Bedienungsanleitung Yamaha MOTIF-RACK XS (Seite 87 von 118) (Englisch)

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Voice Mode

MOTIF-RACK XS Owner’s Manual

Basic Structure

Voice

MultiUtility

Reference

The Controls &

Connectors

Setting Up

Listening to

the Sound

Connections

Using a Computer

Quick Guide

Appendix

Supplementary information

Category List

This is the list of the Main Categories and their Sub Categories to which the respective Voices of the MOTIF-RACK XS belong.

Micro Tuning

In the sections that follow, we'll explain in detail about the “Micro Tune” parameter in the Play Mode display (page 66) of the

Voice Common Edit parameters.

What is Micro Tuning?

This function lets you change the keyboard scale from normal tuning (equal temperament) to one of a variety of special scales.

You can determine the scale type for each voice by simply selecting a Tuning number. You can also use original Micro Tuning

types that you’ve created in the Micro Tune display (page 102) of the Utility parameters.

Micro Tuning List

Main Category Sub Category

Piano (Acoustic Piano) APno (Acoustic Piano) Layer Modrn (Modern) Vintg (Vintage) Arp (Arpeggio)

Keys (Keyboard) EP (Electric Piano) FM (FM Piano) Clavi Synth Arp

Organ Tn Whl (Tone Wheel) Combo Pipe Synth Arp

Guitar A. Gtr (Acoustic Guitar) E.Cln (Electric Clean)

E. Dst (Electric Distortion)

Synth Arp

Bass ABass (Acoustic Bass) EBass (Electric Bass) SynBs (Synth Bass) Arp (Arpeggio) —

String (Strings) Solo Ensem (Ensemble) Pizz (Pizzicato) Synth Arp

Brass Solo BrsEn (Brass Ensemble) Orche (Orchestra) Synth Arp

SaxWW (Sax / Woodwind)

Sax (Saxophone) Flute WWind (Woodwind) RPipe (Reed / Pipe) Arp

SynLd (Synth Lead) Analg (Analog) Digtl (Digital) H Hop (Hip Hop) Dance Arp

Pads (Synth Pad/Choir) Analg (Analog) Warm Brite (Bright) Choir Arp

SyCmp (Synth Comp)

Analg (Analog) Digtl (Digital) Fade Hook Arp

CPerc (Chro

c Percussion) Malet (Mallet Percussion) Bell SynBl (Synth Bell) PDrum (Pitched Drum) Arp

Dr / Pc (Drum / Percussion) Drums Perc (Percussion) Synth Arp (Arpeggio) —

S.EFX (Sound Effect) Move (Moving) Ambie (Ambient) Natur (Nature) SciFi (Sci-Fi) Arp

M. EFX (Musical Effect) Move Ambie Sweep Hit Arp

Ethnc (Ethnic) Bowed Pluk (Plucked) Struk (Struck) Blown Arp

Micro

Tuning No.

Type Micro Tuning Root Comments

Equal

—

The “compromise” tuning used for most of the last 200 years of Western music, and found on most

electronic keyboards. Each half step is exactly 1/12 of an octave, and music can be played in any key with

equal ease. However, none of the intervals are perfectly in tune.

PureMajor

C – B

This tuning is designed so that most of the intervals (especially the major third and perfect ﬁfth) in the major

scale are pure. This means that other intervals will be correspondingly out of tune. You need to specify the

key (C – B) you will be playing in.

3 PureMinor C – B The same as Pure Major, but designed for the minor scale.

Werckmeist

C – B

Andreas Werckmeister, a contemporary of Bach, designed this tuning so that keyboard instruments could

be played in any key. Each key has a unique character.

Kirnberger

C – B

Johann Philipp Kirnberger, an 18th century composer, created this tempered scale to allow performances

in any key.

Vallot&Yng

C – B

Francescatonio Vallotti and Thomas Young (both mid-1700s) devised this adjustment to the Pythagorean

tuning, in which the ﬁrst six ﬁfths are lowered by the same amount.

7 1/4 Shift — This is the normal equal tempered scale shifted up 50 cents.

8 1/4 tone —Twenty-four equally spaced notes per octave. (Play twenty-four notes to move one octave.)

9 1/8 tone — Forty-eight equally spaced notes per octave. (Play forty-eight notes to move one octave.)

10 Indian — Usually observed in Indian music (white keys only).

11 Arabic 1

C – B

Usually observed in Arabic music.

12 Arabic 2

13 Arabic 3

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