Bedienungsanleitung Yamaha CVP-405PM (Seite 121 von 226) (Englisch)

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Style Creator

CVP-405/403/401 Owner’s Manual

121

Using, Creating and Editing the Auto Accompaniment Styles

■ GROOVE

This lets you add swing to the music or change the “feel” of the beat by making

subtle shifts in the timing (clock) of the Style. The Groove settings are applied to all

channels of the selected Style.

■ DYNAMICS

This changes the velocity/volume (or accent) of certain notes in the Style playback.

The Dynamics settings are applied to each channel or all channels of the selected

Style.

ORIGINAL BEAT Speciﬁes the beats to which Groove timing is to be applied. In other

words, if “8 Beat” is selected, Groove timing is applied to the 8th notes;

if “12 Beat” is selected, Groove timing is applied to 8th-note triplets.

BEAT CONVERTER Actually changes the timing of the beats (speciﬁed in the ORIGINAL

BEAT parameter above) to the selected value. For example, when

ORIGINAL BEAT is set to “8 Beat” and BEAT CONVERTER is set to “12,”

all 8th notes in the section are shifted to 8th-note triplet timing. The

“16A” and “16B” Beat Converter which appear when ORIGINAL BEAT

is set to “12 Beat” are variations on a basic 16th-note setting.

SWING Produces a “swing” feel by shifting the timing of the back beats,

depending on the ORIGINAL BEAT parameter above. For example, if

the speciﬁed ORIGINAL BEAT value is “8 Beat,” the Swing parameter

will selectively delay the 2nd, 4th, 6th, and 8th beats of each measure

to create a swing feel. The settings “A” through “E” produce different

degrees of swing, with “A” being the most subtle and “E” being the most

pronounced.

FINE Selects a variety of Groove “templates” to be applied to the selected

section. The “PUSH” settings cause certain beats to be played early,

while “HEAVY” settings delay the timing of certain beats. The numbered

settings (2, 3, 4, 5) determine which beats are to be affected. All beats

up to the speciﬁed beat—but not including the ﬁrst beat—will be

played early or delayed (for example, the 2nd and 3rd beats, if “3” is

selected). In all cases, “A” types produce minimum effect, “B” types

produce medium effect, and “C” types produce maximum effect.

CHANNEL Selects the desired channel (part) to which Dynamics is to be applied.

ACCENT TYPE Determines the type of accent applied—in other words, which notes in

the part(s) are emphasized with the Dynamics settings.

STRENGTH Determines how strongly the selected Accent Type (above) will be

applied. The higher the value, the stronger the effect.

EXPAND/COMP. Expands or compresses the range of velocity values. Values higher than

100% expand the dynamic range, while values lower than 100% com-

press it.

BOOST/CUT Boosts or cuts all velocity values in the selected section/channel. Values

above 100% boost the overall velocity, while values below 100%

reduce it.

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