Bedienungsanleitung Yamaha CVP-505 (Seite 34 von 104) (Englisch)

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34 CVP-509/505/503/501 Reference Manual

Styles – Playing Rhythm and Accompaniment –

When NTR is set to GUITAR

3 HIGH KEY / NOTE LIMIT

HARMONIC MINOR

5th

In addition to the Harmonic Minor transposition above, augmented and

diminished chords affect the 5th note of the Source pattern.

NATURAL MINOR When the played chord changes from a major to a minor chord, this table

lowers the third, sixth and seventh intervals in the scale by a semitone.

When the chord changes from a minor to a major chord, the minor third,

ﬂatted sixth and ﬂatted seventh intervals are raised by a semitone. Other

notes are not changed. Use this for chord channels of Sections which

respond only to a Major/minor chord such as Intros and Endings.

NATURAL MINOR

5th

In addition to the Natural Minor transposition above, augmented and dimin-

ished chords affect the 5th note of the Source pattern.

DORIAN When the played chord changes from a major to a minor chord, this table

lowers the third and seventh intervals in the scale by a semitone. When the

chord changes from a minor to a major chord, the minor third and ﬂatted

seventh intervals are raised by a semitone. Other notes are not changed. Use

this for chord channels of Sections which respond only to a Major/minor

chord such as Intros and Endings.

DORIAN 5th In addition to the Dorian transposition above, augmented and diminished

chords affect the 5th note of the Source pattern.

ALL-PURPOSE This table covers both strummed- and arpeggio-played sound.

STROKE Suitable for stroke-played sound of the guitar. Some notes may sound as if

it is muted—this is normal condition when the chord is played on guitar by

stroke.

ARPEGGIO Suitable for arpeggio-played sound of the guitar. Using this table, four

notes arpeggio sounds most beautiful.

[4 ▲▼]/

[5 ▲▼]

HIGH KEY This sets the highest key (upper octave limit) of the note transposition for

the chord root change. Any notes calculated to be higher than the highest

key are transposed down to the next lowest octave. This setting is avail-

able only when the NTR parameter (page 33) is set to “Root Trans.”

[6 ▲▼]NOTE LIMIT

LOW

These set the note range (highest and lowest notes) for Voices recorded to

the Style channels. By judicious setting of this range, you can ensure that

the Voices sound as realistic as possible—in other words, that no notes

outside the natural range are sounded (e.g., high bass sounds or low pic-

colo sounds).

[7 ▲▼]NOTE LIMIT

HIGH

C3-E3-G3

F3-A3-C4

F#M

F#2-A#2-C#3

C#M

C#3-E#3-G#3

Example—When the highest key is F.

Root changes

Notes played

E3-G3-C4

F3-A3-C4

C#M

E#3-G#3-C#4

Example—When the lowest note is C3 and the highest is D4.

Root changes

Notes played

High Limit

Low Limit

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