Bedienungsanleitung Yamaha CVP-405PM (Seite 124 von 226) (Englisch)

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Using, Creating and Editing the Auto Accompaniment Styles

Style Creator

CVP-405/403/401 Owner’s Manual

124

2 Use the [1

ππ

††

]/[2

ππ

††

] (CHANNEL) buttons to select the channel to

be edited.

The selected channel is shown at the upper left of the display.

3 Use the [3

ππ

††

]–[8

ππ

††

] buttons to edit the data.

For details on editable parameters, see below.

4 Press the [I] (SAVE) button to call up the Style Selection display to

save your data.

Save the data in the Style Selection display (page 70).

■ SOURCE ROOT/CHORD

These settings determine the original key of the source pattern (i.e., the key used

when recording the pattern). The default setting of CM7 (with a Source Root of “C”

and a Source Type of “M7”), is automatically selected whenever the preset data is

deleted prior to recording a new Style, regardless of the Source Root and Chord

included in the preset data. When you change Source Root/Chord from the default

CM7 to another chord, the chord notes and recommended notes will also change,

depending on the newly selected chord type.

When the Source Root is C:

■ NTR (Note Transposition Rule)

This determines the relative position of the root note in the chord, when converted

from the Source Pattern in response to chord changes.

CAUTION

The edited Style will be lost if

you change to another Style

or you turn the power off

without executing the Save

operation.

Auditioning Your Style with a

Speciﬁc Chord

Normally in the Style Creator,

you can hear your original Style-

in-process with the Source Pat-

tern. However, there is a way to

hear it played by a speciﬁc chord

and root. To do this, set NTR to

“Root Fixed,” NTT to “Bypass,”

and NTT BASS to “OFF” then

change the newly displayed

“Play Root” and “Play Chord”

parameters to the desired set-

tings.

ROOT TRANS

(Root Transpose)

When the root note is transposed, the

pitch relationship between notes is

maintained. For example, the notes

C3, E3 and G3 in the key of C become

F3, A3 and C4 when they are trans-

posed to F. Use this setting for chan-

nels that contain melody lines.

ROOT FIXED The note is kept as close as possible to

the previous note range. For example,

the notes C3, E3 and G3 in the key of

C become C3, F3 and A3 when they

are transposed to F. Use this setting for

channels that contain chord parts.

CR CR

CR CCR

CCR

RRCCC

CC RC

(9)

CR CC

(11)

CR C CR

CmM

CC RC

(9)

CCC

CC RC C

CmM

(9)

CCR

Cdim

CR R RC

CCR

Cdim

CCC C

(9)

CRC

CRC CR

(#11)

CCC

C sus

CRC CR

CRC C CR

CCC C CR

(9)

CCC C RC

(9)

CRC

RCR

Caug

CRC C RC

CRC C CR

(#11)

CCC CR

add9

CRC CC

(13)

CCC

(b9)

1+8

1+5

CCC

RCC

(#9)

CRC

RCC

C aug

CRC CRR

CM aug

CCCR

RCC

(b13)

CR CC

Csus

CCR CR

1+2+5

C = Chord notes C, R = Recommended notes

When playing a

C major chord.

When playing an F

major chord.

When playing a C

major chord.

When playing an

F major chord.

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Yamaha CVP-405PM Seite 124

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