH (-64 - 0 - +63)
01H 09H mmH VIBRATO DEPTH
00H - 40H - 7FH (-64 - 0 - +63)
01H 0AH mmH VIBRATO DELAY
00H - 40H - 7FH (-64 - 0 - +63)
01H 20H mmH
FILTER CUTOFF FREQUENCY
00H - 40H - 7FH (-64 - 0 - +63)
01H 21H mmH FILTER RESONANCE
00H - 40H - 7FH (-64 - 0 - +63)
01H 63H mmH EG ATTACK TIME
00H - 40H - 7FH (-64 - 0 - +63)
01H 64H mmH EG DECAY TIME
00H - 40H - 7FH (-64 - 0 - +63)
01H 66H mmH EG RELEASE
00H - 40H - 7FH (-64 - 0 - +63)
14H rrH mmH
DRUM FILTER CUTOFF FREQ. 00H - 40H - 7FH (-64 - 0 - +63)
15H rrH mmH
DRUM FILTER RESONANCE
00H - 40H - 7FH (-64 - 0 - +63)
16H rrH mmH DRUM AEG ATTACK RATE
00H - 40H - 7FH (-64 - 0 - +63)
17H rrH mmH DRUM AEG DECAY RATE
00H - 40H - 7FH (-64 - 0 - +63)
18H rrH mmH DRUM PITCH COARSE
00H - 40H - 7FH (-64 - 0 - +63)
19H rrH mmH DRUM PITCH FINE
00H - 40H - 7FH (-64 - 0 - +63)
1AH rrH mmH DRUM LEVEL
00H - 7FH (0 - max.)
1CH rrH mmH DRUM PANPOT
00H ,01H - 40H - 7FH
(random,left - center - right)
1DH rrH mmH
DRUM REVERB SEND LEVEL
00H - 7FH (0 - max.)
1EH rrH mmH
DRUM CHORUS SEND LEVEL
00H - 7FH (0 - max.)
1FH rrH mmH
DRUM VARIATION SEND LEVEL 00H - 7FH (0 - max.)
The MSB 14H-1FH (for drums) message is received when multi-part parameters PART
MODE = DRUMS1...2.
rrH : drum instrument note number
(3-5) SYSTEM REALTIME MESSAGES
(3-5-1) MIDI CLOCK
STATUS 11111000 (F8H)
Transmission: 96 clocks per measure are transmitted.
Reception: If the instrument’s clock is set to external, after FAH is received from the external
device the instrument’s clock will sync with the 96 beats per measure received from the external
device.
Decides whether the internal clock, or Timing Clocks received via the MIDI IN will be used.
(3-5-2) START
STATUS 11111010 (FAH)
Transmission: Transmitted when instrument’s Rhythm or Song playback is started.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start.
(3-5-3) STOP
STATUS 11111100 (FCH)
Transmission: Transmitted when instrument’s Rhythm or Song playback is stopped.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop.
CVP-201
16
(3-5-4) ACTIVE SENSING
STATUS 11111110 (FEH)
Transmission: Transmitted approximately once every 200msec.
Reception: Sensing is started once this Code is received. If Status or Data is not received
within 400ms, the MIDI Receive Buffer will be cleared, and all notes, including those being
sustained, will be cut OFF. Also, all control values will be reset to their factory defaults.
(3-6) SYSTEM EXCLUSIVE MESSAGE
(3-6-1) YAMAHA MIDI FORMAT
(3-6-1-1) SECTION CONTROL
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01111110 7E Style
00000000 00
0sssssss SS Switch No.
00H : INTRO A
01H : INTRO B
02H : INTRO C/D
03H~07H : INTRO C/D
08H : MAIN A
09H : MAIN B
0AH : MAIN C
0BH~0FH : MAIN D
10H : FILL IN A
11H : FILL IN B
12H : FILL IN C
13H~17H : FILL IN D
18H : BREAK FILL
19H : BREAK FILL
1AH : BREAK FILL
1BH~1FH : BREAK FILL
20H : ENDING A
21H : ENDING B
22H : ENDING C/D
23H~27H : ENDING C/D
0ddddddd DD Switch On/Off: 00H(Off),7FH(On)
11110111 F7 End of Exclusive
When an ON code is received, the appointed section will be changed.
(3-6-1-2) TEMPO CONTROL
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01111110 7E Style
00000000 01
0ttttttt TT Tempo4
0ttttttt TT Tempo3
0ttttttt TT Tempo2
0ttttttt TT Tempo1
11110111 F7 End of Exclusive
The internal clock will be set to the received Tempo value.
Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going
into each of the Tempos 1-4 (4 receives the remaining 3 bits).
(3-6-1-3) CHORD CONTROL type1
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01111110 7E Style
00000010 02 type 1
0ddddddd dd chord root(cr)
0ddddddd dd chord type(ct)
0ddddddd dd bass note(bn)
0ddddddd dd bass type(bt)
11111110 F7 End of Exclusive
Chord transmit: Transmitted using type 1 format.
cr Chord Root 0kkknnnn (kkk:Change symbol, nnnn:Note)
Binary Hex Change symbol Binary Hex Note
0000nnnn 0n bbb(3 flats) 0kkk0000 k0 reserved
0001nnnn 1n bb (2 flats) 0kkk0001 k1 C
0010nnnn 2n b (1 flat) 0kkk0010 k2 D
0011nnnn 3n natural 0kkk0011 k3 E
0100nnnn 4n # (1 sharp) 0kkk0100 k4 F
0101nnnn 5n ## (2 sharps) 0kkk0101 k5 G
0110nnnn 6n ###(3 sharps) 0kkk0110 k6 A
0kkk0111 k7 B
ct Chord Type 0 - 34,127
Binary Hex Dec Chord type Binary Hex Dec Chord type
00000000 00 0 Maj 00010010 12 18 dim7
00000001 01 1 Maj6 00010011 13 19 7th
00000010 02 2 Maj7 00010100 14 20 7sus4
00000011 03 3 Maj7(#11) 00010101 15 21 7b5
00000100 04 4 Maj(9) 00010110 16 22 7(9)
00000101 05 5 Maj7(9) 00010111 17 23 7(#11)
00000110 06 6 Maj6(9) 00011000 18 24 7(13)
00000111 07 7 aug 00011001 19 25 7(b9)
00001000 08 8 min 00011010 1A 26 7(b13)
00001001 09 9 min6 00011011 1B 27 7(#9)
00001010 0A 10 min7 00011100 1C 28 Maj7aug
00001011 0B 11 min7b5 00011101 1D 29 7aug
00001100 0C 12 min(9) 00011110 1E 30 1+8
00001101 0D 13 min7(9) 00011111 1F 31 1+5
00001110 0E 14 min7(11) 00100000 20 32 sus4
00001111 0F 15 minMaj7 00100001 21 33 1+2+5
00010000 10 16 minMaj7(9) 00100010 22 34 cc
00010001 11 17 dim
bn On Bass Note Same as Chord root,
127:No bass chord
bt Bass Chord Same as Chord type
127:No bass chord
(3-6-2) UNIVERSAL SYSTEM EXCLUSIVE
(3-6-2-1) UNIVERSAL REALTIME MESSAGE
(3-6-2-1-1) MIDI MASTER VOLUME (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01111110 7F Universal Realtime
01111111 7F ID of target Device
00001001 04 Sub-ID #1=Device Control Message
00000001 01 Sub-ID #2=Master Volume
0sssssss SS Volume LSB
0ttttttt TT Volume MSB
11110111 F7 End of Exclusive
or
11110000 F0 Exclusive status
01111110 7F Universal Realtime
0xxxnnnn XN
When N is received N=0-F, whichever is received.
When N is transmitted N always=0.
X = don’t care
00001001 04 Sub-ID #1=Device Control Message
00000001 01 Sub-ID #2=Master Volume
0sssssss SS Volume LSB
0ttttttt TT Volume MSB
11110111 F7 End of Exclusive
The volume for all channels will be changed simultaneously.
The TT value is used as the MIDI Master Volume value. (the SS value is ignored.)
MIDI Data Format
/
MIDI-Datenformat
/
Format des données MIDI
/
Formato de datos MIDI
CVP-201
17
(3-6-2-2) UNIVERSAL NON REALTIME MESSAGE
(3-6-2-2-1) GENERAL MIDI SYSTEM ON
binary hexadecimal
11110000 F0 Exclusive status
01111110 7E Universal Non-Realtime
01111111 7F ID of target Device
00001001 09 Sub-ID #1=General MIDI Message
00000001 01 Sub-ID #2=General MIDI On
11110111 F7 End of Exclusive
or
11110000 F0 Exclusive status
01111110 7E Universal Non-Realtime
0xxxnnnn XN
When N is received N=0-F, whichever is received.
When N is transmitted N always=0.
X = don’t care
00001001 09 Sub-ID #1=General MIDI Message
00000001 01 Sub-ID #2=General MIDI On
11110111 F7 End of Exclusive
Depending upon the received ON message, the System Mode will be changed to XG.
Except MIDI Master Tuning, all control data be reset to default values.
This message requires approximately 50ms to execute, so sufficient time should be allowed
before the next message is sent.
After the GM System ON message is received, message reception of the following will be
limited.
Bank Select MSB-LSB in channel 10 will be ignored and the drum voice will be fixed.
Bank Select MSB-LSB except in channel 10 will be ignored except 127/0.
NRPN is not received.
When XG SYSTEM ON is received, these restrictions will be cancelled.
(3-6-3) XG STANDARD
(3-6-3-1) XG PARAMETER CHANGE
(3-6-3-1-1) XG SYSTEM ON
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1N Device Number
01001100 4C Model ID
00000000 00 Address High
00000000 00 Address Mid
01111110 7E Address Low
00000000 00 Data
11110111 F7 End of Exclusive
Depending upon the received ON message, the SYSTEM MODE will be changed to
XG.Controllers will be reset, all values of Multi Part and Effect, and All System values
denoted by “XG” data within All System will be reset to default values in the table.
This message requires approximately 50ms to execute, so sufficient time should be allowed
before the next message is sent.
(3-6-3-1-2) XG PARMETER CHANGE
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1N Device Number
01001100 4C Model ID
0aaaaaaa AA Address High
0aaaaaaa AA Address Mid
0aaaaaaa AA Address Low
0ddddddd DD Data
||
11110111 F7 End of Exclusive
For parameters with data size of 2 or 4, transmit the appropriate number of data bytes.
For more information on Address and Parameters, refer to < Table 1-2 > (page 20) and
< Table 1-4 > ~ < Table 1-6 > (pages 20-23).
The following Parameter Changes are handled.
XG System Data
Multi Effect 1 Data
Multi Part Data
Drums Setup Data
(3-6-3-2) XG BULK DUMP
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0000nnnn 0N Device Number
01001100 4C Model ID
0bbbbbbb BB ByteCount
0bbbbbbb BB ByteCount
0aaaaaaa AA Address High
0aaaaaaa AA Address Mid
0aaaaaaa AA Address Low
0ddddddd DD Data
||
0ccccccc CC Check sum
11110111 F7 End of Exclusive
For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-6 >
(pages 20-23).
The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum
has value zero in its seven least significant bits.
If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be
received.
The Block is a unit that consists of the data, arranged in the list, as the Total Size.
The following Bulk Dumps are handled.
XG System Data
Multi Effect 1 Data(Individual effect unit)
Multi Part Data(Individual part unit)
Drums Setup Data(Individual note unit)
System Information(Transmit only)
(3-6-3-3) XG PARAMETER REQUEST (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0011nnnn 3n Device Number
01001100 4C Model ID
0aaaaaaa AA Address High
0aaaaaaa AA Address Mid
0aaaaaaa AA Address Low
11110111 F7 End of Exclusive
For more information on Address and Byte Count refer to < Table 1-2 > (page 20) and
< Table 1-4 > ~ < Table 1-6 > (pages 20-23).
The following Parameter Requests are handled.
XG System Data
Multi Effect 1 Data
Multi Part Data
Drums Setup Data
(3-6-3-4) XG DUMP REQUEST (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0010nnnn 2n Device Number
01001100 4C Model ID
0aaaaaaa AA Address High
0aaaaaaa AA Address Mid
0aaaaaaa AA Address Low
11110111 F7 End of Exclusive
For more information on Address and Byte Count refer to
< Table 1-2 > ~ < Table 1-6 >
(pages 20-23).
The following Dump Requests are handled.
XG System Data
Multi Effect 1 Data(Individual module unit)
Multi Part Data(Individual part unit)
Drums Setup Data(Individual note unit)
System Information
(3-6-4) CLAVINOVA MIDI COMPLIANCE
(3-6-4-1) INTERNAL CLOCK / EXTERNAL CLOCK (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
00000001 01 Clavinova common ID
0000001n 0N
N: 2(Internal Clock),3(External Clock)
11110111 F7 End of Exclusive
CVP-201
18
(3-6-4-2) DOC MULTI TIMBRE ON / OFF (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
00000001 01 Clavinova commmon ID
00000110 1N
N:3(DOC Multi Timbre Off),4(DOC Multi Timbre On)
11110111 F7 End of Exclusive
(3-6-4-3) PANEL LED ON / OFF (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
00000001 01 Clavinova commmon ID
00011010 1A PANEL LED On/Off
0mmmmmmm MM
MM:00H(LED Off),01H(LED On),02H(The LED flashes)
03H (LED All off),
04H (Panel LED returns to normal operation)
00000000 00
0nnnnnnn NN LED No.
11110111 F7 End of Exclusive
Remotely switches the Panel LED On/Off.
(3-6-4-4) PANEL VOICE SETTING (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
00100010 22 Piano Live Exclusive Substatus
00000000 00 Panel Voice Setting Substatus
0000nnnn 0n Panel Part No.
00H (RIGHT 1)
01H (RIGHT 2)
02H (LEFT)
0mmmmmmm mm Bank Select MSB
0lllllll ll Bank Select LSB
0ppppppp pp Program Change
11110111 F7 End of Exclusive
(3-6-4-5) PANEL VOICE VOLUME SETTING (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
00100010 22 Piano Live Exclusive Substatus
00000001 01 Panel Voice Volume Setting Substatus
0000nnnn 0n Panel Part No.
00H (RIGHT 1)
01H (RIGHT 2)
02H (LEFT)
0vvvvvvv vv Value (0 - 7FH)
11110111 F7 End of Exclusive
(3-6-4-6) PANEL VOICE REVERB DEPTH SETTING (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
00100010 22 Piano Live Exclusive Substatus
00000010 02
Panel Voice Reverb Depth Setting Substatus
0000nnnn 0n Panel Part No.
00H (RIGHT 1)
01H (RIGHT 2)
02H (LEFT)
0vvvvvvv vv Value (0 - 7FH)
11110111 F7 End of Exclusive
(3-6-4-7) PANEL VOICE EFFECT DEPTH SETTING (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
00100010 22 Piano Live Exclusive Substatus
00000011 03
Panel Voice Effect Depth Setting Substatus
0000nnnn 0n Panel Part No.
00H (RIGHT 1)
01H (RIGHT 2)
02H (LEFT)
0vvvvvvv vv Value (0 - 7FH)
11110111 F7 End of Exclusive
(3-6-4-8) MIDI FA CANCEL (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
01100001 61 MIDI FA Cancel
11110111 F7 End of Exclusive
If this message is received, even if FAH is received the Rhythm will not start.
(3-6-5) SPECIAL OPERATORS
(3-6-5-1) SPLIT POINT
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
00010001 11 Sub ID
00000000 00
00010100 14 Split Point
0ddddddd DD Split Key No.
11110111 F7 End of Exclusive
(3-6-5-2) STYLE NUMBER
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01011010 5E CVP-201 ID
00010001 11 Sub ID
00000000 00 Channel No. (always 00)
00010110 16 Style No. Control No.
0mmmmmmm mm Style No. MSB
0lllllll ll Style No. LSB
11110111 F7 End of Exclusive
(3-6-5-3) FINGERING
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
00010001 11 Sub ID
00000000 00
01000000 40 Fingering
0000dddd 0D 0D: 00H(Off),01H(Single Finger),
02H(Fingered 1),03H(Fingered 2),
04H(Full Keyboard),07H(Multi Finger)
11110111 F7 End of Exclusive
(3-6-5-4) ACCOMP VOLUME
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
00010001 11 Sub ID
0000nnnn 0N
Part: 00H(All Part),05H(Rhythm),0AH(Bass),
06H(Chord),0DH(Pad),07H(Phrase)
01000000 42 Accomp Volume
0ddddddd DD Volume Data: 00H~7FH
11110111 F7 End of Exclusive
(3-6-5-5) CHANNEL DETUNE
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
00010001 11 Sub ID
0000nnnn 0N N = MIDI Channel
01000011 43 Dual Detune
0vvvvvvv VV
Value VV: 00H - 40H - 7FH (-64 - 0 - +63)
11110111 F7 End of Exclusive
The Channel Detune message only affects the specified channel.
MIDI Data Format
/
MIDI-Datenformat
/
Format des données MIDI
/
Formato de datos MIDI
CVP-201
19
(3-6-5-6) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
00010001 11 Sub ID
0000nnnn 0N N = MIDI Channel
01001001 45
Volume and Expression Realtime Control Off
0vvvvvvv VV Value VV: off=7FH, on=00H
11110111 F7 End of Exclusive
When “On” is received, subsequent volume, expression, and PAN changes are only valid
after the reception of the next key on. Normal operation resumes when “Off” is received.
(3-6-5-7) MIDI KEY LED MODE ON / OFF (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
01110011 73 Clavinova ID
01000101 01 Clavinova common ID
00010001 11 Sub ID
0000nnnn 0N N = MIDI Channel
01000111 47 MIDI Key LED Mode On / Off
0ddddddd DD DD: 00H(Key LED Mode Off),
01H(Key LED Mode On + no tone),
02H(Key LED Mode On + tone)
11110111 F7 End of Exclusive
(3-6-6) Others
(3-6-6-1) MIDI MASTER TUNING (Receive only)
binary hexadecimal
11110000 F0 Exclusive status
01000011 43 YAMAHA ID
0001nnnn 1N When N is received N=0-F,
whichever is received.
00100111 27 Model ID
00110000 30 Sub ID
00000000 00
00000000 00
0mmmmmmm MM Master Tune MSB
0lllllll LL Master Tune LSB
0ccccccc CC don’t care
11110111 F7 End of Exclusive
Changes tuning of all channels.
MM, LL values are used to define the MIDI Master Tuning value.
T = M – 128
T: Tuning value (-99 cents to +99 cents)
M: A single byte value (28–228) that consists of bits 0–3 of MM as MSB, bits 0–3 of LL as LSB.
This setting is not reset when the GM System or XG System is turned on.
CVP-201
20
< Table 1-1>
Parameter Basic Address
Parameter Change
Address
(H)(M) (L) Description
SYSTEM 00 00 00 System
00 00 7D Drum Setup Reset
00 00 7E XG System On
00 00 7F All Parameter Reset
INFORMATION 01 00 00 System Information
EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )
MULTI PART 08 00 00 Multi Part 1
:
08 0F 00 Multi Part 16
DRUM 30 0D 00 Drum Setup 1 → Address Parameter
31 0D 00 Drum Setup 2
3n 0D 00 note number 13
3n 0E 00 note number 14
::
3n 5B 00 note number 91
< Table 1-2 >
MIDI Parameter Change table ( SYSTEM )
Address Size Data Parameter Name Description Default
(H) (H) (H) Value(H)
00 00 00 4 0000 Master Tune -102.4..+102.3[cent] 00 04 00 00
01 ..07FF 1st bit3-0 -> bit15-12 (0400)
02 2nd bit3-0 -> bit11-8
03 3rd bit3-0 -> bit7-4
4th bit3-0 -> bit3-0
04 1 00..7F Master Volume 0..127 7F
05 1 Not Used
06 1 28..58 Transpose -24..+24[semitones] 40
7D n Drum Setup Reset n=Drum Setup Number
7E 00 XG System On 00=XG Sytem on
7F 00 All Parameter Reset 00=on (receive only)
TOTAL SIZE 6
< Table 1-3 >
MIDI Parameter table ( System information )
Address Size Data Parameter Name Description
(H) (H) (H)
01 00 00 E 20..7F Model Name 32..127(ASCII)
:
0D
0E 1 00
0F 1 01
TOTAL SIZE 10
(Transmitted by Dump Request. Not received. Bulk Dump Only)
< Table 1-4 >
MIDI Parameter Change table ( EFFECT 1)
Address Size Data Parameter Name Description Default
(H) (H) (H) Value(H)
02 01 00 2 00..7F Reverb Type MSB Refer to the Effect Type List 01(=HALL1)
00..7F Reverb Type LSB 00 : basic type 00
02 1 00..7F Reverb Parameter 1 Refer to the Ef. Parameter List Depend on Reverb type
03 1 00..7F Reverb Parameter 2 Refer to the Ef. Parameter List Depend on Reverb type
04 1 00..7F Reverb Parameter 3 Refer to the Ef. Parameter List Depend on Reverb type
05 1 00..7F Reverb Parameter 4 Refer to the Ef. Parameter List Depend on Reverb type
06 1 00..7F Reverb Parameter 5 Refer to the Ef. Parameter List Depend on Reverb type
07 1 00..7F Reverb Parameter 6 Refer to the Ef. Parameter List Depend on Reverb type
08 1 00..7F Reverb Parameter 7 Refer to the Ef. Parameter List Depend on Reverb type
09 1 00..7F Reverb Parameter 8 Refer to the Ef. Parameter List Depend on Reverb type
0A 1 00..7F Reverb Parameter 9 Refer to the Ef. Parameter List Depend on Reverb type
0B 1 00..7F Reverb Parameter 10 Refer to the Ef. Parameter List Depend on Reverb type
0C 1 00..7F Reverb Return -..0..+6dB(0..96..127) 40
0D 1 01..7F Reverb Pan L63..C..R63(1..64..127) 40
TOTAL SIZE 0E
MIDI Data Format
/
MIDI-Datenformat
/
Format des données MIDI
/
Formato de datos MIDI
CVP-201
21
02 01 10 1 00..7F Reverb Parameter 11 Refer to the Ef. Parameter List Depend on Reverb type
11 1 00..7F Reverb Parameter 12 Refer to the Ef. Parameter List Depend on Reverb type
12 1 00..7F Reverb Parameter 13 Refer to the Ef. Parameter List Depend on Reverb type
13 1 00..7F Reverb Parameter 14 Refer to the Ef. Parameter List Depend on Reverb type
14 1 00..7F Reverb Parameter 15 Refer to the Ef. Parameter List Depend on Reverb type
15 1 00..7F Reverb Parameter 16 Refer to the Ef. Parameter List Depend on Reverb type
TOTAL SIZE 6
02 01 20 2 00..7F Chorus Type MSB Refer to the Effect Type List 41(=Chorus1)
00..7F Chorus Type LSB 00 : basic type 00
22 1 00..7F Chorus Parameter 1 Refer to the Ef. Parameter List Depend on Chorus Type
23 1 00..7F Chorus Parameter 2 Refer to the Ef. Parameter List Depend on Chorus Type
24 1 00..7F Chorus Parameter 3 Refer to the Ef. Parameter List Depend on Chorus Type
25 1 00..7F Chorus Parameter 4 Refer to the Ef. Parameter List Depend on Chorus Type
26 1 00..7F Chorus Parameter 5 Refer to the Ef. Parameter List Depend on Chorus Type
27 1 00..7F Chorus Parameter 6 Refer to the Ef. Parameter List Depend on Chorus Type
28 1 00..7F Chorus Parameter 7 Refer to the Ef. Parameter List Depend on Chorus Type
29 1 00..7F Chorus Parameter 8 Refer to the Ef. Parameter List Depend on Chorus Type
2A 1 00..7F Chorus Parameter 9 Refer to the Ef. Parameter List Depend on Chorus Type
2B 1 00..7F Chorus Parameter 10 Refer to the Ef. Parameter List Depend on Chorus Type
2C 1 00..7F Chorus Return -..0..+6dB(0..96..127) 40
2D 1 01..7F Chorus Pan L63..C..R63(1..64..127) 40
2E 1 00..7F Send Chorus To Reverb -..0..+6dB(0..96..127) 00
TOTAL SIZE 0F
02 01 30 1 00..7F Chorus Parameter 11 Refer to the Ef. Parameter List Depend on Chorus Type
31 1 00..7F Chorus Parameter 12 Refer to the Ef. Parameter List Depend on Chorus Type
32 1 00..7F Chorus Parameter 13 Refer to the Ef. Parameter List Depend on Chorus Type
33 1 00..7F Chorus Parameter 14 Refer to the Ef. Parameter List Depend on Chorus Type
34 1 00..7F Chorus Parameter 15 Refer to the Ef. Parameter List Depend on Chorus Type
35 1 00..7F Chorus Parameter 16 Refer to the Ef. Parameter List Depend on Chorus Type
TOTAL SIZE 6
02 01 40 2 00..7F Variation Type MSB Refer to the Effect Type List “05(=DELAY L,C,R)”
00..7F Variation Type LSB 00 : basic type 00
42 2 00..7F Vari. Param. 1 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 1 LSB Refer to the Ef. Parameter List Depend on Vari. Type
44 2 00..7F Vari. Param. 2 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 2 LSB Refer to the Ef. Parameter List Depend on Vari. Type
46 2 00..7F Vari. Param. 3 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 3 LSB Refer to the Ef. Parameter List Depend on Vari. Type
48 2 00..7F Vari. Param. 4 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 4 LSB Refer to the Ef. Parameter List Depend on Vari. Type
4A 2 00..7F Vari. Param. 5 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 5 LSB Refer to the Ef. Parameter List Depend on Vari. Type
4C 2 00..7F Vari. Param. 6 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 6 LSB Refer to the Ef. Parameter List Depend on Vari. Type
4E 2 00..7F Vari. Param. 7 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 7 LSB Refer to the Ef. Parameter List Depend on Vari. Type
50 2 00..7F Vari. Param. 8 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 8 LSB Refer to the Ef. Parameter List Depend on Vari. Type
52 2 00..7F Vari. Param. 9 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 9 LSB Refer to the Ef. Parameter List Depend on Vari. Type
54 2 00..7F Vari. Param. 10 MSB Refer to the Ef. Parameter List Depend on Vari. Type
00..7F Vari. Param. 10 LSB Refer to the Ef. Parameter List Depend on Vari. Type
56 1 00..7F Variation Return -..0..+6dB(0..96..127) 40
57 1 01..7F Variation Pan L63..C..R63(1..64..127) 40
58 1 00..7F Send Vari. To Reverb -..0..+6dB(0..96..127) 00
59 1 00..7F Send Vari. To Chorus -..0..+6dB(0..96..127) 00
5A 1 00..01 Variation Connection 0:insertion,1:system 00
5B 1 00..1F Variation Part part1..32(0..31),off(127) 7F
5C 1 01..7F MW Vari. Ctrl Depth -63..+63 40
5D 1 01..7F PB Vari. Ctrl Depth -63..+63 40
5E 1 01..7F CAT Vari. Ctrl Depth -63..+63 40
5F 1 01..7F Not Used
60 1 01..7F Not Used
TOTAL SIZE 21
02 01 70 1 00..7F Variation Parameter 11 option Parameter Depend on Variation Type
71 1 00..7F Variation Parameter 12 option Parameter Depend on Variation Type
72 1 00..7F Variation Parameter 13 option Parameter Depend on Variation Type
73 1 00..7F Variation Parameter 14 option Parameter Depend on Variation Type
74 1 00..7F Variation Parameter 15 option Parameter Depend on Variation Type
75 1 00..7F Variation Parameter 16 option Parameter Depend on Variation Type
TOTAL SIZE 6
CVP-201
22
< Table 1-5 >
MIDI Parameter Change table ( MULTI PART )
Address Size Data Parameter Name Description Default
(H) (H) (H) Value(H)
08 nn 00 1 00..20 Element Reserve 0..32 0(Part10),2(Others)
nn 01 1 00..7F Bank Select MSB 0..127 7F(Part10),00(Others)
nn 02 1 00..7F Bank Select LSB 0..127 00
nn 03 1 00..7F Program Number 1..128 00
nn 04 1 00..0F, Rcv Channel 0..16;1..16,127;off Part No.
7F
nn 05 1 00..01 Mono/Poly Mode 0:mono,1:poly 01
nn 06 1 00..02 Same Note Number 0:single 01
Key On Assign 1:multi
2:inst (for DRUM)
nn 07 1 00..02 Part Mode 0:normal 00 (Except Part10)
1..3:drum thru,drum1..2 02 (Part10)
nn 08 1 28..58 Note Shift -24..+24[semitones] 40
nn 09 2 00..FF Detune -12.8..+12.7[Hz] 08 00
nn 0A 1st bit3..0 -> bit7..4 (80)
2nd bit3..0 -> bit3..0
nn 0B 1 00..7F Volume 0..127 64
nn 0C 1 00..7F Velocity Sense Depth 0..127 40
nn 0D 1 00..7F Velocity Sense Offset 0..127 40
nn 0E 1 00..7F Pan 0:random 40
L63..C..R63(1..64..127)
nn 0F 1 00..7F Note Limit Low C-2..G8 00
nn 10 1 00..7F Note Limit High C-2..G8 7F
nn 11 1 00..7F Dry Level 0..127 7F
nn 12 1 00..7F Chorus Send 0..127 00
nn 13 1 00..7F Reverb Send 0..127 28
nn 14 1 00..7F Variation Send 0..127 00
nn 15 1 00..7F Vibrato Rate -64..+63 40
nn 16 1 00..7F Vibrato Depth -64..+63 40
nn 17 1 00..7F Vibrato Delay -64..+63 40
nn 18 1 00..7F Filter Cutoff Freq. -64..+63 40
nn 19 1 00..7F Filter Resonance -64..+63 40
nn 1A 1 00..7F EG Attack Time -64..+63 40
nn 1B 1 00..7F EG Decay Time -64..+63 40
nn 1C 1 00..7F EG Release Time -64..+63 40
nn 1D 1 28..58 MW Pitch Control -24..+24[semitones] 40
nn 1E 1 00..7F MW Filter Control -9600..+9450[cent] 40
nn 1F 1 00..7F MW Amp. Control -100..+100[%] 40
nn 20 1 00..7F MW LFO PMod Depth 0..127 0A
nn 21 1 00..7F MW LFO FMod Depth 0..127 00
nn 22 1 00..7F MW LFO AMod Depth 0..127 00
nn 23 1 28..58 Bend Pitch Control -24..+24[semitones] 42
nn 24 1 00..7F Bend Filter Control -9600..+9450[cent] 40
nn 25 1 00..7F Bend Amp. Control -100..+100[%] 40
nn 26 1 00..7F Bend LFO PMod Depth 0..127 00
nn 27 1 00..7F Bend LFO FMod Depth 0..127 00
nn 28 1 00..7F Bend LFO AMod Depth 0..127 00
TOTAL SIZE 29
nn 30 1 Not Used
: : :
nn 40 1 Not Used
nn 41 1 00..7F Scale Tuning C -64..+63[cent] 40
nn 42 1 00..7F Scale Tuning C# -64..+63[cent] 40
nn 43 1 00..7F Scale Tuning D -64..+63[cent] 40
nn 44 1 00..7F Scale Tuning D# -64..+63[cent] 40
nn 45 1 00..7F Scale Tuning E -64..+63[cent] 40
nn 46 1 00..7F Scale Tuning F -64..+63[cent] 40
nn 47 1 00..7F Scale Tuning F# -64..+63[cent] 40
nn 48 1 00..7F Scale Tuning G -64..+63[cent] 40
nn 49 1 00..7F Scale Tuning G# -64..+63[cent] 40
nn 4A 1 00..7F Scale Tuning A -64..+63[cent] 40
nn 4B 1 00..7F Scale Tuning A# -64..+63[cent] 40
nn 4C 1 00..7F Scale Tuning B -64..+63[cent] 40
nn 4D 1 28..58 CAT Pitch Control -24..+24[semitones] 40
nn 4E 1 00..7F CAT Filter Control -9600..+9450[cent] 40
nn 4F 1 00..7F CAT Amplitude Control -100..+100[%] 40
nn 50 1 00..7F CAT LFO PMod Depth 0..127 00
MIDI Data Format
/
MIDI-Datenformat
/
Format des données MIDI
/
Formato de datos MIDI
CVP-201
23
nn 51 1 00..7F CAT LFO FMod Depth 0..127 00
nn 52 1 00..7F CAT LFO AMod Depth 0..127 00
nn 53 Not Used
::
66 Not Used
nn 67 1 00..01 Portamento Switch off/on 00
nn 68 1 00..7F Portamento Time 0..127 00
nn 69 Not Used
::
6E Not Used
TOTAL SIZE 3F
08 nn 70 1 Not Used Don’t care
nn 71 1 Not Used Don’t care
nn 72 1 Not Used Don’t care
nn 73 1 Not Used Don’t care
TOTAL SIZE 04
08 nn 74 1 Not Used Don’t care
75 1 Not Used Don’t care
76 1 Not Used Don’t care
77 1 Not Used Don’t care
78 1 Not Used Don’t care
79 1 Not Used Don’t care
7A 1 Not Used Don’t care
7B 1 Not Used Don’t care
7C 1 Not Used Don’t care
7D 1 Not Used Don’t care
7E 1 Not Used Don’t care
7F 1 Not Used Don’t care
TOTAL SIZE 0C
nn = PartNumber
If there is a Drum Voice assigned to the Part, the following parameters are ineffective.
• Bank Select LSB
• Pitch EG
• Portamento
• Soft Pedal
• Mono/Poly
• Scale Tuning
<Table 1-6 >
MIDI Parameter Change table ( DRUM SETUP )
Address SizeData Parameter Name Description Default
(H) (H) (H) Value(H)
3n rr 00 1 00..7F Pitch Coarse -64..+63 40
3n rr 01 1 00..7F Pitch Fine -64..+63[cent] 40
3n rr 02 1 00..7F Level 0..127 Depend on the Note
3n rr 03 1 00..7F Alternate Group 0:off,1..127 Depend on the Note
3n rr 04 1 00..7F Pan 0:random Depend on the Note
L63..C..R63(1..64..127)
3n rr 05 1 00..7F Reverb Send Level 0..127 Depend on the Note
3n rr 06 1 00..7F Chorus Send Level 0..127 Depend on the Note
3n rr 07 1 00..7F Variation Send Level 0..127 7F
3n rr 08 1 00..01 Key Assign 0:single,1:multi 00
3n rr 09 1 00..01 Rcv Note Off off/on Depend on the Note
3n rr 0A 1 00..01 Rcv Note On off/on 01
3n rr 0B 1 00..7F Filter Cutoff Freq. -64..63 40
3n rr 0C 1 00..7F Filter Resonance -64..63 40
3n rr 0D 1 00..7F EG Attack Rate -64..63 40
3n rr 0E 1 00..7F EG Decay1 Rate -64..63 40
3n rr 0F 1 00..7F EG Decay2 Rate -64..63 40
TOTAL SIZE 10
n:Drum Setup Number(0 - 1)
rr:note number(0DH - 5BH)
If XG SYSTEM ON and/or GM SYSTEM ON message is received, all Drum Setup Parameter will be reset to default values.
According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values.
CVP-201
24
<Table 1-7> Effect Map
If the received value does not contain an effect type in the TYPE LSB, the LSB will be directed to TYPE 0.
The panel effects are marked by “*”.
REVERB TYPE
TYPE MSB TYPE LSB
DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20
000 0 NO EFFECT
001 1 *HALL1 HALL2 *HALL2 *HALL3 *HALL4
002 2 ROOM1 ROOM2 ROOM3 *ROOM1 *ROOM2 *ROOM3 *ROOM4
003 3 STAGE1 STAGE2 *STAGE1 *STAGE2
004 4 PLATE *PLATE1 *PLATE2
005 5 NO EFFECT
:: :
015 F NO EFFECT
016 10 WHITE ROOM
017 11 TUNNEL
018 12 CANYON
019 13 BASEMENT
020 14 NO EFFECT
:: :
127 7F NO EFFECT
CHORUS TYPE
TYPE MSB TYPE LSB
DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20
000 0 NO EFFECT
001 1 NO EFFECT
:: :
064 40 NO EFFECT
065 41 CHORUS1 CHORUS2 *CHORUS5 CHORUS4
066 42 CELESTE1 *CHORUS4 CELESTE3 *CHORUS2 *CHORUS3 *CHORUS1
067 43 FLANGER 1 *FLANGER 4 *FLANGER1 *FLANGER2 *FLANGER3
068 44 NO EFFECT
:: :
127 7F NO EFFECT
VARIATION TYPE(0 – 63)
TYPE MSB TYPE LSB
DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20
000 0 NO EFFECT
001 1 *HALL1 HALL2 *HALL2 *HALL3 *HALL4
002 2 ROOM1 ROOM2 ROOM3 *ROOM1 *ROOM2 *ROOM3 *ROOM4
003 3 STAGE1 STAGE2 *STAGE1 *STAGE2
004 4 PLATE *PLATE1 *PLATE2
005 5 DELAY L,C,R *DELAY LCR
006 6 *DELAY LR
007 7 *ECHO
008 8 *CROSS DELAY
009 9 *EARLY REF1 *EARLY REF2
010 A *GATE REVERB
011 B *REVERSE GATE
012 C NO EFFECT or THRU
:: :
019 13 NO EFFECT or THRU
020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3
021 15 NO EFFECT or THRU
:: :
063 3F NO EFFECT or THRU
VARIATION TYPE(64 – 127)
TYPE MSB TYPE LSB
DEC HEX 00 01 02 03 ... 07 08 ... 16 17 18 19 20
064 40 THRU
065 41 CHORUS1 CHORUS2 *CHORUS5 CHORUS4
066 42 CELESTE1 *CHORUS4 CELESTE3 *CHORUS2 *CHORUS3 *CHORUS1 *Rotary Sp5
067 43 FLANGER 1 *FLANGER4 *FLANGER1 *FLANGER2 *FLANGER3
068 44 SYMPHONIC *SYMPHONIC
069 45 ROTARY SP. *ROTARY SP1
070 46 TREMOLO *TREMOLO1 *ROTARY SP4
071 47 AUTO PAN *AUTO PAN *ROTARY SP2 *ROTARY SP3 *TREMOLO2
*GTR TREMOLO
072 48 *PHASER PHASER 2
073 49 DISTORTION
074 4A OVER DRIVE
075 4B AMP SIM. *DIST HARD *DIST SOFT
076 4C 3BAND EQ *EQ DISCO *EQ TEL
077 4D 2BAND EQ
078 4E AUTO WAH *AUTO WAH
079 4F THRU
::
127 7F THRU
MIDI Data Format
/
MIDI-Datenformat
/
Format des données MIDI
/
Formato de datos MIDI
CVP-201
25
<Table 1-8 > Effect Parameter List
XG Effect Name
HALL1,HALL2
ROOM1,ROOM2,ROOM3
STAGE1,STAGE2
PLATE (reverb, variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 Reverb Time 0.3–30.0s 0–69 table#4
2 Diffusion 0–10 0–10
3 Initial Delay 0.1mS–99.3mS 0–63 table#5
4 HPF Cutoff Thru–8.0kHz 0–52 table#3
5 LPF Cutoff 1.0k–Thru 34–60 table#3
6
7
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Rev Delay 0.1mS–99.3mS 0–63 table#5
12 Density 0–3 (reverb, variation block) 0–3
13 Er/Rev Balance E63>R – E=R – E<R63 1–127
14
15 Feedback Level -63–+63 1–127
16
WHITE ROOM
TUNNEL
CANYON
BASEMENT (reverb, variation block)
No. Parameter Display Value See Table Comment Control
1 Reverb Time 0.3–30.0s 0–69 table#4
2 Diffusion 0–10 0–10
3 Initial Delay 0.1mS–99.3mS 0–63 table#5
4 HPF Cutoff Thru–8.0kHz 0–52 table#3
5 LPF Cutoff 1.0k–Thru 34–60 table#3
6 Width 0.5–10.2m 0–37 table#11
7 Heigt 0.5–20.2m 0–73 table#11
8 Depth 0.5–30.2m 0–104 table#11
9 Wall Vary 0–30 0–30
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Rev Delay 0.1mS–99.3mS 0–63 table#5
12 Density 0–3 0–3
13 Er/Rev Balance E63>R – E=R – E<R63 1–127
14
15 Feedback Level -63–+63 1–127
16
DELAY L,C,R (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 Lch Delay 0.1–715.0ms (variation block) 1–7150
2 Rch Delay 0.1–715.0ms (variation block) 1–7150
3 Cch Delay 0.1–715.0ms (variation block) 1–7150
4 Feedback Delay 0.1–715.0ms (variation block) 1–7150
5 Feedback Level -63–+63 1–127
6 Cch Level 0–127 0–127
7 High Damp 0.1–1.0 1–10
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
14 EQ Low Gain -12–+12dB 52–76
15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
16 EQ High Gain -12–+12dB 52–76
DELAY L,R (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 Lch Delay 0.1–715.0ms (variation block) 1–7150
2 Rch Delay 0.1–715.0ms (variation block) 1–7150
3 Feedback Delay 1 0.1–715.0ms (variation block) 1–7150
4 Feedback Delay 2 0.1–715.0ms (variation block) 1–7150
5 Feedback Level -63–+63 1–127
6 High Damp 0.1–1.0 1–10
7
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
14 EQ Low Gain -12–+12dB 52–76
15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
16 EQ High Gain -12–+12dB 52–76
ECHO (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 Lch Delay1 0.1–355.0ms (variation block) 1–3550
2 Lch Feedback Level -63–+63 1–127
3 Rch Delay1 0.1–355.0ms (variation block) 1–3550
4 Rch Feedback Level -63–+63 1–127
5 High Damp 0.1–1.0 1–10
6 Lch Delay2 0.1–355.0ms (variation block) 1–3550
7 Rch Delay2 0.1–355.0ms (variation block) 1–3550
8 Delay2 Level 0–127 0–127
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
14 EQ Low Gain -12–+12dB 52–76
15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
16 EQ High Gain -12–+12dB 52–76
CROSS DELAY (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 L->R Delay 0.1–355.0ms (variation block) 1–3550
2 R->L Delay 0.1–355.0ms (variation block) 1–3550
3 Feedback Level -63–+63 1–127
4 Input Select L,R,L&R 0–2
5 High Damp 0.1–1.0 1–10
6
7
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
14 EQ Low Gain -12–+12dB 52–76
15 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
16 EQ High Gain -12–+12dB 52–76
EARLY REF1,EARLY REF2(variation block)
No. Parameter Display Value See Table Comment Control
1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0–5
2 Room Size 0.1–7.0 0–44 table#6
3 Diffusion 0–10 0–10
4 Initial Delay 0.1mS–99.3mS 0–63 table#5
5 Feedback Level -63–+63 1–127
6 HPF Cutoff Thru–8.0kHz 0–52 table#3
7 LPF Cutoff 1.0k–Thru 34–60 table#3
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Liveness 0–10 0–10
12 Density 0–3 0–3
13 High Damp 0.1–1.0 1–10
14
15
16
GATE REVERB
REVERSE GATE (variation block)
No. Parameter Display Value See Table Comment Control
1 Type TypeA,TypeB 0–1
2 Room Size 0.1–20.0 0–127 table#6
3 Diffusion 0–10 0–10
4 Initial Delay 0.1mS–200.0mS 0–127 table#5
5 Feedback Level -63–+63 1–127
6 HPF Cutoff Thru–8.0kHz 0–52 table#3
7 LPF Cutoff 1.0k–Thru 34–60 table#3
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Liveness 0–10 0–10
12 Density 0–3 0–3
13 High Damp 0.1–1.0 1–10
14
15
16
KARAOKE1,2,3 (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 Delay Time 0.1mS–400.0mS 0–127 table#7
2 Feedback Level -63–+63 1–127
3 HPF Cutoff Thru–8.0kHz 0–52 table#3
4 LPF Cutoff 1.0k–Thru 34–60 table#3
5
6
7
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13
14
15
16
CHORUS1,2,3,4
CELESTE1,2,3,4 (chorus, variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
2 LFO Depth 0–127 0–127
3 Feedback Level -63–+63 1–127
4 Delay Offset 0.0mS–50mS 0–127 table#2
5
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13
14
15 Input Mode mono/stereo 0–1
16
FLANGER1,2,3 (chorus, variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
2 LFO Depth 0–127 0–127
3 Feedback Level -63–+63 1–127
4 Delay Offset 0.0mS–50mS 0–127 table#2
5
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13
14
LFO Phase Difference -180–+180deg(resolution=3deg.)
4–124
15
16
SYMPHONIC (chorus, variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
2 LFO Depth 0–127 0–127
3 Delay Offset 0.0mS–50mS 0–127 table#2
4
5
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13
14
15
16
CVP-201
26
ENSEMBLE DETUNE (chorus, variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 Detune -50–+50cent 14–114
2 Lch Init Delay 0.0mS–50mS 0–127 table#2
3 Rch Init Delay 0.0mS–50mS 0–127 table#2
4
5
6
7
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13
14
15
16
AMBIENCE (variation block)
No. Parameter Display Value See Table Comment Control
1 Delay Time 0.0mS–50mS 0–127 table#2
2 Output Phase normal/invers 0–1
3
4
5
6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13
14
15
16
ROTARY SPEAKER (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
2 LFO Depth 0–127 0–127
3
4
5
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13
14
15
16
2WAY ROTARY SPEAKER (variation block)
No. Parameter Display Value See Table Comment Control
1 Rotor Speed 0.0Hz–39.7Hz 0–127 table#1
2 Drive Low 0–127 0–127
3 Drive High 0–127 0–127
4 Low/High L63>H – L=H – L<H63 1–127
5
6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10
11 Crossover Frequency 100Hz–10.0kHz 14–54 table#3
12 Mic L-R Angle 0deg–180deg(resolution=3deg.) 0–60
13
14
15
16
TREMOLO (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
2 AM Depth 0–127 0–127
3 PM Depth 0–127 0–127
4
5
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10
11
12
13
14
LFO Phase Difference -180–+180deg(resolution=3deg.)
4–124
15 Input Mode mono/stereo 0–1
16
AUTO PAN (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
2 L/R Depth 0–127 0–127
3 F/R Depth 0–127 0–127
4 PAN Direction
L<->R,L->R,L<-R,Lturn,Rturn,L/R
0–5
5
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10
11
12
13
14
15
16
PHASER 1 (chorus, variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
2 LFO Depth 0–127 0–127
3 Phase Shift Offset 0–127 0–127
4 Feedback Level -63–+63 1–127
5
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Stage 6–10 (variation block) 6–10
12 Diffusion mono/stereo 0–1
13
14
15
16
PHASER 2 (variation block)
No. Parameter Display Value See Table Comment Control
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
2 LFO Depth 0–127 0–127
3 Phase Shift Offset 0–127 0–127
4 Feedback Level -63–+63 1–127
5
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Stage
12 3,4,5 3–5
13
LFO Phase Difference
-180deg–+180deg 4–124
(resolution=3deg.)
14
15
16
DISTORTION
OVERDRIVE (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 Drive 0–127 0–127
2 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
3 EQ Low Gain -12–+12dB 52–76
4 LPF Cutoff 1.0k–Thru 34–60 table#3
5 Output Level 0–127 0–127
6
7 EQ Mid Frequency
500Hz–10.0kHz 28–54 table#3
8 EQ Mid Gain -12–+12dB 52–76
9 EQ Mid Width 1.0–12.0 10–120
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Edge(Clip Curve) 0–127 0–127 mild–sharp
12
13
14
15
16
COMP+DIST (variation block)
No. Parameter Display Value See Table Comment Control
1 Drive 0–127 0–127
2 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
3 EQ Low Gain -12–+12dB 52–76
4 LPF Cutoff 1.0k–Thru 34–60 table#3
5 Output Level 0–127 0–127
6
7 EQ Mid Frequency 100Hz–10.0kHz 14–54 table#3
8 EQ Mid Gain -12–+12dB 52–76
9 EQ Mid Width 1.0–12.0 10–120
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Edge(Clip Curve) 0–127 0–127 mild–sharp
12 Attack 1ms–40ms 0–19 table#8
13 Release 10ms–680ms 0–15 table#9
14 Threshold -48dB– -6dB 79–121
15 Ratio 1.0–20.0 0–7 table#10
16
AMP SIMULATOR (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 Drive 0–127 0–127
2 AMP Type Off,Stack,Combo,Tube 0–3
3 LPF Cutoff 1.0k–Thru 34–60 table#3
4 Output Level 0–127 0–127
5
6
7
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Edge(Clip Curve) 0–127 0–127 mild–sharp
12
13
14
15
16
3BAND EQ(MONO) (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 EQ Low Gain -12–+12dB 52–76
2 EQ Mid Frequency 500Hz–10.0kHz 28–54 table#3
3 EQ Mid Gain -12–+12dB 52–76
4 EQ Mid Width 1.0–12.0 10–120
5 EQ High Gain -12–+12dB 52–76
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
7 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
8
9
10
11
12
13
14
15 Input Mode mono/stereo 0–1
16
MIDI Data Format
/
MIDI-Datenformat
/
Format des données MIDI
/
Formato de datos MIDI
CVP-201
27
2BAND EQ(STEREO) (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
2 EQ Low Gain -12–+12dB 52–76
3 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
4 EQ High Gain -12–+12dB 52–76
5
6
7
8
9
10
11
12
13
14
15
16
AUTO WAH (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
2 LFO Depth 0–127 0–127
3 Cutoff Frequency 0–127 0–127
Offset
4 Resonance 1.0–12.0 10–120
5
6 EQ Low Frequency 50Hz–2.0kHz 8–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Drive 0–127(variation block) 0–127
12
13
14
15
16
AUTO WAH+DIST
AUTO WHA+ODRV (variation block)
No. Parameter Display Value See Table Comment Control
1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1
2 LFO Depth 0–127 0–127
3 Cutoff Frequency 0–127 0–127
Offset
4 Resonance 1.0–12.0 10–120
5
6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Drive 0–127 0–127
12 EQ Low Gain
-12–+12dB
52–76
(distortion)
13 EQ Mid Gain
-12–+12dB
52–76
(distortion)
14 LPF Cutoff 1.0kHz–thru 34–60 table#3
15 Output Level 0–127 0–127
16
TOUCH WAH 1 (variation, insertion block)
TOUCH WAH+DIST (variation block)
No. Parameter Display Value See Table Comment Control
1 Sensitive 0–127 0–127
2 Cutoff Frequency 0–127 0–127
Offset
3 Resonance 1.0–12.0 10–120
4
5
6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Drive 0–127(variation block) 0–127
12
13
14
15
16
TOUCH WAH 2 (variation, insertion block)
TOUCH WAH+ODRV (variation block)
No. Parameter Display Value See Table Comment Control
1 Sensitive 0–127 0–127
2 Cutoff Frequency 0–127 0–127
Offset
3 Resonance 1.0–12.0 10–120
4
5
6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3
7 EQ Low Gain -12–+12dB 52–76
8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3
9 EQ High Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Drive 0–127(variation block) 0–127
12 EQ Low Gain -12–+12dB(variation block) 52–76
(distortion)
13 EQ Mid Gain -12–+12dB(variation block) 52–76
(distortion)
14 LPF Cutoff 1.0kHz–thru(variation block) 34–60 table#3
15 Output Level 0–127(variation block) 0–127
16 Release 10–680ms 52–67
PITCH CHANGE 1 (variation block)
No. Parameter Display Value See Table Comment Control
1 Pitch -24–+24 40–88
2 Initial Delay 0.1mS–400.0mS 0–127 table#7
3 Fine 1 -50–+50 14–114
4 Fine 2 -50–+50 14–114
5 Feedback Level -63–+63 1–127
6
7
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Pan 1 L63–R63 1–127
12 Output Level 1 0–127 0–127
13 Pan 2 L63–R63 1–127
14 Output Level 2 0–127 0–127
15
16
PITCH CHANGE 2 (variation block)
No. Parameter Display Value See Table Comment Control
1 Pitch -24–+24 40–88
2 Initial Delay 0.1mS–400.0mS 0–127 table#7
3 Fine 1 -50–+50cent 14–114
4 Fine 2 -50–+50cent 14–114
5 Feedback Level -63–+63 1–127
6
7
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Pan 1 L63–R63 1–127
12 Output Level 1 0–127 0–127
13 Pan 2 L63–R63 1–127
14 Output Level 2 0–127 0–127
15
16
COMPRESSOR (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 Attack 1–40ms 0–19 table#8
2 Release 10–680ms 0–15 table#9
3 Threshold -48– -6dB 79–121
4 Ratio 1.0–20.0 0–7 table#10
5 Output Level 0–127 0–127
6
7
8
9
10
11
12
13
14
15
16
NOISE GATE (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1 Attack 1–40ms 0–19 table#8
2 Release 10–680ms 0–15 table#9
3 Threshold -72– -30dB 55–97
4 Output Level 0–127 0–127
5
6
7
8
9
10
11
12
13
14
15
16
VOICE CANCEL (variation block)
No. Parameter Display Value See Table Comment Control
1
2
3
4
5
6
7
8
9
10
11 Low Adjust 0–26 0–26
12 High Adjust 0–26 0–26
13
14
15
16
NO EFFECT (reverb, chorus, variation block)
THRU (variation, insertion block)
No. Parameter Display Value See Table Comment Control
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
HARMONIC ENHANCER (variation block)
No. Parameter Display Value See Table Comment Control
1 HPF Cutoff 500Hz–16kHz 28–58 table#3
2 Drive 0–127 0–127
3 Mix Level 0–127 0–127
4
5
6
7
8
9
10
11
12
13
14
15
16
CVP-201
28
TALKING MODULATION (variation block)
No. Parameter Display Value See Table Comment Control
1 Vowel a,i,u,e,o 0–4
2 Move speed 1–62 1–62
3 Drive 0–127 0–127
4 Output Level 0–127 0–127
5
6
7
8
9
10
11
12
13
14
15
16
LO-FI (variation block)
No. Parameter Display Value See Table Comment Control
1 Sampling Freq a,i,u,e,o 0–4
Control
2 Word Length 1–62 1–62
3 Output Gain 0–127 0–127
4 LPF Cutoff 0–127 0–127
5 Filter Type Thru,PowerBass,Radio,Tel, 0–5
Clean,Low
6 LPF Resonance 1.0–12.0 10–120
7 Bit Assign 0–6 0–6
8 Emphasis Off/On 0–1
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13
14
15 Input Mode mono/stereo
16
DIST+DELAY (variation block)
OVERDRIVE+DELAY (variation block)
No. Parameter Display Value See Table Comment Control
1 Lch Delay Time 0.1–1486.0ms 1–14860
2 Rch Delay Time 0.1–1486.0ms 1–14860
3
Delay Feedback Time
0.1–1486.0ms 1–14860
4
Delay Feedback Level
-63–+63 1–127
5 Delay Mix 0–127 0–127
6 Dist Drive 0–127 0–127
7 Dist Output Level 0–127 0–127
8 Dist EQ Low Gain -12–+12dB 52–76
9 Dist EQ Mid Gain -12–+12dB 52–76
10 Dry/Wet D63>W – D=W – D<W63 1–127
11
12
13
14
15
16
COMP+DIST+DELAY (variation block)
COMP+OVERDRIVE+DELAY (variation block)
No. Parameter Display Value See Table Comment Control
1 Delay Time 0.1–1486.0ms 1–14860
2
Delay Feedback Level
-63–+63 1–127
3 Delay Mix 0–127 0–127
4 Dist Drive 0–127 0–127
5 Dist Output Level 0–127 0–127
6 Dist EQ Low Gain -12–+12dB 52–76
7 Dist EQ Mid Gain -12–+12dB 52–76
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Comp. Attack 1ms–40ms 0–19 table#8
12 Comp. Release 10ms–680ms 0–15 table#9
13 Comp. Threshold -48dB– -6dB 79–121
14 Comp. Ratio 1.0–20.0 0–7 table#10
15
16
WAH+DIST+DELAY (variation block)
WAH+OVERDRIVE+DELAY (variation block)
No. Parameter Display Value See Table Comment Control
1 Delay Time 0.1–1486.0ms 1–14860
2
Delay Feedback Level
-63–+63 1–127
3 Delay Mix 0–127 0–127
4 Dist Drive 0–127 0–127
5 Dist Output Level 0–127 0–127
6 Dist EQ Low Gain -12–+12dB 52–76
7 Dist EQ Mid Gain -12–+12dB 52–76
8
9
10 Dry/Wet D63>W – D=W – D<W63 1–127
11 Wah Sensitive 0–127 0–127
12 Wah Cutoff Freq 0–127 0–127
Offset
13 Wah Resonance 1.0–12.0 10–120
14 Wah Release 10–680ms 52–67
15
16
Note: Parameter 10 (Dry/Wet) can only be set for insertion type effects.
MIDI Data Format
/
MIDI-Datenformat
/
Format des données MIDI
/
Formato de datos MIDI
CVP-201
29
Table#1
LFO Frequency
Data Value Data Value Data Value Data Value
0 0.00 32 1.35 64 2.69 96 8.41
1 0.04 33 1.39 65 2.78 97 8.75
2 0.08 34 1.43 66 2.86 98 9.08
3 0.13 35 1.47 67 2.94 99 9.42
4 0.17 36 1.51 68 3.03 100 9.76
5 0.21 37 1.56 69 3.11 101 10.1
6 0.25 38 1.60 70 3.20 102 10.8
7 0.29 39 1.64 71 3.28 103 11.4
8 0.34 40 1.68 72 3.37 104 12.1
9 0.38 41 1.72 73 3.45 105 12.8
10 0.42 42 1.77 74 3.53 106 13.5
11 0.46 43 1.81 75 3.62 107 14.1
12 0.51 44 1.85 76 3.70 108 14.8
13 0.55 45 1.89 77 3.87 109 15.5
14 0.59 46 1.94 78 4.04 110 16.2
15 0.63 47 1.98 79 4.21 111 16.8
16 0.67 48 2.02 80 4.37 112 17.5
17 0.72 49 2.06 81 4.54 113 18.2
18 0.76 50 2.10 82 4.71 114 19.5
19 0.80 51 2.15 83 4.88 115 20.9
20 0.84 52 2.19 84 5.05 116 22.2
21 0.88 53 2.23 85 5.22 117 23.6
22 0.93 54 2.27 86 5.38 118 24.9
23 0.97 55 2.31 87 5.55 119 26.2
24 1.01 56 2.36 88 5.72 120 27.6
25 1.05 57 2.40 89 6.06 121 28.9
26 1.09 58 2.44 90 6.39 122 30.3
27 1.14 59 2.48 91 6.73 123 31.6
28 1.18 60 2.52 92 7.07 124 33.0
29 1.22 61 2.57 93 7.40 125 34.3
30 1.26 62 2.61 94 7.74 126 37.0
31 1.30 63 2.65 95 8.08 127 39.7
Table#2
Modulation Delay Offset
Data Value Data Value Data Value Data Value
0 0.0 32 3.2 64 6.4 96 9.6
1 0.1 33 3.3 65 6.5 97 9.7
2 0.2 34 3.4 66 6.6 98 9.8
3 0.3 35 3.5 67 6.7 99 9.9
4 0.4 36 3.6 68 6.8 100 10.0
5 0.5 37 3.7 69 6.9 101 11.1
6 0.6 38 3.8 70 7.0 102 12.2
7 0.7 39 3.9 71 7.1 103 13.3
8 0.8 40 4.0 72 7.2 104 14.4
9 0.9 41 4.1 73 7.3 105 15.5
10 1.0 42 4.2 74 7.4 106 17.1
11 1.1 43 4.3 75 7.5 107 18.6
12 1.2 44 4.4 76 7.6 108 20.2
13 1.3 45 4.5 77 7.7 109 21.8
14 1.4 46 4.6 78 7.8 110 23.3
15 1.5 47 4.7 79 7.9 111 24.9
16 1.6 48 4.8 80 8.0 112 26.5
17 1.7 49 4.9 81 8.1 113 28.0
18 1.8 50 5.0 82 8.2 114 29.6
19 1.9 51 5.1 83 8.3 115 31.2
20 2.0 52 5.2 84 8.4 116 32.8
21 2.1 53 5.3 85 8.5 117 34.3
22 2.2 54 5.4 86 8.6 118 35.9
23 2.3 55 5.5 87 8.7 119 37.5
24 2.4 56 5.6 88 8.8 120 39.0
25 2.5 57 5.7 89 8.9 121 40.6
26 2.6 58 5.8 90 9.0 122 42.2
27 2.7 59 5.9 91 9.1 123 43.7
28 2.8 60 6.0 92 9.2 124 45.3
29 2.9 61 6.1 93 9.3 125 46.9
30 3.0 62 6.2 94 9.4 126 48.4
31 3.1 63 6.3 95 9.5 127 50.0
Table#3
EQ Frequency
Data Value Data Value
0 THRU(0) 32 800
1 22 33 900
2 25 34 1.0k
3 28 35 1.1k
4 32 36 1.2k
5 36 37 1.4k
6 40 38 1.6k
7 45 39 1.8k
8 50 40 2.0k
9 56 41 2.2k
10 63 42 2.5k
11 70 43 2.8k
12 80 44 3.2k
13 90 45 3.6k
14 100 46 4.0k
15 110 47 4.5k
16 125 48 5.0k
17 140 49 5.6k
18 160 50 6.3k
19 180 51 7.0k
20 200 52 8.0k
21 225 53 9.0k
22 250 54 10.0k
23 280 55 11.0k
24 315 56 12.0k
25 355 57 14.0k
26 400 58 16.0k
27 450 59 18.0k
28 500 60 THRU(20.0k)
29 560
30 630
31 700
Table#4
Reverb time
Data Value Data Value Data Value
0 0.3 32 3.5 64 17.0
1 0.4 33 3.6 65 18.0
2 0.5 34 3.7 66 19.0
3 0.6 35 3.8 67 20.0
4 0.7 36 3.9 68 25.0
5 0.8 37 4.0 69 30.0
6 0.9 38 4.1
7 1.0 39 4.2
8 1.1 40 4.3
9 1.2 41 4.4
10 1.3 42 4.5
11 1.4 43 4.6
12 1.5 44 4.7
13 1.6 45 4.8
14 1.7 46 4.9
15 1.8 47 5.0
16 1.9 48 5.5
17 2.0 49 6.0
18 2.1 50 6.5
19 2.2 51 7.0
20 2.3 52 7.5
21 2.4 53 8.0
22 2.5 54 8.5
23 2.6 55 9.0
24 2.7 56 9.5
25 2.8 57 10.0
26 2.9 58 11.0
27 3.0 59 12.0
28 3.1 60 13.0
29 3.2 61 14.0
30 3.3 62 15.0
31 3.4 63 16.0
Table#5
Delay Time(200.0ms)
Data Value Data Value Data Value Data Value
0 0.1 32 50.5 64 100.8 96 151.2
1 1.7 33 52.0 65 102.4 97 152.8
2 3.2 34 53.6 66 104.0 98 154.4
3 4.8 35 55.2 67 105.6 99 155.9
4 6.4 36 56.8 68 107.1 100 157.5
5 8.0 37 58.3 69 108.7 101 159.1
6 9.5 38 59.9 70 110.3 102 160.6
7 11.1 39 61.5 71 111.9 103 162.2
8 12.7 40 63.1 72 113.4 104 163.8
9 14.3 41 64.6 73 115.0 105 165.4
10 15.8 42 66.2 74 116.6 106 166.9
11 17.4 43 67.8 75 118.2 107 168.5
12 19.0 44 69.4 76 119.7 108 170.1
13 20.6 45 70.9 77 121.3 109 171.7
14 22.1 46 72.5 78 122.9 110 173.2
15 23.7 47 74.1 79 124.4 111 174.8
16 25.3 48 75.7 80 126.0 112 176.4
17 26.9 49 77.2 81 127.6 113 178.0
18 28.4 50 78.8 82 129.2 114 179.5
19 30.0 51 80.4 83 130.7 115 181.1
20 31.6 52 81.9 84 132.3 116 182.7
21 33.2 53 83.5 85 133.9 117 184.3
22 34.7 54 85.1 86 135.5 118 185.8
23 36.3 55 86.7 87 137.0 119 187.4
24 37.9 56 88.2 88 138.6 120 189.0
25 39.5 57 89.8 89 140.2 121 190.6
26 41.0 58 91.4 90 141.8 122 192.1
27 42.6 59 93.0 91 143.3 123 193.7
28 44.2 60 94.5 92 144.9 124 195.3
29 45.7 61 96.1 93 146.5 125 196.9
30 47.3 62 97.7 94 148.1 126 198.4
31 48.9 63 99.3 95 149.6 127 200.0
Table#6
Room Size
Data Value Data Value Data Value Data Value
0 0.1 32 5.1 64 10.1 96 15.1
1 0.3 33 5.3 65 10.3 97 15.3
2 0.4 34 5.4 66 10.4 98 15.5
3 0.6 35 5.6 67 10.6 99 15.6
4 0.7 36 5.7 68 10.8 100 15.8
5 0.9 37 5.9 69 10.9 101 15.9
6 1.0 38 6.1 70 11.1 102 16.1
7 1.2 39 6.2 71 11.2 103 16.2
8 1.4 40 6.4 72 11.4 104 16.4
9 1.5 41 6.5 73 11.5 105 16.6
10 1.7 42 6.7 74 11.7 106 16.7
11 1.8 43 6.8 75 11.9 107 16.9
12 2.0 44 7.0 76 12.0 108 17.0
13 2.1 45 7.2 77 12.2 109 17.2
14 2.3 46 7.3 78 12.3 110 17.3
15 2.5 47 7.5 79 12.5 111 17.5
16 2.6 48 7.6 80 12.6 112 17.6
17 2.8 49 7.8 81 12.8 113 17.8
18 2.9 50 7.9 82 12.9 114 18.0
19 3.1 51 8.1 83 13.1 115 18.1
20 3.2 52 8.2 84 13.3 116 18.3
21 3.4 53 8.4 85 13.4 117 18.4
22 3.5 54 8.6 86 13.6 118 18.6
23 3.7 55 8.7 87 13.7 119 18.7
24 3.9 56 8.9 88 13.9 120 18.9
25 4.0 57 9.0 89 14.0 121 19.1
26 4.2 58 9.2 90 14.2 122 19.2
27 4.3 59 9.3 91 14.4 123 19.4
28 4.5 60 9.5 92 14.5 124 19.5
29 4.6 61 9.7 93 14.7 125 19.7
30 4.8 62 9.8 94 14.8 126 19.8
31 5.0 63 10.0 95 15.0 127 20.0
Table#7
Delay Time(400.0ms)
Data Value Data Value Data Value Data Value
0 0.1 32 100.9 64 201.6 96 302.4
1 3.2 33 104.0 65 204.8 97 305.5
2 6.4 34 107.2 66 207.9 98 308.7
3 9.5 35 110.3 67 211.1 99 311.8
4 12.7 36 113.5 68 214.2 100 315.0
5 15.8 37 116.6 69 217.4 101 318.1
6 19.0 38 119.8 70 220.5 102 321.3
7 22.1 39 122.9 71 223.7 103 324.4
8 25.3 40 126.1 72 226.8 104 327.6
9 28.4 41 129.2 73 230.0 105 330.7
10 31.6 42 132.4 74 233.1 106 333.9
11 34.7 43 135.5 75 236.3 107 337.0
12 37.9 44 138.6 76 239.4 108 340.2
13 41.0 45 141.8 77 242.6 109 343.3
14 44.2 46 144.9 78 245.7 110 346.5
15 47.3 47 148.1 79 248.9 111 349.6
16 50.5 48 151.2 80 252.0 112 352.8
17 53.6 49 154.4 81 255.2 113 355.9
18 56.8 50 157.5 82 258.3 114 359.1
19 59.9 51 160.7 83 261.5 115 362.2
20 63.1 52 163.8 84 264.6 116 365.4
21 66.2 53 167.0 85 267.7 117 368.5
22 69.4 54 170.1 86 270.9 118 371.7
23 72.5 55 173.3 87 274.0 119 374.8
24 75.7 56 176.4 88 277.2 120 378.0
25 78.8 57 179.6 89 280.3 121 381.1
26 82.0 58 182.7 90 283.5 122 384.3
27 85.1 59 185.9 91 286.6 123 387.4
28 88.3 60 189.0 92 289.8 124 390.6
29 91.4 61 192.2 93 292.9 125 393.7
30 94.6 62 195.3 94 296.1 126 396.9
31 97.7 63 198.5 95 299.2 127 400.0
Table#8 Table#9
Compressor Attack Time Compressor Release Time
Data Value Data Value
01 010
12 115
23 225
34 335
45 445
56 555
67 665
78 775
89 885
9 10 9 100
10 12 10 115
11 14 11 140
12 16 12 170
13 18 13 230
14 20 14 340
15 23 15 680
16 26
17 30
Table#10
18 35
Compressor Ratio
19 40 Data Value
0 1.0
1 1.5
2 2.0
3 3.0
4 5.0
5 7.0
6 10.0
7 20.0
Table#11
Reverb Width;Depth;Height
Data Value Data Value Data Value Data Value
0 0.5 32 8.8 64 17.6 96 27.5
1 0.8 33 9.1 65 17.9 97 27.8
2 1.0 34 9.4 66 18.2 98 28.1
3 1.3 35 9.6 67 18.5 99 28.5
4 1.5 36 9.9 68 18.8 100 28.8
5 1.8 37 10.2 69 19.1 101 29.2
6 2.0 38 10.4 70 19.4 102 29.5
7 2.3 39 10.7 71 19.7 103 29.9
8 2.6 40 11.0 72 20.0 104 30.2
9 2.8 41 11.2 73 20.2
10 3.1 42 11.5 74 20.5
11 3.3 43 11.8 75 20.8
12 3.6 44 12.1 76 21.1
13 3.9 45 12.3 77 21.4
14 4.1 46 12.6 78 21.7
15 4.4 47 12.9 79 22.0
16 4.6 48 13.1 80 22.4
17 4.9 49 13.4 81 22.7
18 5.2 50 13.7 82 23.0
19 5.4 51 14.0 83 23.3
20 5.7 52 14.2 84 23.6
21 5.9 53 14.5 85 23.9
22 6.2 54 14.8 86 24.2
23 6.5 55 15.1 87 24.5
24 6.7 56 15.4 88 24.9
25 7.0 57 15.6 89 25.2
26 7.2 58 15.9 90 25.5
27 7.5 59 16.2 91 25.8
28 7.8 60 16.5 92 26.1
29 8.0 61 16.8 93 26.5
30 8.3 62 17.1 94 26.8
31 8.6 63 17.3 95 27.1
<Table 1-9 > Effect Data Value Assign Table
CVP-201
30
Transmitted Recognized Remarks
Function ...
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
Aux :
All Sound Off
x o(120,126,127)
:
Reset All Cntrls
x o(121)
:
Local ON/OFF
xx
:
All Notes OFF
x o(123-125)
Mes- :
Active Sense
oo
sages:
Reset
xx
System :Clock o o
Real Time :Commands o o
: Song Pos. x x
Common : Song Sel. x x
: Tune x x
System Exclusive o o
Notes:
Prog o 0 - 127 o 0 - 127
Change : True # **************
0,32 o o Bank Select
1 x *4 o Modulation
5 x o
Portamento Time
7,10,11 o o
Control 6,38 o o Data Entry
64,66,67 o o
change 65 x o Portamento
71-74 x *4 o
Sound Controller
84 o o
Portamento Cntrl
91,93,94 o o Effect Depth
96,97 x o RPN Inc,Dec
98,99 x *4 o NRPN LSB,MSB
100,101 o o RPN LSB,MSB
Pitch Bend o o 0-24 semi
After Key's x x
Touch Ch's x o
Velocity Note ON o 9nH,v=1-127 o 9nH,v=1-127
Note OFF x 9nH,v=0 x
Note 0 - 127 0 - 127
Number : True voice ************** 0 - 127
Default 3 3
Mode Messages x 3,4 (m=1) *3
Altered ************** x
Basic Default 1 - 16 1 - 16 Memorized
Channel Changed 1 - 16 *1 1 - 16 *2
YAMAHA [ Clavinova ] Date:01-MAR-2001
Model
CVP-201
MIDI Implementation Chart
Version : 1.0
CVP-201
31
Notes:
*1: The send channel for the RIGHT1, RIGHT2, and LEFT parts can be set
using the Send Channel (Keyboard) function. The transmission of
accompaniment, harmony, and song data can be turned on or off using
the Send Channel (Accompaniment/Harmony) and Song Transmission
functions.
*2: Messages received on the channel set by the Remote Keyboard func-
tion are handled as operations performed directly on the keyboard or
panel. Only the following messages are received on this channel:
Note On/Off (A-1...C7)
Control Changes
Bank Select MSB/LSB (RIGHT1 part)
Modulation
Data Entry MSB (when PITCH BEND SENS. is set by RPN LSB/
MSB)
Volume
Expression
Sustain
Sostenuto
Soft Pedal
Data Increment/Decrement (when PITCH BEND SENS. is set by
RPN LSB/MSB)
RPN LSB/MSB (PITCH BEND SENS. only)
All Note Off
Program Change (RIGHT1 part)
Pitch Bend
*3: m is always treated as 1 regardless of its value.
*4: Transmitted when ACMP&RHY or HARMONY setting of Send Channel
(Accompaniment/Harmony) function is on.
Hinweise:
*1: Der Sendekanal für die Parts RIGHT1, RIGHT2 und LEFT läßt sich
über die Funktion Sendekanal (Keyboard) einstellen. Die Übertragung
von Begleitungs-, Harmonie- und Songdaten kann mit den Funktionen
Sendekanal (Begleitung/Harmonie) und Song-Übertragung ein- bzw.
ausgeschaltet werden.
*2: Meldungen, die an dem Kanal empfangen werden, der von der Remote
Keyboard-Funktion eingestellt wurde, werden als direkt auf dem Key-
board oder Steuerpult ausgeführte Bedienoperationen angesehen. Nur
die nachfolgend genannten Meldungen werden auf diesem Kanal
empfangen:
Noten Ein/Aus (A-1...C7)
Steuerungsänderungs-
Bank. Wählen Sie MSB/LSB (Part RIGHT1)
Modulation
Dateneintrag MSB (sofern die Option PITCH BEND SENS.
(Tonlagenabtastung) von RPN LSB/MSB) eingestellt wurde
VOLUME (LAUTSTÄRKE)
Expression (Ausdruck)
Sustain
Sostenuto
Soft Pedal
Datenerhöhung/-erniedrigung (sofern die Option PITCH BEND
SENS. (Tonlagenabtastung) von RPN LSB/MSB eingestellt
wurde)
RPN LSB/MSB (nur PITCH BEND SENS.,
TONLAGENABTASTUNG)
Alle Noten ausgeschaltet
Programmänderung (Part RIGHT1)
Pitch Bend (Tonlage)
*3: m wird stets als 1 behandelt, unabhängig von dessen Wert.
*4: Wird übertragen, wenn die ACMP&RHY- oder HARMONIE-Einstellung
der Funktion Sendekanal (Begleitung/Harmonie) aktiviert ist.
Remarques :
*1 : Le canal d’émission pour les parties RIGHT1, RIGHT2, et LEFT peut
être configuré à laide de la fonction Send Channel (Keyboard). La
transmission des données daccompagnement, dharmonie et de
morceau peut être activée ou désactivée à laide des fonctions Send
Channel (Accompaniment/Harmony) et Song Transmission.
*2 : Les messages reçus sur le canal configuré à laide de la fonction Re-
mote Keyboard sont traités comme des opérations réalisées
directement sur le clavier ou le panneau. Seuls les messages suivants
sont reçus sur ce canal :
Note On/Off (A-1...C7)
Control Changes
Bank Select MSB/LSB (partie RIGHT1)
Modulation
Data Entry MSB (si PITCH BEND SENS. est défini à laide de
RPN LSB/MSB)
Volume
Expression
Sustain
Sostenuto
Soft Pedal
Data Increment/Decrement (si PITCH BEND SENS. est défini à
laide de RPN LSB/MSB)
RPN LSB/MSB (PITCH BEND SENS. uniquement)
All Note Off
Program Change (partie RIGHT1)
Pitch Bend
*3 : m équivaut toujours à 1 quelle que soit sa valeur.
*4 : Transmis(e) si le paramètre ACMP&RHY ou HARMONY de la fonction
Send Channel (Accompaniment/Harmony) est activé.
Notas:
*1: El canal de envío para las partes RIGHT1, RIGHT2 y LEFT puede
ajustarse utilizando la función Send Channel (teclado). La transmisión
del acompañamiento de la armonía y de los datos de canción se
pueden activar o desactivar utilizando las funciones Send Channel
(Accompaniment/Harmony) y Song Transmission.
*2: Los mensajes recibidos en el canal ajustado por la función Remote
Keyboard se consideran como operaciones realizadas directamente en
el teclado o el panel. Sólo los mensajes siguientes se reciben en este
canal:
Note On/Off (A-1...C7)
Control Changes
Bank Select MSB/LSB (parte RIGHT1)
Modulation
Data Entry MSB (cuando PITCH BEND SENS. se ajusta con
RPN LSB/
MSB)
Volume
Expression
Sustain
Sostenuto
Soft Pedal
Data Increment/Decrement (cuando PITCH BEND SENS. se
ajusta con
RPN LSB/MSB)
RPN LSB/MSB (sólo PITCH BEND SENS.)
All Note Off
Program Change (parte RIGHT1)
Pitch Bend
*3: m siempre se considera como 1 independientemente de su valor.
*4: Transmitido cuando los ajustes ACMP&RHY o HARMONY de la
función Send Channel (Accompaniment/Harmony) está activada.
CVP-201
32
Zusammenbau
VORSICHT
Achten Sie darauf, die Teile nicht zu verwechseln, und installieren
Sie alle Teile in der richtigen Ausrichtung. Gehen Sie beim
Zusammenbau bitte in der angegebenen Reihenfolge vor.
Die Montage sollte von mindestens zwei Personen vorgenommen
werden.
Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie
es oben gezeigt ist. Die Verwendung der falschen Schrauben kann
zu Schäden führen.
Achten Sie während der Montage darauf, bei jedem Arbeitsgang
alle Schrauben festzuziehen.
Für die Demontage muß die angegebene Reihenfolge umgekehrt
befolgt werden.
ZÖffnen Sie den Karton und nehmen Sie alle
Teile heraus.
Vergewissern Sie sich, daß alle in der obigen Abbildung
aufgeführten Teile vollzählig vorhanden sind.
XBefestigen Sie die Seitenwände (D) am
Pedalkasten (C).
Bevor Sie den Pedalkasten montieren, nehmen Sie zu-
nächst das gebündelte Kabel aus dem Pedalkasten, entfer-
nen den Kabelbinder und ziehen das Kabel dann gerade
aus. Werfen Sie den Kabelbinder nicht wg, er wird in
Schritt B wieder gebraucht.
Setzen Sie den Pedalkasten auf die Winkelbleche der
beiden Seitenwänden (D), und schrauben Sie ihn dann mit
den vier Halbrundschrauben (6 x 20 mm) 1 fest (jeweils
zwei Schrauben links und rechts). Achten Sie dabei dar-
auf, daß die Pedale in dieselbe Richtung weisen wie die
vorspringenden Teile der Füße.
Assembly
CAUTION
Be careful not to confuse parts, and be sure to install all parts in the
correct direction. Please assemble in accordance with the se-
quence given below.
Assembly should be carried out by at least two persons.
Be sure to use the correct screw size, as indicated above. Use of
incorrect screws can cause damage.
Be sure to tighten up all screws upon completing assembly of each
unit.
To disassemble, reverse the assembly sequence given below.
ZOpen the box and remove all the parts.
Remove all parts from the box. Confirm that all parts
shown in the illustration above are provided.
XAttach the side panels (D) to the pedal box
(C).
Before installing the pedal box, untie and straighten out
the bundled cord attached to the bottom of the pedal box.
Don’t discard the vinyl tie, you’ll need it later in step B.
Place the pedal box on top of the brackets attached to the
side panels (D), and attach using the four 6 x 20
millimeter round-head screws 1 — two screws on each
side. Make sure the pedals extend in the same direction as
the side panel feet.
1
• Bundled pedal cord inside
• Gebündeltes Pedalkabel
• Cordon de pédalier enroulé à l’intérieur
• Cable de pedales enrollado en el interior
• AC power cord
• Netzkabel
• Cordon d’alimentation
• Cable de alimentación de CA
• Cord holders x 2
• Kabelhalter x 2
• Serre-câble x 2
• Soportes de cablex 2
A
B
C
D
CVP-201
33
2
• 6 x 20 mm round-head screws 1
• 6 x 20 mm Halbrundschrauben 1
• Vis à tête ronde de 6 x 20 mm 1
• Tornillos de cabeza redonda de 6 x
20 mm 1
Montage
PRECAUTION
Veiller à ne pas mélanger les pièces et à les installer dans le sens
correct. Veuillez assembler l’instrument dans l’ordre indiqué ci-
dessous.
La présence de deux personnes minimum est nécessaire pour
procéder au montage.
Toujours utiliser des vis aux dimensions correctes, comme indiqué
cidessus. I’utilisation de vis aux dimensions incorrectes pourrait en
effet endommager l’instrument.
Resserrer convenablement toutes les vis après le montage de
chaque élément.
Pour démonter le Clavinova, inverser l’ordre des indications don-
nées ci-dessous.
ZOuvrez le carton et retirez toutes les pièces
Videz le carton de son contenu. Vérifiez que toutes les
pièces indiquées sur l’illustration sont bien fournies.
XFixez les panneaux latéraux (D) au pédalier
(C)
Avant de poser le pédalier, détacher le cordon de la partie
inférieure du pédalier et le dérouler. Ne jetez pas l’attache
en vinyle, vous la réutiliserez ultérieurement à l’étape B.
Placez le pédalier sur les ferrures fixées aux panneaux
latéraux (D) et fixez-le à l’aide des quatre vis à tête ronde
de 6 x 20 millimètres 1: deux vis de chaque côté.
Veillez à ce que les pédales soient dirigées dans le même
sens que les supports inférieurs.
Montaje
CUIDADO
Observe cuidado para no confundir las piezas, y asegúrese de
montar todas ellas en el sentido correcto. Proceda al montaje en el
orden indicado a continuación.
El montaje deberá realizarse al menos por dos personas.
Procure utilizar los tornillos del tamaño adecuado, según se indica
arriba. El empleo de tornillos inadecuados puede ocasionar daños
en el instrumento.
Asegúrese de apretar bien todos los tornillos después de montar
cada unidad.
Para desmontar las unidades, invierta la secuencia de montaje
facilitada a continuación.
ZAbra la caja y extraiga todas las partes.
Extraiga todas las partes de la caja. Confirme que no falte
ninguna de las partes mostradas en la ilustración.
XAcople los paneles laterales (D) en la caja
de pedales (C).
Antes de instalar la caja de pedales, desate y enderezca el
cable plegado unido a la parte inferior de la caja de peda-
les. No tire la abrazadera de vinilo, porque la necesitará
en el paso B de más adelante.
Ponga la caja de pedales en la parte superior de las
ménsulas acopladas a los paneles laterales (D), y acople
empleando los cuatro tornillos de cabeza redonda de 6 x
20 mm 1; dos tornillos en cada lado. Asegúrese de que
el pedal se extiende en la misma dirección que la pata.
• 6 x 20 mm round-head screws x 4 1
• 6 x 20 mm Halbrundschrauben x 4 1
• Vis à tête ronde de 6 x 20 mm x 4 1
• Tornillos de cabeza redonda
de 6 x 20 mm x 4 1
• 4 x 12 mm round-head screws x 2 2
• 4 x 12 mm Halbrundschrauben x 2 2
• Vis à tête ronde de 4 x 12 mm x 2 2
• Tornillos de cabeza redonda
de 4 x 12 mm x 2 2
• 4 x 20 mm tapping screws x 4 3
• 4 x 20 mm Schneidschrauben x 4 3
• Vis auto-taraudeuses 4 x 20 mm x 4 3
• Tornillos de autoenrosque
de 4 x 20 mm x 4 3
• 6 x 16 mm flat-head screws x 4 4
• 6 x 16 mm Senkschrauben x 4 4
• Vis à tête plate de 6 x 16 mm x 4 4
• Tornillos de cabeza plana
de 6 x 16 mm x 4 4
C
CVP-201
34
CAttach the rear panel (B).
With the rear panel slightly angled as shown in the illus-
tration, lower it onto the feet’s protruding edge at the rear
of the pedal box. Then, while eliminating any gaps be-
tween the rear and side panels, secure the top of the rear
panel to the side panel brackets using two 4 x 12 mm
round-head screws 2 . Finally, secure the bottom of the
rear panel to the pedal box using four 4 x 20 mm tapping
screws 3.
VInstall the main unit (A).
Place the main unit (A) on the side panels (D) with the
screws on its bottom panel (toward the rear of the main
unit) just behind the grooves in the brackets located at the
top of the side panels. Then slide the main unit forward
until it stops. WATCH YOUR FINGERS WHEN DO-
ING THIS!!
Align the holes on the bottom panel of the main unit with
the holes in the brackets on the side panels (also center
the main unit to produce equal clearance on the left and
right sides, as shown in the illustration), then screw in and
securely tighten the four 6 x 16 millimeter flat-head
screws 4.
CAUTION
Do not hold the keyboard in any position other than the position
shown in the above illustration.
Fingers can become pinched between the main unit and the rear or
side panels, be extra careful so as not to drop the main unit.
BConnect the pedal cord.
The pedal cord from the pedal box must be plugged into
the PEDAL connector on the rear of the main unit. Once
connected, attach the cord holders to the rear panel as
shown, then clip the cord into the holders.
• 4 x 20 mm tapping screws 3
• 4 x 20 mm Schneidschrauben 3
• Vis auto-taraudeuses 4 x 20 mm 3
• Tornillos de autoenrosque de 4 x 20 mm 3
43
CMontieren Sie die Rückwand (B).
Setzen Sie die Rückwand leicht abgewinkelt, wie in der
Abbildung gezeigt, hinter dem Pedalkasten auf die her-
vorspringenden Teile der Füße auf. Schrauben Sie dann
die Rückwand oben mit zwei 4 x 12 mm Halbrund-
schrauben 2 so an den Seitenwänden fest, daß kein Spiel
zwischen Rückwand und Seitenwänden verbleibt. Schrau-
ben Sie die Rückwand abschließend noch mit vier 4 x 20
mm Schneidschrauben 3 an den Pedalkasten.
VMontieren Sie die Tastatureinheit (A).
Setzen Sie die Tastatureinheit (A) so auf den fertigen
Ständer, daß die beiden Schrauben an ihrer Unterseite
hinter den Winkelblechen mit Führungsschlitz an der
Hinterseite des Ständers zu liegen kommen. Schieben Sie
die Tastatureinheit dann bis zum Anschlag in die Schlitze.
KLEMMEN SIE IHRE FINGER DABEI NICHT
EIN!!
Richten Sie die Schraubenbohrungen an der Unterseite
der Tastatureinheit mit den Bohrungen der Winkelbleche
aus (achten Sie auch darauf, daß sie mittig auf dem Stän-
der steht, wie in der Abbildung gezeigt). Schrauben Sie
die Tastatureinheit dann mit den vier 6 x 16 mm Senk-
schrauben 4 am Ständer fest.
VORSICHT
Halten Sie die Tastatureinheit nur wie in der obigen Abbildung!
Achten Sie darauf, daß Sie Ihre Finger nicht zwischen Tastatur-
einheit und den Seitenwänden bzw. der Rückwand einklemmen —
die Tastatureinheit könnte dadurch zu Fall kommen!
BSchließen Sie das Pedalkabel an.
Das vom Pedalkasten kommende Kabel muß in die
PEDAL-Buchse an der Rückwand der Haupteinheit
gesteckt werden. Befestigen Sie dann die Kabelhalter an
der Rückwand wie in der Abbildung gezeigt, und
klemmen Sie das Kabel in diese Halter.
• 4 x 12 mm round-head screws 2
• 4 x 12 mm Halbrundschrauben 2
• Vis à tête ronde de 4 x 12 mm 2
• Tornillos de cabeza redonda de 4 x 12 mm 2
B
• Be sure to place your hands
at least 15 centimeters from
either end of the main unit when
positioning it.
• Mindestens 15 cm innen unter die
Tastatureinheit greifen.
• Placez bien vos mains à 15 cm au moins des extrémités du
clavier, lors de sa mise en place.
• Asegúrese de colocar las manos por lo menos a 15 centímetros
desde los extremos de la unidad principal cuando la sitúe.
15 cm
15 cm
D
D
A
CVP-201
35
• Use the vinyl tie that was removed from the bundled pedal
cord in step X to tie up any slack in the pedal cord.
• Nehmen Sie überlanges Kabel mit dem in Schritt X entfern-
ten Kabelbinder auf.
• Utilisez l’attache en vinyle qui a été enlevée du cordon de
pédalier à l’étape X pour attacher le fil excédentaire du
cordon de pédalier.
• Emplee la abrazadera de vinilo que se sacó del cale plegado
de los pedales en el paso X para fijar el cable de pedales
sobrante.
5
CFixez le panneau arrière (B)
En inclinant légèrement en angle le panneau arrière,
comme mentionné sur l’illustration, abaissez-le sur le
rebord des pieds, à l’arrière du pédalier. Puis, tout en éli-
minant les espaces entre les panneaux arrière et latéraux,
fixez le haut du panneau arrière sur les supports des pan-
neaux latéraux à l’aide de deux vis à tête ronde 4 x 12 mm
2. Et finalement, fixez le bas du panneau arrière au pé-
dalier avec quatre vis auto-taraudeuses 4 x 20 mm 3.
VPosez le clavier (A)
Placez le clavier sur les panneaux latéraux (D), avec les
vis de son panneau inférieur (situées vers l’arrière du
clavier) placées immédiatement derrière les rainures des
ferrures situées à la partie supérieure des panneaux laté-
raux (D), puis faites glisser le clavier vers l’avant jusqu’à
ce qu’il vienne en butée. FAITES ATTENTION A VOS
DOIGTS EN EXECUTANT CETTE OPERATION!!
Alignez les trous du panneau inférieur du clavier sur les
trous des ferrures des panneaux latéraux (centrez égale-
ment le clavier de manière à avoir un jeu identique de
chaque côté) puis posez et serrez à fond les quatre vis à
tête plate de 6 x 16 millimètres 4.
PRECAUTION
Ne tenez pas le clavier d’une autre manière que celle indiquée sur
l’illustration ci-dessus.
Attention car vous risquez de vous faire pincer les doigts entre le
clavier et les panneaux arrière ou latéraux de sorte que vous devez
veiller à ne pas faire tomber le clavier.
BRaccordez le cordon du pédalier
Le câble qui sort du pédalier doit être branché sur le
connecteur PEDAL (PEDALE) à l’arrière du clavier. Une
fois raccordé, fixez les serre-fils sur le panneau arrière,
comme indiqué, puis faites passer le câble dans les serre-
fils.
CMonte el panel trasero (B).
Con el panel trasero un poco inclinado en ángulo como se
muestra en la ilustración, bájelo al borde saliente de las
patas de la parte posterior de la caja de pedales. Enton-
ces, mientras elimina los huelgos entre los paneles trasero
y lateral, fije la parte superior del panel trasero a las
ménsulas de panel lateral usando dos tornillos de cabeza
redonda de 4 x 12 mm 2. Finalmente, fije la parte infe-
rior del panel trasero a la caja de pedales usando cuatro
tornillos de autoenrosque de 4 x 20 mm 3.
VInstale la unidad principal (A).
Coloque la unidad principal en los paneles laterales (D)
con los tornillos de su panel inferior (hacia la parte poste-
rior de la unidad principal) justo detrás de las ranuras de
la ménsula ubicada en la parte superior de los paneles
laterales (D), después deslice el teclado hacia adelante
hasta que se pare. ¡TENGA CUIDADO CON SUS DE-
DOS MIENTRAS LO HACE!
Alinee los orificios del panel inferior de la unidad princi-
pal con los orificios de las ménsulas de los paneles latera-
les (también centre la unidad principal para producir una
holgura igual en los lados derecho e izquierdo, como se
muestra en la ilustración), después enrosque y apriete bien
los cuatro tornillos de cabeza plana de 6 x 16 mm 4.
CUIDADO
No sostenga el teclado en ninguna posición que no sea la posición
mostrada en la ilustración de arriba.
Podría pillarse los dedos ente la unidad principal y los paneles
traseros o laterales, por lo que deberá tener mucho cuidado que no
se caiga la unidad principal.
BConecte el cable de los pedales.
El cable de los pedales procedente de la caja de pedales
debe conectarse al conector PEDAL (pedales) situado en
la parte posterior de la unidad principal. Una vez
conectado, coloque los soportes de cable en el panel
trasero de la manera mostrada en la figura y enganche el
cable en los soportes.
• 6 x 16 mm flat-head screws 4
• 6 x 16 mm Senkschrauben 4
• Vis à tête plate de 6 x 16 mm 4
• Tornillos de cabeza plana de 6 x 16
mm 4
D
A
• Cord holder
• Kabelhalter
• Serre-câble
• Soporte del cable
CVP-201
36
NVoltage Selector
Before connecting the AC power cord, check the setting
of the voltage selector which is provided in some areas.
To set the selector for 110V, 127V, 220V or 240V main
voltages, use a “minus” screwdriver to rotate the selector
dial so that the correct voltage for your region appears
next to the pointer on the panel. The voltage selector is set
at 240V when the unit is initially shipped.
After the proper voltage has been selected, slide the AC
power cord over the rear panel and connect the cord to the
AC INLET, then connect the other end of the cord to an
AC wall outlet. A plug adaptor may be also provided in
some areas to match the pin configuration of the AC wall
outlets in your area.
CAUTION
An improper voltage setting can cause serious damage to the CVP-
201 or result in improper operation.
MSet the adjuster.
For stability, an adjuster is provided on the bottom of the
pedal box (C). Rotate the adjuster until it comes in firm
contact with the floor surface. The adjuster ensures stable
pedal operation and facilitates pedal effect control. If the
adjuster is not in firm contact with the floor surface, dis-
torted sound may result.
After completing the assembly, please
check the following.
Are there any parts left over?
Review the assembly procedure and correct any errors.
Is the Clavinova clear of doors and other movable fixtures?
Move the Clavinova to an appropriate location.
Does the Clavinova make a rattling noise when you shake it?
Tighten all screws.
Does the pedal box rattle or give way when you step on the ped-
als?
Turn the adjuster so that it is set firmly against the floor.
Are the pedal and power cords inserted securely into the sockets?
Check the connection.
If the main unit creaks or is otherwise unsteady when you play on
the keyboard, refer to the assembly diagrams and retighten all
screws.
• A voltage selector is provided in some areas.
• Spannungswähler (nur in bestimmten Verkaufsgebieten)
• Un sélecteur de tension est prévu pour certaines régions
• El selector de tensión está provisto para ciertos destinos.
6 7
NDen Spannungswähler einstellen.
Bevor Sie nun das Netzkabel anschließen, müssen Sie den
Spannungswähler (falls vorhanden) auf die örtliche Netz-
spannung einstellen. Zum Verstellen drehen Sie den
Spannungswähler mit einem Schlitzschraubendreher, bis der
richtige Spannungswert (110, 127, 220 oder 240) an der
Pfeilmarkierung steht. Bei der Auslieferung werden alle
Instrumente mit Spannungswähler auf “240” voreingestellt.
Wenn Sie die geeignete Spannung ausgewählt haben, führen
Sie das Netzkabel über die Rückwand und stecken ein Ende
des Netzkabels in die Gerätebuchse AC INLET
(Wechselstrom-Anschluß) und das andere Ende in eine
Wandsteckdose.
Einigen Geräten ist ein Adapter zum Anschließen an
Wandsteckdosen mit einer anderen Anschlußbelegung
beigepackt.
VORSICHT
Ein falsch eingestellter Spannungswähler kann zur Beschädigung
des CVP-201 führen oder zu einem unsachgemäßen Betrieb.
MJustieren Sie schließlich noch den Höhen-
versteller.
Zur Stabilisierung ist an der Unterseite des Pedalkastens (C)
ein Höhenversteller vorgesehen. Schrauben Sie den Höhen-
versteller heraus, bis er fest auf dem Fußboden steht. Der
Höhenversteller sorgt für stabile Pedalbetätigung und ermög-
licht eine präzise Regelung des Betätigungshubs. Wenn er
nicht fest auf dem Boden steht, können beim Treten der Pe-
dale Klangverzerrungen auftreten.
Wenn der Zusammenbau beendet ist, prüfen
Sie bitte folgende Dinge:
Sind Teile übrig geblieben?
Gehen Sie den Vorgang des Zusammenbaus noch einmal
durch und korrigieren Sie eventuelle Fehler.
Befindet sich das Clavinova weit genug von Türen und anderen
beweglichen Vorrichtungen entfernt?
Bewegen Sie das Clavinova an einen entsprechend sicheren
Ort.
Macht das Clavinova Klappergeräusche, wenn Sie es schütteln?
Ziehen Sie alle Schrauben fest.
Klappert der Pedalkasten oder gibt er nach, wenn Sie das Pedal
treten?
Drehen Sie den Höhenversteller, bis er fest auf dem Fußbo-
den steht.
Sind Pedal-und Netzkabel richtig an den Buchsen angeschlossen?
Prüfen Sie die Verbindung.
Wenn die Tastatureinheit knarrt oder beim Spielen wackelt, be-
trachten Sie die Abbildungen und ziehen Sie alle Schrauben noch
einmal nach.
240
127
110
220
C
CVP-201
37
CAUTION
When moving the instrument after assembly, always hold the
lower surface of the main unit, NEVER the top portion or
keyboard cover. Improper handling can result in damage to the
instrument or personal injury.
VORSICHT
Fassen Sie zum Umstellen des Instruments nach dem
Zusammenbau stets unter das Gehäuse; heben Sie es
NIEMALS am oberen Teil oder an der Tastaturabdeckung. Bei
Nichtbeachtung dieses Punkts kann das Instrument beschädigt
und im Extremfall eine Verletzung hervorgerufen werden.
PRECAUTION
Pour déplacer l’instrument après le montage, toujours tenir
l’instrument par la surface inférieure, JAMAIS par le dessus ou
le couvercle. Une mauvaise manipulation peut provoquer des
dommages ou des blessures.
CUIDADO
Cuando mueva el instrumento después del montaje, sujete
siempre la unidad principal por su superficie inferior, NUNCA
por la parte superior ni por la cubierta del teclado. La
manipulación indebida puede causar daños al instrumento o
lesiones al usuario.
NSélecteur de tension
Avant de connecter le cordon d’alimentation, vérifiez le
réglage du sélecteur de tension qui est prévu pour certaines
régions. Pour régler le sélecteur sur 110 V, 127 V, 220 V ou
240 V, utilisez un tournevis à lame plate pour tourner le ca-
dran du sélecteur afin de mettre l’indication correspondant à
la tension de votre région vis à vis du repère triangulaire
situé sur le panneau. Le sélecteur de tension est réglé sur
240 V au départ d’usine.
Après avoir sélectionné la tension qui convient, faites glisser
le câble d’alimentation de CA par dessus le panneau arrière
et branchez-le dans l’AC INLET (prise de CA), puis bran-
chez l’autre extrémité dans une prise murale de CA. Vous
pouvez également dans certains cas avoir recours à un adap-
tateur de prise en fonction de la configuration des prises
murales de CA de votre pays.
PRECAUTION
Un mauvais réglage de la tension peut gravement endommager le
CVP-201 ou entraîner des dysfonctionnements.
M
N’oubliez pas de régler la hauteur du pédalier
Pour assurer la stabilité du pédalier (C), un dispositif de
réglage a été prévu à sa partie inférieure. Tournez ce disposi-
tif jusqu’à ce qu’il soit en contact ferme avec la surface du
sol. Ce dispositif assure la stabilité du pédalier lors de son
utilisation et facilite la commande au pied des effets. Si ce
dispositif n’est pas en contact ferme avec le sol, il pourra se
produire une distorsion du son.
Lorsque le montage est terminé, veuillez
mener à bien les vérifications suivantes.
Reste-t-il des pièces non utilisées?
Passer en revue la procédure de montage et corriger toute
erreur éventuelle.
Le Clavinova est-il placé à l’écart des portes et de toute autre
structure mobile?
Déplacer le Clavinova vers un emplacement approprié.
Lorsque vous secouez quelque peu le Clavinova, entendez-vous un
cliquetis?
Serrer convenablement toutes les vis.
Le pédalier fait-il du bruit ou s’écarte-t-il lorsque vous appuyez sur
les pédales?
Tourner le stabilisateur de sorte que le Clavinova repose
fermement sur le sol.
Les cordons des pédales et d’alimentation sont-ils bien enfoncés
dans les prises?
Vérifier toutes les connexions.
Si la partie principale de l’appareil craque ou est instable lorsque
vous jouez sur le clavier, consulter les diagrammes de montage et
resserrer toutes les vis.
NSelector de tensión
Antes de conectar el cable de alimentación de CA, comprue-
be el ajuste del selector de tensión que se incorpora para
ciertos destinos. Para ajustar el selector a 110V, 127V, 220V
ó 240V de la red de alimentación, emplee un destornillador
de cabeza recta “-” para girar el selector de modo que la
tensión correcta de su zona aparezca al lado del indicador del
panel. El selector de tensión se ajusta a 240V cuando la
unidad sale de fábrica.
Cuando haya seleccionado la tensión correcta, deslice el
cable de alimentación por encima del panel trasero y
conéctelo a la toma AC INLET (entrada de CA); a
continuación, conecte el otro extremo del cable a una toma
de corriente. En algunos países también podrá suministrarse
un adaptador de clavija para permitir su conexión a las tomas
de corriente locales.
CUIDADO
Un ajuste incorrecto de la tensión podrá ocasionar daños graves al
instrumento CVP-201 o provocar un funcionamiento defectuoso.
MAsegúrese de ajustar el ajustador.
Para la estabilidad del aparato, se proporciona un ajustador
en la parte inferior de la caja de pedales (C). Gire el
ajustador hasta que contacte firmemente con el suelo. El
ajustador asegura una operación estable de los pedales y
facilita el control del efecto de los pedales. Si el ajustador no
contacta firmemente con el suelo, puede resultar en sonido
distorsionado.
Cuando haya concluido el montaje, com-
pruebe los siguientes puntos:
¿Ha quedado alguna pieza sin instalar?
Revise el procedimiento de montaje y corrija cualquier error
que se haya podido cometer.
¿Está el Clavinova alejado del recorrido de puertas y muebles?
Traslade el Clavinova a una posición adecuada.
¿Suena algún ruido de holgura cuando se mueve el Clavinova?
Apriete con firmeza todos los tornillos.
¿Vibra o cede la caja de pedales cuando se pisan los pedales?
Gire el estabilizador hasta que apoye firmemente sobre el
suelo.
¿Están perfectamente insertados los cables de pedal y alimenta-
ción en los conectores?
Revise las conexiones.
Si la unidad principal cruje o presenta algún signo de inestabilidad
cuando se toca el teclado, consulte los esquemas de montajee y
vuelva a apretar todos los tornillos.
CVP-201
38
KEYBOARD 88 keys (A–1 — C7)
TONE GENERATOR AWM (Advanced Wave Memory)
MAXIMUM SIMULTANEOUS 64
POLYPHONY
VOICES Clavinova voices: 195
XG voices: 480 Drum Kits: 12 sets
Voice Groups: Piano, Electric Piano, Guitar, Synthesizer, Organ, Strings/Choir, Brass, Sax/Flute, Bass, Percussion,
Ensemble, XG
Dual, Split
EFFECTS Reverb: 12 types Chorus: 9 types
Effect: 45 types
ACCOMPANIMENT STYLES Rhythm Styles: 125 Pianist Styles: 35
Custom Styles: 4
Style Groups: 8Beat, 16Beat, Ballad, Dance, Rock/R&B, Swing/Jazz, Latin, Country, Ballroom, Trad/Waltz, Pianist,
Disk/Custom
Controls: Intro, Main A, Main B ,Main C, Main D, Auto-fill, Ending, Fade in/out, Synchro, Start/Stop, Tap,
Metronome, Tempo –/+
AUTO ACCOMPANIMENT Music Database: 463
Single Finger, Multi Finger, Fingered1, Fingered2, Full Keyboard,
Harmony, One Touch Setting, Chord Assist, Synchro Stop,
Individual Part Volume Control (Mixer)
REGISTRATION Bank A – E x 4 memory locations (20), Freeze
SONG PLAY MODE Song Playback, Repeat, Volume control of individual Parts (Mixer)
Controls: Song, Play/Stop, Rewind, Fast forward, Pause
Guide Control: Easy Play, Next Note, Sound Repeat
Lyric Display, Piano Roll Display, Keyboard Guide Lamps
SONG RECORD MODE Quick Recording, Track Recording, Chord Sequence, Song Name, Track Edit, Initial Edit, Setup Memory
LCD/CONTROLS 240 x 64 dot liquid crystal display, Contrast dial, Beat lamp, Function button, Mixer button,
Page < > buttons, Direct Access button, LCD buttons, data dial, –/+ buttons, Exit button
VOLUME CONTROLS Master volume, Acmp/Song volume
DEMO/HELP 50 Demo Songs; 5 help languages (English, Japanese, German, French, Spanish)
DISK DRIVE 3.5-inch micro floppy disk drive
PEDAL RIGHT Damper
CONTROLS
CENTER Sostenuto
LEFT Soft, Start/Stop, Harmony, Registration, Registration Freeze, Ending/rit, Break, Break Fill,
Bass Hold, Fade In/Out, Effect Variation, Glide
JACKS AND TERMINALS PHONES jacks x 2, AUX OUT jacks (L/L+R, R), AUX IN jacks (L/L+R, R), TO HOST terminal, MIDI terminals (IN, OUT,
THRU)
INPUT/OUTPUT AUX OUT: Output Impedance: 600
SPECIFICATIONS AUX IN: Input Impedance: 10 k; Input Sensitivity: –10 dBm
MAIN AMPLIFIERS 80W (40W x 2)
SPEAKERS 16cm x 2, 5cm x 2
DIMENSIONS (W x D x H) Music stand down: 1394mm x 561mm x 845mm (54-7/8" x 22-1/16" x 33-1/4")
Music stand up: 1394mm x 561mm x 1017mm (54-7/8" x 22-1/16" x 40-1/16")
WEIGHT 56.0kg (123lbs., 7oz.)
Specifications / Technische Daten /
Spécifications / Especificationes
Specifications and descriptions in this owner’s manual are for information purposes only.
Yamaha Corp. reserves the right to change or modify products or specifications at any time
without prior notice. Since specifications, equipment or options may not be the same in
every locale, please check with your Yamaha dealer.
Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der
Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische
Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die
technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind,
setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.
Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que
pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et
leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les
caractéristiques techniques, les équipements et les options peuvent différer d’un pays à
l’autre, adressez-vous au distributeur Yamaha le plus proche.
Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito
de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o
modificaciones en los productos o especificaciones en cualquier momento sin previo aviso.
Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos
los mercados, solicite información a su distribuidor Yamaha.
Clavinova Web site (English only)
http://www.yamaha.co.jp/english/product/cl/
Yamaha Manual Library (English versions only)
http://www2.yamaha.co.jp/manual/english/
M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2001 Yamaha Corporation
V783070 1??PO???.?-01A0 Printed in Indonesia
38

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Andere Handbücher von Yamaha CVP-201

Yamaha CVP-201 Bedienungsanleitung - Deutsch - 39 seiten

Yamaha CVP-201 Bedienungsanleitung - Deutsch - 178 seiten

Yamaha CVP-201 Bedienungsanleitung - Englisch - 20 seiten

Yamaha CVP-201 Bedienungsanleitung - Englisch - 178 seiten

Yamaha CVP-201 Bedienungsanleitung - Holländisch - 182 seiten

Yamaha CVP-201 Bedienungsanleitung - Französisch - 39 seiten

Yamaha CVP-201 Bedienungsanleitung - Französisch - 178 seiten

Yamaha CVP-201 Bedienungsanleitung - Italienisch - 182 seiten

Yamaha CVP-201 Bedienungsanleitung - Spanisch - 178 seiten

Yamaha CVP-201 Bedienungsanleitung - Spanisch - 39 seiten

Yamaha CVP-201 Bedienungsanleitung - Schwedisch - 180 seiten


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