Bedienungsanleitung Yamaha MOTIF-RACK XS (Seite 61 von 118) (Englisch)

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Basic Structure

Voice

MultiUtility

Reference

The Controls &

Connectors

Setting Up

Listening to

the Sound

Connections

Using a Computer

Quick Guide

Appendix

Effect Block

MOTIF-RACK XS Owner’s Manual

VCM is a technology that authentically models the elements in

analog circuitry (such as resistors and capacitors). Effect types

using the VCM technology produce the uniquely warm

characteristics of vintage processing gear.

VCM Compressor 376

This effect emulates the characteristics of analog compressors,

used as standard effects in recording studios. It frames and

thickens the sound, and is suitable for drum and bass sounds.

VCM Equalizer 501

This effect emulates the characteristics of analog equalizers

used in 1970s. It adds drive to the sound by reproducing

distortion typical of analog circuits. It consists of two shelving-

type ﬁlters and three peaking-type ﬁlters.

VCM Flanger

This effect emulates the characteristics of analog ﬂanger used in

the 1970s, recreating a warm, high-quality ﬂanger effect.

VCM Phaser Mono, VCM Phaser Stereo

These effect emulate the characteristics of analog phasers used

in the 1970s, recreating a warm, high-quality phaser effect.

VCM Auto Wah, VCM Touch Wah, VCM Pedal Wah

These effects emulate the characteristics of analog Wah used in

the 1970s, recreating a warm, high-quality wah-wah effect.

REV-X is a reverb algorithm developed by Yamaha. It provides a

high-density, richly reverberant sound quality, with smooth

attenuation, spread and depth that work together to enhance the

original sound. The MOTIF-RACK XS features two types of REV-

X effects: REV-X Hall and REV-X Room.

Effect Parameters

Each of the Effect Types has parameters that determine how the

Effect is applied to the sound. A variety of sounds can be

obtained from a single effect type by setting these parameters.

For information about the Effect parameters, see below.

Preset settings for parameters of each effect type are provided

as templates and can be selected by the “Preset” parameter in

the Effect Type selection display. To get a desired effect sound,

try ﬁrst selecting one of the Presets close to your imagined

sound, then change the parameters as necessary. For details

about the preset settings of each effect type, refer to the

separate Data List booklet.

Effect Parameters making up the affect of the Effect Type are

listed here in alphabetical order.

n Each name of the parameters listed below is indicated with its full or

complete spelling, although it is indicated with the abbreviated spelling on

the LCD. The discrepancy in the name may make it difﬁcult to ﬁnd the

desired parameter. In such a case, conﬁrm the parameters belonging to

the Effect Type you want to edit by referring to the Effect Parameter List in

the separate Data List booklet.

n Some parameters below may appear in different effect types with the same

name, but actually have different functions depending on the particular

effect type. For these parameters, two or three types of explanations are

given.

VCM (Virtual Circuitry Modeling)

REV-X

Preset settings for Effect parameters

Effect parameters

Parameter name Description

AEG Phase Offsets the phase of the AEG.

AM Depth Determines the depth of the amplitude modulation.

AM Inverse R Determines the phase of the amplitude modulation for the R

channel.

AM Speed Determines the amplitude modulation speed.

AM Wave Determines the wave of the amplitude modulation.

AMP Type Selects the ampliﬁer type to be simulated.

Analog Feel Adds the characteristics of an analog ﬂanger to the sound.

Attack Determines the amount of time that elapses between the

playing of a key and the start of the compressor effect.

Attack Offset Determines the amount of time that elapses between the

playing of a key and the start of the wah effect.

Attack Time Determines the attack time of the envelope follower.

Bit Assign Determines how the Word Length is applied to the sound.

Bottom

Determines the minimum value of the wah ﬁlter.

Click Density Determines the frequency at which the click sounds.

Click Level Determines the click level.

Color

Determines the ﬁxed phase modulation.

Common Release This is a parameter of “Multi Band Comp.” This parameter

determines the amount of time that elapses between the

releasing of a note and the end of the effect.

Compress Determines the minimum input level at which the compressor

effect is applied.

Control Type This is a parameter of “Control Delay.” When set to “Normal,”

the delay effect is always applied to the sound. When set to

“Scratch,” the delay effect is not applied if both the Delay

Time and Delay Time Offset are set to “0.”

Damper Control When the half-damper compatible FC3 footswitch is

connected to the SUSTAIN jack, the Damper Control

parameter is controlled by the FC3 over a range of 0 – 127,

allowing for partial damper effects, such as is available on an

actual grand piano.

Decay Controls how the reverb sound decays.

Delay Level C Determines the level of the delayed sound for the center

channel.

Delay Mix Determines the level of the delayed mixed sound when

multiple effects are applied.

Delay Offset Determines the offset value of the delay modulation.

Delay Time Determines the delay of the sound in note value or absolute

time.

Delay Time C, L, R Determines the delay time for each channel: center, left and

right.

Delay Time L>R Determines the amount of time between the moment the

sound is input from the L channel and the moment the sound

is output to the R channel.

Delay Time Ofst R Determines the delay time for the R channel as offset.

Delay Time R>L Determines the amount of time between the moment the

sound is input from the R channel and the moment the sound

is output to the L channel.

Delay Transition Rate Determines the speed (rate) at which the delay time is

changed from the current value to the speciﬁed new value.

Density When the Reverb effect is selected, this determines the

density of the reverberations.

When the Early Reﬂection is selected, this determines the

density of the reﬂections.

Depth When “Space Simulator” is selected, this parameter

determines the depth of the simulated room.

When “VCM Flanger” is selected, this parameter determines

the amplitude of the LFO wave which controls the cyclic

change of the delay modulation.

When the phaser type is selected, this parameter determines

the amplitude of the LFO wave which controls the cyclic

change of the phase modulation.

Detune Determines the amount of pitch to be detuned.

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