Bedienungsanleitung Yamaha KX10 (Seite 12 von 16) (Englisch)

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CASSETTE TAPES

There are many different types of cassette tapes available.

However, they all conform to standard specifications so any

brand may be used with the deck.

¶ Classification of Cassette Tapes by Formulation

Cassette tapes are available in four basic types depending

on their formulation, or type of magnetic material and

manufacturing process. These four types are commonly

known as Normal (Type I/NORM), Chrome (Type II/HIGH

<CrO2>), Ferrichrome (Type III/FeCr), and Metal (Type IV/

METAL), and they each require specific tape deck

adjustments for optimum performance.

* YAMAHA does not recommend the use of 120-minute

length cassettes since the extreme thinness of the tape

makes them susceptible to mechanical and recording

problems.

AUTO TAPE SELECTOR DETECTION SLOTS

The deck has a built-in Auto Tape Selector which

automatically adjusts for the proper bias, level and

equalization according to the tape formulation — all you

have to do is to load a cassette and the Auto Tape Selector

does the rest.

The Auto Tape Selector determines what type of tape is

loaded by sensing detector slots on top of the tape shell.

Each tape formulation has its own characteristic hole

markings standardized by the tape industry.

¶ Early model Metal (Type IV/METAL) tape formulation

cassette shells do not have the slots for Auto Tape

Selector operation. As a result, early model Metal type

tapes recorded on another deck will be played back with

the deck at the Chrome (Type II/HIGH <CrO2>) settings.

YAMAHA does not recommend recording with this kind of

tape.

¶ The deck does not have the required setting for

Ferrichrome (Type III/FeCr) tape, since this tape

formulation is not widely used. Should you use a

Ferrichrome tape, it will be recorded and played back at

the Normal (Type I/NORM) settings, which will result in an

unnatural high frequency emphasis. This effect may be

compensated for somewhat with the auto tape tuning

operation or by using the PLAY TRIM tone control and/or

the tone controls of your amplifier/receiver during

playback.

PROTECTING YOUR RECORDINGS

All cassette tapes are provided with erasure protection holes

to prevent accidental erasure of recorded contents. There is

a small tab covering the hole on each side of the cassette,

and it should be broken off after recording on the tape.

Without this tab covering the hole, it is impossible to record

onto that tape. Thus, you can safely protect a recording for

as long as you wish without fear of accidental erasure.

Should you wish to use a cassette tape protected in this way

for recording, simply covering the hole with adhesive tape

will permit erasure and re-recording.

¶ When using Chrome (Type II/HIGH <CrO2>) or Metal

(Type IV/METAL) tapes, make sure you do not cover the

hole intended for the Auto Tape Selector operation.

TAKING UP SLACK IN THE TAPE

As a precaution against tape entanglement and damage,

remove any slack in the tape before inserting cassettes into

the deck. This is accomplished by inserting a pencil, pen or

similar object into one of the spools and gently winding it

until all the slack is removed. You do not have to wind it too

tightly.

Be careful not to touch the tape part itself. It is very delicate

and touching it may damage the tape and its recorded

contents.

STORING CASSETTES

After putting a cassette tape back into its case, store it in a

location away from exposure to direct sunlight, humidity,

high temperatures, and magnetic fields (away from television

sets, speakers, etc.). High temperatures and humidity will

damage the tape itself, while exposure to magnetic fields

may cause a loss of recorded material. Avoid touching the

tape surface with your fingers, since dirt or finger oil will

contaminate the deck’s heads.

TYPE II TYPE IV

Detector slots Detector slots

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Yamaha KX10 Seite 12

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