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3. All sound field programs except CHURCH have two “sub-
programs” (see “2-7. DESCRIPTIONS OF THE SOUND FIELD
PROGRAMS”).The sub-programs are selected using the
Parameter +/– keys on the remote control unit. The CONCERT
HALL 1 program, for example, contains the sub-programs “Hall A
in Europe” and “Hall B in Europe”.When the CONCERT HALL 1
program is first selected, the “Hall A in Europe” sub-program will
be selected and displayed on the front panel.To select “Hall B in
Europe”, press the Parameter + or – key.To return to Hall A in
Europe, press the Parameter + or – key again. The same selection
procedure applies to all other programs.
The sub program selection can also be done simply by pressing
the corresponding Program Select key on the remote control.
* If you will change the sub-program by pressing a Program
Select key while watching the monitor screen, press a key as
described below;
If the display type is a full display, press the key of the
corresponding program once. If the display type is a simple
display or no display, press the key twice.
2-5. MUTING THE EFFECT SOUND
The EFFECT switch on the front panel and the EFFECT ON/OFF
key on the remote control unit make it simple to compare the normal
stereo sound with the fully processed effect sound.
To mute the effect sound and monitor only the main sound, press
the EFFECT ON/OFF key or the EFFECT switch. Press the EFFECT
ON/OFF key or the EFFECT switch a second time to restore normal
operation.
2-6. SUPERIMPOSED VIDEO
PROGRAM/PARAMETER DISPLAY
You can select program names and edit parameters
watching their data displayed on your video monitor screen and
superimposed over the video image as described on page 6.
1. Turn your monitor on, and press the ON SCREEN display key
on the remote control unit to call the full display mode.
2. The current program name and its parameters will be displayed
on the monitor screen. The arrow-shaped cursor points to the
currently selected parameter. Parameters are selected and edited
using the Parameter Select keys and +/– keys. (See page 41 for
details.)
