Bedienungsanleitung Yamaha MOTIF ES7 (Seite 290 von 300) (Englisch)

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Appendix

Glossary

290 Owner’s Manual

Glossary

This section explains in detail various words and terms that were not covered in the manual. Another resource for looking up

unfamiliar technical terms related to music, synthesis and audio is a special website we’ve prepared, the Glossary for Electronic

Musical Instruments. If you come across a musical or technical term you don’t know, click on the following URL.

■ Glossary for Electronic Musical Instruments

http://www2.yamaha.co.jp/manual/english/word/index.html (This URL and title may be changed without notice.)

Audition

The function or process of hearing the edited sample (in the

Sampling function).

Channel

There are two types of channels: MIDI channels, which are used to

transmit MIDI messages, and audio channels, which are used to

send audio signals. You can set the MIDI channel in the display of the

MOTIF ES.

Clock

[1] A unit of note resolution for MIDI Sequence data.

The sequencer determines the playback position of the Song or

Pattern (MIDI sequence data) by using the units Measure, Beat,

and Clock.

[2] Also referred to as “MIDI Clock” or “Timing Clock” deﬁned as

System Realtime Message in MIDI.

This message is transmitted at a ﬁxed interval (24 times per 1/4

note) to synchronize connected MIDI instruments.

On the MOTIF ES, the Utility mode lets you select whether the

instrument’s internal clock will be used as the Timing Clock, or

external Timing Clock messages received via MIDI IN will be

used.

Common

This edit related term refers to the editing of parameters that affect all

Elements or Parts of a program. For each program, this term is used

as listed below.

• Normal Voice.................Common Edit and Element Edit

• Plug-in Voice .................Common Edit and Element Edit

• Drum Voice....................Common Edit and Key Edit

• Performance .................Common Edit and Part Edit

• Song Mixing ..................Common Edit and Part Edit

• Pattern Mixing ..............Common Edit and Part Edit

• Master ...........................Common Edit and Zone Edit

Destination

The MOTIF ES provides the following three types of destination.

[1] In copy operations, this refers to the location to which the original

“source” data or ﬁle is to be copied.

[2] In sampling operations, this refers to the internal memory area to

which the external audio “source” is to be recorded.

[3] In the Controller Set function, this refers to the parameter adjusted

by the controller deﬁned as “Source.”

Directory

This is a path created on a data storage device (such as SmartMedia

card or hard disk), allowing a tree-like hierarchical organization of data

ﬁles and folders. Effectively a virtual ﬁle cabinet, this is the place

where ﬁles are stored and arranged according to type or application.

Filter

The MOTIF ES provides the following three types of Filter.

[1] A circuit or processor that modiﬁes tone by blocking or passing a

speciﬁc frequency range of the sound. This is one of the Voice

parameters (page 161).

[2] A function (referred to as “Event View Filter”) that lets you select

the event types that appear on the Event List display in the Song

Edit/Pattern Edit display (page 225).

[3]

A function (referred to as “MIDI Filter”) that determines which MIDI

events will be transmitted/recognized via the MIDI IN/OUT (page 262).

Folder

This is an organizational feature on a data storage device (such as

SmartMedia card or hard disk), allowing you to group data ﬁles

together according to type or application. Folders can be nested in

hierarchical order for organizing data. (Also see “Directory.”)

LSB

[1]

An abbreviation for Least Signiﬁcant Byte, referring to the lower byte of

data when MIDI control change data (such as Bank Select and Data

Entry) is divided into two bytes (the MSB and LSB) for transmission.

[2] An abbreviation for Least Signiﬁcant Bit, referring to the lowest bit

among eight bits that make up one byte.

MSB

[1]

An abbreviation for Most Signiﬁcant Byte, referring to the upper byte of

data when MIDI control change data (such as Bank Select and Data

Entry) is divided into two bytes (the MSB and LSB) for transmission.

[2] An abbreviation for Most Signiﬁcant Bit, referring to the uppermost

bit among the eight bits that make up one byte. In MIDI, this “bit”

is very important because it determines whether the byte to which

this “bit” belongs is a status byte or data byte.

Offset

A type of editing in which a speciﬁed value (the “offset”) is added to

or subtracted from the current parameter value. Unlike normal

editing, in which the parameter is given a speciﬁc, new value, offset

editing changes the parameter relative to its current value.

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