Bedienungsanleitung Yamaha CVP-405PM (Seite 84 von 226) (Englisch)

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Using, Creating and Editing Voices

Changing Pitch

CVP-405/403/401 Owner’s Manual

4 Change the following settings as necessary.

•Tuning the individual notes of the keyboard (TUNE)

1 Press the [3

ππ

††

] button to select the note for tuning.

2 Use the [4

ππ

††

]/[5

ππ

††

] buttons to set the tuning in cents.

• Determines the base note for each scale.

Press the [2

ππ

††

] button to select the base note.

When the base note is changed, the pitch of the keyboard is transposed,

yet maintains the original pitch relationship between the notes.

Preset Scale Types

Tuning values for Preset Scales (base note: C) (in cents)

* In the display, the rounded off value is shown.

Cent:

In musical terms a “cent” is 1/

100th of a semitone. (100 cents

equal one semitone.)

Instantly recalling the desired

scale

Registration Memory. Be sure to

checkmark the SCALE item when

registering (page 127).

EQUAL

TEMPERAMENT

The pitch range of each octave is divided equally into twelve parts, with

each half-step evenly spaced in pitch. This is the most commonly used

tuning in music today.

PURE MAJOR

PURE MINOR

These tunings preserve the pure mathematical intervals of each scale,

especially for triad chords (root, third, ﬁfth). You can hear this best in

actual vocal harmonies – such as choirs and a cappella singing.

PYTHAGOREAN This scale was devised by the famous Greek philosopher and is created

from a series of perfect ﬁfths, which are collapsed into a single octave.

The 3rd in this tuning are slightly unstable, but the 4th and 5th are

beautiful and suitable for some leads.

MEAN-TONE This scale was created as an improvement on the Pythagorean scale, by

making the major third interval more “in tune.” It was especially popu-

lar from the 16th century to the 18th century. Handel, among others,

used this scale.

WERCKMEISTER

KIRNBERGER

This composite scale combines the Werckmeister and Kirnberger sys-

tems, which were themselves improvements on the mean-tone and

Pythagorean scales. The main feature of this scale is that each key has

its own unique character. The scale was used extensively during the

time of Bach and Beethoven, and even now it is often used when per-

forming period music on the harpsichord.

ARABIC Use these tunings when playing Arabic music.

CC##

DEbb

EFF##

GAbb

ABbb

EQUAL TEM-

PERAMENT

0 00 0 0 0000000

PURE MAJOR

0 -29.7 3.9 15.6 -14.1 -2.3 -9.4 2.3 -27.3 -15.6 18.0 -11.7

PURE MINOR

0 33.6 3.9 15.6 -14.1 -2.3 31.3 2.3 14.1 -15.6 18.0 -11.7

PYTHAGOREAN

0 14.1 3.9 -6.3 7.8 -2.3 11.7 2.3 15.6 6.3 -3.9 10.2

MEAN-TONE

0 -24.2 -7.0 10.2 -14.1 3.1 -20.3 -3.1 -27.3 -10.2 7.0 -17.2

WERCKMEISTER

0 -10.2 -7.8 -6.3 -10.2 -2.3 -11.7 -3.9 -7.8 -11.7 -3.9 -7.8

KIRNBERGER

0 -10.2 -7.0 -6.3 -14.1 -2.3 -10.2 -3.1 -7.8 -10.2 -3.9 -11.7

ARABIC 1

00-50.0 0 0 0 0 0 0 -50.0 0 0

ARABIC 2

0000-50.0 0 0 0 0 0 0 -50.0

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