Bedienungsanleitung Yamaha EMX 512 (Seite 16 von 36) (Englisch)

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Making the Most of Your Mixer

BASIC

If so you might want to build the

mix around the vocals. This

means bringing the vocal channel

up to nominal first (if your level

setup procedure has been done

properly this will be a good

starting point), and then adding

the other instruments.

What you

add next will

depend on

the type of

material you

are working

with and

your

approach to it. If the vocals are

backed by a piano trio and the

song is a ballad, for example, you

might want to bring in the piano

next and get the vocal/piano

relationship just right, then bring

in the bass and drums to support

the overall sound.

Example2:

Funky R&B Groove

The approach will

be totally different

if you’re mixing a

funky R&B

number that

centers on the

groove. In this case most

engineers will start with the

drums, and then add the bass.

The relationship between the

drums and bass is extremely

important to achieve the “drive” or

groove the music rides on. Pay

particular attention to how the

bass works with the kick (bass

drum).

They should

almost sound

like a single

instrument—

with the kick

supplying the

punch and the bass supplying the

pitch. Once again, there are no

rules, but these are concepts that

have been proven to work well.

To EQ or Not to EQ

In general: less is better. There

are many situations in which you’ll

need to cut certain frequency

ranges, but use boost sparingly,

and with caution. Proper use of

EQ can eliminate interference

between instruments in a mix and

give the overall sound better

definition. Bad EQ—and most

commonly bad boost—just

sounds terrible.

Cut for a Cleaner Mix

For example: cymbals have a lot

of energy in the mid and low

frequency ranges that you don’t

really perceive as musical sound,

but which can interfere with the

clarity of other instruments in

these ranges. You can basically

turn the low EQ on cymbal

channels all the way down without

changing the way they sound in

the mix. You’ll hear the difference,

however, in the way the mix

sounds more “spacious,” and

instruments in the lower ranges

will have better definition.

Surprisingly enough, piano also

20 50 100 200 500 1 k 2 k 5 k 10 k 20 k

(

)

Piano

Bass Drum

Snare Drum

Bass

Guitar

Trombone

Tr umpet

Cymba

Fundamental: The frequency that determines the basic musical pitch.

The fundamental and harmonic frequency ranges of some

musical instruments.

Some Frequency Facts

The lowest and highest frequencies than can be heard by the

human ear are generally considered to be around 20 Hz and

20,000 Hz, respectively. Average conversation occurs in the

range from about 300 Hz to about 3,000 Hz. The frequency of a

standard pitchfork used to tune guitars and other instruments is

440 Hz (this corresponds to the “A3” key on a piano tuned to

concert pitch). Double this frequency to 880 Hz and you have a

pitch one octave higher (i.e. “A4” on the piano keyboard). In the

same way you can halve the frequency to 220 Hz to produce

“A2” an octave lower.

The frequencies controlled by the LOW, MID, and HIGH bands

on this mixer have been specifically selected to provide the most

“musical” range of adjustment with the widest possible range of

instruments (100Hz, 2,500 Hz, and 10,000 Hz, respectively).

Harmonics: Multiples of the fundamental frequency that play a role in

determining the timbre of the instrument.

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