Bedienungsanleitung Yamaha CVP-501 (Seite 40 von 138) (Englisch)

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40 CVP-509/505/503/501 Owner’s Manual

Voices – Playing the keyboard –

• Voice Characteristics

The Voice type and its deﬁning characteristics are indicated above the Voice

name—Live!, Cool!, Sweet!, etc. For detailed explanation, refer to the Reference

Manual.

In this section, only MegaVoice and Super Articulation Voices (SA and SA2) are

explained. These Voices have special characteristics you should be aware of, and

they require speciﬁc performance techniques to bring out all of their expressive

qualities.

MegaVoices (CVP-509/505/503)

What makes MegaVoices special is their use of velocity switching. Each velocity

range (the measure of your playing strength) has a completely different sound.

For example, a guitar MegaVoice includes the sounds of various performance

techniques. In conventional instruments, different Voices having those sounds

would be called up via MIDI and played in combination to achieve the desired

effect. However, now with MegaVoices, a convincing guitar part can be played

with just a single Voice, using speciﬁc velocity values to play the desired sounds.

Because of the complex nature of these Voices and the precise velocities need to

play the sounds, they’re not intended for playing from the keyboard. They are,

however, very useful and convenient when creating MIDI data—especially when

you want to avoid using several different Voices just for a single instrument part.

Super Articulation Voices (CVP-509/505)

The word “articulation” in music usually refers to the transition or continuity

between notes. This is often reﬂected in speciﬁc performance techniques, such as

staccato, legato and slur. Two types of Voices—Super Articulation (SA) Voices

and Super Articulation 2 (SA2) Voices—enable you to create these subtle

musical expressions, simply by how you play. (SA2 Voices are available only on

the CVP-509.)

• SA Voices (S.Articulation!)

The SA Voices provide many of same beneﬁts as the MegaVoices, but with

greater playability and expressive control in real time.

For example, with the Saxophone Voice, if you play a C and then a D in a

very legato way, you will hear the note change seamlessly, as though a

saxophone player played it in a single breath. Similarly with the Concert

Guitar Voice, the D note would sound as a “hammer on,” without the string

being plucked again.

Depending on how you play, other effects such as shake or breath noises (for

the Trumpet Voice), or ﬁnger noises (for the Guitar Voice) will be produced.

Voice Types

Percussion/Drum Voices

When one of the Voices is selected from this button,

you can play various drums and percussion instru-

ments or SFX (sound effects) sounds on the key-

board. Details are given in the Drum List of the

separate Data List.

Organ Flutes Voices

(page 46)

NOTE

MegaVoices, SA and SA2 Voices are

only compatible with other models

which have those types of Voices

installed. Any Song or Style data

you’ve created on the instrument

using these Voices will not sound

properly when played back on other

instruments.

NOTE

MegaVoices, SA and SA2 Voices

sound differently depending on the

keyboard range, velocity, touch, etc.

Hence, if you apply HARMONY/ECHO

effect, change the transpose setting or

change the Voice Set parameters,

unexpected or undesired sounds may

result.

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