Bedienungsanleitung Yamaha CVP-401 (Seite 125 von 226) (Englisch)

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Style Creator

CVP-405/403/401 Owner’s Manual

125

Using, Creating and Editing the Auto Accompaniment Styles

■ NTT (Note Transposition Table)

This sets the note transposition table for the source pattern.

■ NTT BASS ON/OFF

The channels for which this is set to ON will be played back by the bass root note,

when the on-bass chord is recognized by the instrument.

■ HIGH KEY

This sets the highest key (upper octave limit) of the note transposition for the chord

root change. Any notes calculated to be higher than the highest key are transposed

down to the next lowest octave. This setting is available only when the NTR param-

eter (page 124) is set to “Root Trans.”

BYPASS When NTR is set to ROOT FIXED, the transposition table used does not

do any note conversion. When NTR is set to ROOT TRANS, the table

used only converts the root note.

MELODY Suitable for melody line transposition. Use this for melody channels

such as Phrase 1 and Phrase 2.

CHORD

Suitable for chord transposition. Use this for the Chord 1 and Chord 2

channels, especially when they contain piano or guitar-like chordal parts.

MELODIC MINOR When the played chord changes from a major to a minor chord, this

table lowers the third interval in the scale by a semitone. When the

chord changes from a minor to a major chord, the minor third interval is

raised by a semitone. Other notes are not changed. Use this for melody

channels of Sections which respond only to major/minor chords, such

as Intros and Endings.

MELODIC MINOR

5th

In addition to the Melodic Minor transposition above, augmented and

diminished chords affect the 5th note of the Source Pattern.

HARMONIC

MINOR

When the played chord changes from a major to a minor chord, this

table lowers the third and sixth intervals in the scale by a semitone.

When the chord changes from a minor to a major chord, the minor

third and ﬂatted sixth intervals are raised by a semitone. Other notes are

not changed. Use this for chord channels of Sections which respond

only to major/minor chords, such as Intros and Endings.

HARMONIC

MINOR 5th

In addition to the Harmonic Minor transposition above, augmented and

diminished chords affect the 5th note of the Source pattern.

NATURAL MINOR

When the played chord changes from a major to a minor chord, this table

lowers the third, sixth and seventh intervals in the scale by a semitone.

When the chord changes from a minor to a major chord, the minor third,

ﬂatted sixth and ﬂatted seventh intervals are raised by a semitone. Other

notes are not changed. Use this for chord channels of Sections which

respond only to a Major/minor chord such as Intros and Endings.

NATURAL MINOR

5th

In addition to the Natural Minor transposition above, augmented and

diminished chords affect the 5th note of the Source pattern.

DORIAN When the played chord changes from a major to a minor chord, this

table lowers the third and seventh intervals in the scale by a semitone.

When the chord changes from a minor to a major chord, the minor

third and ﬂatted seventh intervals are raised by a semitone. Other notes

are not changed. Use this for chord channels of Sections which respond

only to a Major/minor chord such as Intros and Endings.

DORIAN 5th In addition to the Dorian transposition above, augmented and dimin-

ished chords affect the 5th note of the Source pattern.

C3-E3-G3

F3-A3-C4

F#M

F#2-A#2-C#3

C#M

C#3-F3-G#3

Example—When the highest key is F.

Root changes

Notes played

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Yamaha CVP-401 Seite 125

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