Bedienungsanleitung Yamaha CVP-609GP (Seite 26 von 100) (Englisch)

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Vocal Harmony Settings

CVP-609/605 Reference Manual

(When the Mode is set to “Chordal”)

Chord

Source

Determines which data or event of a Song will be used for chord detection.

•Off:

Detects no chord from the Song data.

•XF: Chord data defined via XF will be used.

• 1 – 16: Detects a chord from notes of the MIDI channel specified here.

Type

Determines how the harmony notes are applied to the microphone sound by selecting

one of the Chordal Types. Almost all Types apply the harmony notes based on the chord

specified via the left hand section of the keyboard, chord section of the keyboard, or the

Song data, with the exception of the following two Types.

•ScaleDiatonic:

This generates harmony notes based on the Key Root and Key Type

specified in the Harmony Assign display ( ), meaning that the harmony notes do not

depend on the chord but match the diatonic scale of the current song’s key signature.

• Parallel: This adds a note to the lead note (microphone sound) with the interval specified

at , regardless of the chord.

NOTE “Abv” in the Chordal Type List means that the harmony notes are generated above the lead

note (microphone sound) while “Blw” means that the harmony notes are generated below

the lead note.

(When the Mode is set to “Vocoder” or “Vocoder -Mono”)

Song Ch

When set to one of 1 – 16, note data (played from a Song on this instrument or the

connected computer) of the corresponding channel is used to control the harmony.

When set to “Off,” Song data control over harmony is turned off.

Part

When set to “Mute,” the channel selected above (to control Harmony) is muted (turned

off) during Song playback.

Keyboard

•Off: Keyboard control over harmony is turned off.

•Upper: Notes played to the right of the Split Point control the harmony.

•Lower: Notes played to the left of the Split Point control the harmony.

Balance

Lets you set the balance between the lead vocal (the microphone sound) and Vocal

Harmony sound. Raising this value increases the volume of the Vocal Harmony and

decreases that of the lead vocal. When this is set to L<H63 (L: Lead Vocal, H: Vocal

Harmony), only the Vocal Harmony is output; when it is set to L63>H, only the lead

vocal is output.

Balance

adjustment

for each Lead

note and

Harmony

note

The following parameters can be adjusted for each Lead note (microphone sound) and

Harmony note.

• Transpose/Degree:

Lets you shift the pitch for each Harmony note and Lead note. The

range for all notes is the same; however, the lead note can only be adjusted in octaves.

When the Chordal Type is set to “ScaleDiatonic,” this parameter changes to Degree, letting

you shift the pitch in degree from -3 octaves (-22 scale degrees) – Unison (1 scale degree) –

+3 octaves (+22 scale degrees).

• Detune: Determines the fine pitch setting for each Harmony note from -50 cents to +50

cents.

•Formant: Determines the formant setting for each Harmony note. The higher the value,

the more “feminine” the harmony voice becomes. The lower the value, the more

“masculine” the voice.

•Pan: Determines the pan position setting for each Harmony note. Setting each Harmony

note to a different pan position, with the Lead vocal at center, for example, results in a

naturally wide stereo sound.

• Volume: Determines the volume setting for each Harmony note. Use this to adjust the

relative level balance among the Lead vocal and the Harmony notes.

NOTE When PITCH CORRECT MODE ( ) is set to OFF the Lead part is not available for the

Transpose, Degree, Detune and Formant parameters.

NOTE The Transpose values of the Harmonies are available only when the Mode ( ) is set to

“Chordal.”

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