Bedienungsanleitung MOTIF XS
299
Anhang
Inde
Symbole
.AIF
......................................................... 273,
.MID
........................................................ 273,
.WAV
....................................................... 273,
.X0A
........................................................ 273,
.X0E
................................................................. 274
.X0G
........................................................ 273,
.X0P
......................................................... 273, 274
.X0S
......................................................... 273, 274
.X0V
......................................................... 273, 274
.X0W
........................................................ 273, 274
Zahlen
1/4 Shift (1/4-Transposition)
................................ 99
1/4 Tone (vierteltö nig)
......................................... 99
1/8 Tone (achteltö nig)
........................................ 99
1st-on
.............................................................. 106
2-Band
............................................................ 126
A
A Mod (Amplitudenmodulation)
........................ 125
A. Function 1/2
................................................. 256
A. Function 1/2 Mode
(Modus der Assignable-Funktion 1)
.......... 100,
A.-Funktion 1/2, Controller-Nr.
........................... 147
A/D
.................................................................. 234
A/D-INPUT-Buchsen
.................................... 18,
Abspieleffekt (Play FX)
....................................... 61
AC IN (Netzkabelbuchse)
............................. 16,
Accent Phrase (Betonungsphrase)
..................... 64
Accent Start Quantize
(Quantisierung der A. Phrase)
.................. 103,
Accent Vel Threshold
(Velocity-Grenze fü r A. Phrase)
................. 103,
Accuracy (Genauigkeit)
.................................... 174
AEG (Amplitude EG;
Amplitudenhü llkurve)
.................. 94, 123, 138, 157
AF1/2
........................................................... 25, 92
Aftertouch
.......................................................... 78
AIFF
................................................................. 273
AI-Treiber
.......................................................... 44
All
.................................................................... 273
All Arpeggio
............................................. 273,
All Parameters
......................... 133, 159, 236, 257
All Pattern
................................................ 273,
All Song
................................................... 273,
All Sound Off (Gesamter Ton aus)
....................... 78
All Track
.................................................. 188,
All Voice
.......................................................... 273
All Waveform
............................................ 273, 274
all without system
............................................. 273
Alternate Group (Alternierende Gruppe)
........... 130
Alternate Pan
(Abwechselnde Pan-Position)
................... 123,
Amplitude (Pegel, Lautstä rke)
............. 58, 122, 131
Amplitude EG
.................................................. 132
Anschließ en
Externe MIDI-Instrumente ......................... 83
LAN ........................................................... 86
Mehrspurrekorder ..................................... 84
USB-Speichergerä t ................................... 85
Anwenderspeicher
....................................... 79,
Anzahl der einzufü genden Takte
...................... 204
Append Pattern (Pattern anhä ngen)
.................. 227
Append Phrase (Phrase anhä ngen)
.................. 224
Apply (Ü bernehmen)
................................ 217,
Arabisch 1/2/3
................................................... 99
ARP Category
.................................................. 206
ARP Common Switch
(gemeinsamer Schalter)
................................... 145
ARP FX
...................................... 90, 100, 145, 181
ARP Main
(Arpeggio-Hauptparameter)
..... 101, 128, 154, 235
ARP MIDI Out Switch (A.-MIDI-Ausgabe)
.......... 264
ARP No.
........................................................... 206
ARP Other (Sonstige)
............... 102, 128, 156, 235
ARP Sync Quantize Value
(Quantisierungswert f. A.-Synchr.)
.................... 145
ARP Transmit Ch (ARP-Sendekanal)
................. 264
ARP1 – ARP5
Arpeggio
............. 93, 95, 138, 139, 188, 189, 219
Hold on/off (Halten ein/aus) .................... 136
Performance ............................................ 135
Spielen ...................................................... 24
Wiedergabe ein-/ausschalten
Arpeggio Sub Category
...................................... 62
Arpeggio Switch (A.-Schalter)
............................ 39
Arpeggio-Block
.................................................. 62
Arpeggio-Kategorie
............................................ 62
[ARPEGGIO ON/OFF], Taste
.............................. 13
Arpeggio-Typ
Drum Voice ............................................... 65
Erzeugen ................................................... 66
Name ......................................................... 62
Nicht-Noten-Events ................................... 65
Normal Voice ............................................. 64
Arpeggio-Wiedergabe
Pattern ....................................................... 66
Performance .............................................. 66
Voice Play ................................................. 65
AS1/2
.......................................................... 25,
ASSIGN 1/2
....................................................... 90
Assign 1/2 Value (Wert von Assign 1/2)
..... 100, 145
Assign 1/2, Controller-Nr.
................................. 147
Assign L&R Gain (Verstä rkung)
........................ 263
Assign Mode (Zuweisungsmodus)
.................... 130
ASSIGNABLE OUT L und R, Buchsen
................. 18
ASSIGNABLE-FUNCTION-Tasten [1] / [2]
..... 12,
ATTACK
............................................................ 90
Attack Level (Einschwingpegel)
Attack Time (Anstiegszeit)
Audio
............................................................... 232
Audio In (A.-Eingang)
............................... 147, 234
Audio In/Out (A. Ein-/Ausgang)
......................... 263
Audio Part
........................................................ 232
Audioaufnahme
................................................ 242
Audio-Input-Block
.............................................. 59
Audiokanal
........................................................ 46
Audiospur
.......................................................... 61
Audition
........... 162, 167, 169, 170, 172, 246, 248
Aufnahme
All-Track-Einstellung ............................... 190
Arpeggio-Wiedergabe als Pattern ............ 32
Audio ....................................................... 242
Melodie und Arpeggio-Wiedergabe
als Song .................................................... 31
Pattern ..................................................... 218
Pattern Chain .......................................... 214
Scene-Spur ............................................. 190
Song ........................................................ 186
Tempospur .............................................. 190
Track 1– 16 .............................................. 189
Aufnahmeart
............................................ 164,
Aufnahmedauer
.............. 162, 165, 166, 169, 170,
............................................... 245, 246, 248, 249
[
I
], Taste (Aufnahme)
....................................... 14
Auto Load
........................................................ 262
B
Bandpassfilter
.................................................. 117
Bandsperrfilter
................................................. 118
BANK
.............................................................. 140
Bank
Bank LSB (niederwertigstes B.-Byte)
................ 256
Bank MSB (hö chstwertigstes B.-Byte)
............... 256
Bank Select (Bank-Auswahl; MIDI-Befehl)
......... 268
Bank-Tasten
...................................................... 14
Basic Receive Ch (Basis-Empfangskanal)
........ 267
Bearbeiten von Drum-Voices
............................ 127
BEAT
....................................................... 193,
Beat (Schlag)
Beat Stretch (Zeitstauchung/-dehnung)
............ 203
beat1 – 3
......................................................... 249
Bedienfeld, vorderes
.......................................... 10
BEF (Band Elimination Filter; Bandsperrfilter)
.... 118
BEF12
............................................................. 118
BEF6
............................................................... 118
Blaswandler; Controller-Nr.
............................... 147
Boost 12
.......................................................... 126
Boost 18
.......................................................... 126
Boost 6
............................................................ 126
BPF (Band Pass Filter, Bandpassfilter)
.............. 117
BPF1 – 10 Gain
................................................ 110
BPF12D
........................................................... 117
BPF6
............................................................... 118
BPFw
............................................................... 118
Break 1 – 16
.................................................... 217
Breakpoint 1 – 4 (Ü bergangspunkte)
........ 121,
Breath (Blaswandler)
........................................ 104
Brightness (Klanghelligkeit)
................................ 77
Bulk (Blockdaten)
.................................... 134,
Bulk (Massendaten)
................................. 238,
Bulk Dump Interval (Zeitabstand
zwischen Bulk-Daten)
...................................... 269
C
Cancel (Abbrechen)
......................................... 217
CAT (Channel Aftertouch)
.......................... 78,
CATEGORY
..................................................... 140
Category (Kategorie)
... 92, 95, 102, 109, 137, 138,
............................................... 149, 155, 231, 267
Category Search (Kat.-Suche)
............................ 24
[CATEGORY SEARCH], Taste
............................ 15
Center Key (mittlere Taste)
....................................................... 121, 122, 124
Ch After Touch
................................................. 256
Chain (Kette)
........................... 183, 185, 211, 213
Chain Edit (C.-Bearbeitung)
............................. 214
Chain Number (C.-Nummer)
............................. 185
Chain Record (C.-Aufnahme)
........................... 214
Change Timing (Umschaltzeitpunkt)
......... 101,
Channel Aftertouch (CAT)
.................................. 78
CHAR
................................................................ 82
CHO SEND
...................................................... 129
Cho Send (Chorus-Ausspielweg)
...................... 232
CHORUS
........................................................... 90
Chorus
...................... 71, 109, 129, 149, 150, 260
Chorus (Effekt)
................................................. 235
Chorus Category/Type (Kategorie und Typ
des Chorus-Effekts)
................................. 108,
Chorus Pan
.............................................. 108,
Chorus Return (Chorus-Effektrü ckweg)
..... 108,
Chorus Send (Chorus-Effektausspielung)
............................... 108, 130, 145, 148, 152, 266
CHORUS TO REVERB
.............................. 108,
Clear (Lö schen)
............................................... 212
Clear All (Alles lö schen)
................................... 194
Clear Pattern (Pattern lö schen)
......................... 228
Clear Pattern Chain (P.-C. lö schen)
.................. 228
Clear Phrase (Phrase lö schen)
......................... 225
Clear Sample Voice (S.-V. lö schen)
.................. 226
Clear Song (Song lö schen)
............................... 207
Clear Track (Spur lö schen)
....................... 205,
Click
CLOCK
.................................................... 193,
Clock Out
........................................................ 268
Clock Shift (a. d. C. verschieben)
..................... 184
Clock-Impuls
........................................... 200,
Coarse (Grobstimmung)
........................... 114,
Coarse Tune (Grobstimmung)
.......................... 170
Com LFO (Common LFO; gemeinsamer LFO)
... 105
Common (gemeinsam)
..................................... 258
Common Edit
Master ..................................................... 254
Mischfunktionen ...................................... 233
Mixing Voice ............................................ 241
Performance ............................................ 143
Voice ................................................. 98,
Common Parameters
(gemeinsame Parameter)
................. 133, 159, 236
Common Switch (gemeinsamer Schalter)
.......... 139
[COMMON EDIT], Taste
..................................... 15
