Bedienungsanleitung Yamaha CVP-405PM (Seite 114 von 226) (Englisch)

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Using, Creating and Editing the Auto Accompaniment Styles

Style Creator

CVP-405/403/401 Owner’s Manual

114

Creating a Style

You can use one of the three different methods described below to create a Style.

The created Styles can also be edited (page 119).

■ Realtime Recording ➤ See page 114

This method lets you record the Style by simply playing the instrument. You can

select an internal Style that most closely matches your image of the Style you want

to create and then re-record parts of the Style as desired, or you can create a new

Style from scratch.

■ Step Recording ➤ See page 117

This method is like writing music notation on paper, since it allows you to enter

each note or individually, and specify its length.

This allows you to create a Style without having to play the parts on the instrument,

since you can enter each event manually.

■ Style Assembly ➤ See page 118

This convenient feature lets you create composite Styles by combining various pat-

terns from the internal preset Styles. For example, if you want to create your own

original 8-beat Style, you could take rhythm patterns from the “70’s 8Beat” Style,

use the bass pattern from “60’s Rock1” Style and import the chord patterns from the

“Cool8Beat” Style—combining the various elements to create one Style.

Realtime Recording (BASIC)

Create a single Style by recording the individual channels one-by-one, using

realtime recording.

Realtime Recording Characteristics

• Loop Recording

Style playback repeats the rhythm patterns of several measures in a “loop,” and

Style recording is also done using loops. For example, if you start recording with

a two-measure main section, the two measures are repeatedly recorded. Notes

that you record will play back from the next repetition (loop), letting you record

while hearing previously recorded material.

• Overdub Recording

This method records new material to a channel already containing recorded

data, without deleting the original data. In Style recording, the recorded data is

not deleted, except when using functions such as Rhythm Clear (page 116) and

Delete (page 116). For example, if you start recording with a two-measure MAIN

section, the two measures are repeated many times. Notes that you record will

play back from the next repetition, letting you overdub new material to the loop

while hearing previously recorded material.

When creating a Style based on an existing internal Style, overdub recording is

applied only to the rhythm channels. For all other channels (except rhythm),

delete the original data before recording.

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

60’s Rock1

70's 8Beat Cool8Beat

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