Bedienungsanleitung Yamaha CVP-94 (Seite 52 von 148) (Englisch)

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● Fingered

To play Auto Accompaniment, play any chord in the left range (below

and including the split point). Play the melody in the right range along

with the Auto Accompaniment.

If the CVP-94/92 cannot recognize the played chord, “*” will appear

instead of the chord name in the display.

■

Fingered Chords

The chord types below can be played with the Fingered method. For

a fingering chart showing all chords in the example key of C, see

page 30 in the Reference Manual.

• The automatic accompaniment will

sometimes not change when related

chords are played in sequence (e.g.

some minor chords followed by the

minor seventh).

• The same accompaniment continues

even after releasing the chord in the

left range until the next chord is

played.

On-bass Chords

• To play “on-bass” chords, press the

desired bass note one octave lower

than the chord. For example, in order

to play F on C (F chord with a C bass),

play an F chord (F, A and C) and press

C +C (octave notes) in the lower range

of the keyboard. (Use this function for

chord sequence recording.)

• Two-note fingerings will produce a

chord based on the previously played

chord.

•“No chord” (i.e., rhythm-only accompa-

niment) can be produced by pressing

any three consecutive keys (e.g., C,

, D) simultaneously. This lets you

create dynamic rhythm “breaks in the

accompaniment. A “- - -” indication will

appear instead of a chord name in the

display.

● Multi Finger

This method allows you to produce accompaniment using either Sin-

gle Finger or Fingered. However, when indicating minor, seventh or

minor seventh chords, it is necessary to play the white key and/or black

key nearest the root note of the chord.

● Full Keyboard

When the Full Keyboard mode is selected, the CVP-94/92 will auto-

matically create appropriate accompaniment while you play just about

anything using both hands, anywhere on the keyboard. You don’t have

to worry about specifying the accompaniment chords. The name of the

detected chord will appear in the display. (Although Full Keyboard is

designed to work with many songs, some arrangements may not be suit-

able for use with this feature.)

• Chord detection occurs at approxi-

mately 8th-note intervals. Extremely

short chords — less than an 8th note

in length — may not be detected.

Keep in mind...

• The DUAL or SPLIT mode can be

used with the Auto Accompaniment.

Press [START/STOP], [ENDING] or [FADE IN/OUT] to stop the

Auto Accompaniment.

You can also turn off the Auto Accompaniment by pressing the

[ACMP ON] button (the lamp turns off).

Stopping the Auto Accompaniment

• The [INTRO], [MAIN A], [MAIN B],

[ENDING], and [FADE IN/OUT] but-

tons can be used to play different style

sections, as explained on page 41.

Playing with the Auto Accompaniment

• Major

• Sixth [6]

• Major seventh [M7]

• Major seventh flatted fifth [M7 (b5)]

• Major seventh sharp eleventh [M7 (#11)]

• Added ninth [add 9]

• Major seventh ninth [M7 (9)]

• Six ninth [6 (9)]

• Flatted fifth [(b5)]

• Augmented [aug]

• Seventh augmented [7 (#5)]

• Major seventh augmented [M7 (#5)]

• Minor [m]

• Minor sixth [m6]

• Minor seventh [m7]

• Minor seventh flatted fifth [m7 (b5)]

• Minor added ninth [m add 9]

• Minor seventh ninth [m7 (9)]

• Minor seventh eleventh [m7 (11)]

•

Minor major seventh flatted fifth

[mM7 (b5)]

• Minor major seventh [mM7]

• Minor major seventh ninth [mM7 (9)]

• Minor flatted fifth [m (b5)]

• Diminished seventh [dim7]

• Seventh [7]

• Seventh suspended fourth [7sus4]

• Seventh ninth [7 (9)]

• Seventh sharp eleventh [7 (#11)]

• Seventh added thirteenth [7 (13)]

• Seventh flatted fifth [7 (b5)]

• Seventh flatted ninth [7 (b9)]

• Seventh added flatted thirteenth [7 (b13)]

• Seventh sharp ninth [7 (#9)]

• Suspended fourth [sus4]

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