Index
Bedienungsanleitung MOTIF XS
302
Anhang
Mega-Voice-Arpeggio
........................................ 62
Memory (Master-Modus)
................................... 254
Meter
.......................................
Metronomeinstellungen
.................................... 270
Mic Gate Threshold
.......................................... 110
Mic Level
......................................................... 110
Mic/Line
........................................................... 263
Micro Tuning
.............................................. 99,
Micro Tuning kopieren
...................................... 265
Micro Tuning Name
.......................................... 265
Micro-Tuning-Liste
.............................................. 99
Micro-Tuning-Nr.
.............................................. 265
Mid Frequency (Mittlere Frequenzen)
................ 144
Mid Gain
.......................................................... 144
MIDI
........................................................... 76, 267
MIDI Filter
........................................................ 270
MIDI IN/OUT
............................................ 259,
MIDI IN/OUT/THRU, Buchsen
....................... 17,
MIDI Out Channel (MIDI-Ausgangskanal)
.......... 157
MIDI Out Switch (MIDI-Ausgabe-Schalter)
......... 157
MIDI Send (MIDI-Ausgabe)
............................... 257
MIDI Sync (MIDI-Synchronisation)
..................... 268
MIDI-Einstellungen
........................................... 267
MIDI-Event
......................................................... 76
MIDI-Kanal
......................................................... 76
MIDI-Schnittstelle
............................................... 44
MIDI-Sendekanal der Tastatur
(Transmit Channel)
............................................. 91
MIDI-Spur
.......................................................... 61
Misc (Verschiedenes)
......................................... 72
Mix (Mischung)
................................................ 238
Mix Phrase (Phrasen mischen)
.......................... 224
Mix Track (Spuren mischen)
..................... 205,
Mixing
33, 58, 229
Einstellungen ........................................... 230
Insert-Effekt ............................................. 230
Struktur .................................................... 229
Mixing Edit (Modus)
......................................... 233
Mixing Job
....................................................... 236
Mixing Play (Modus)
......................................... 231
Mixing speichern
.............................................. 233
Mixing Template (M.-Vorlage)
........................... 238
Mixing Voice
.................................................... 230
Mixing Voice Edit (Modus)
................................ 239
Mixing Voice Job
.............................................. 240
Mixing Voice speichern
.................................... 240
Mixing Voice, zu lö schende
.............................. 241
Mixing-Einstellungen
........................................ 181
MIXV (Mixing-Voice)
......................................... 188
mLAN
................................................................ 17
mLAN Gain (mLAN-Verstä rkung)
...................... 263
mLAN Monitor Setup (mLAN-Klangü berwachung
einrichten)
........................................................ 263
mLAN16E2
................................................. 17, 294
mLAN, Anschluss 1, 2 (IEEE 1394)
............... 17,
mLAN-Erweiterungskarte, Abdeckung der
.......... 17
MMC (MIDI Machine Control)
...................... 85, 268
Mode (Modus)
.......................... 251, 252, 254, 270
Auswä hlen ................................................. 55
Tabelle ....................................................... 54
MODE-Tasten
.............................................. 14,
Modify Control Data (Controller-Daten ä ndern)
.. 203
Modify Gate Time (Notenlä nge ä ndern)
............. 198
Modify Velocity (Anschlagsstä rke ä ndern)
......... 197
Modulationsrad
.................................... 12, 67, 256
Mono/Poly
93, 99, 152
Mono/Poly Mode
................................................ 93
Mono/Stereo
............................................. 147, 265
MOTIF XS Editor
............................................... 274
Mount
.............................................. 273, 276, 277
Move (Verschieben)
......................................... 173
MTC (MIDI Time Code)
............................... 84,
MTC Start Offset (Versatz d. MTC-Starts)
.......... 268
multi
......................................................... 100, 130
[MULTI PART CONTROL], Taste
......................... 13
Mute (Stummschaltung)
182, 187, 210, 219, 231
[MUTE], Taste
.................................................... 15
MW (Modulationsrad)
................................... 25,
N
Name
93, 98, 128, 138, 143, 254
Namen vergeben
............................................... 82
Network (Netzwerk)
.......................................... 260
Network Information (Netzwerk-I.)
..................... 259
Netzwerkeinstellungen
....................................... 86
New Dir (Neues Verzeichnis)
............................ 276
New Password (neues Passwort)
...................... 262
No. (Nr.)
........................................................... 212
Noise Input Level
............................................. 110
Non-Registered Parameter Number (NRPN)
........ 79
Normal 1 – 16
................................................... 217
Normal Voice
..................................................... 56
Edit (Bearbeiten) ....................................... 96
Normalize (Normalisieren)
................................ 173
Normalize Play Effect (Wiedergabeeffekte
auf Daten anwenden)
............................... 205,
Note
..................................... 76, 78, 177, 199, 255
Note Limit (Notengrenze)
101, 114, 152, 154
Note Limit High (N. L. oben)
............................. 255
NOTE LIMIT LO-HI
........................................... 139
Note Limit Low (N. L. unten)
.............................. 255
Note Shift
................................... 99, 152, 184, 259
Notendaten-Jobs
...................................... 196,
NRPN (Non-Registered Parameter Number)
........ 77
NUM
81, 169, 248
Number (Nummer)
................................... 151,
Number Of Times
(Anzahl der Kopien)
......................... 201, 202, 215
Nummern und Zahlen eingeben
.......................... 81
Nummerntasten [1] – [16]
................................... 14
O
OCT RANGE (Oktavbereich)
............................... 90
Octave (Oktave)
92, 138, 177, 251, 255, 260
Octave Range (Oktavbereich)
.................. 103,
OCTAVE-Tasten [UP] und [DOWN]
..................... 14
Offset
....................................................... 198,
Offset 1 – 4 (Versatz)
................................ 121,
Oktavlage der Tastatur
....................................... 91
one shot (ein Durchlauf)
........................... 105,
Optimize Memory (Speicher optimieren)
........... 177
Ordner
............................................................. 272
Original Notes Root (O.-Grundton d. Noten)
...... 206
Oscillator (Oszillator)
..........................
Other (Sonstige)
100, 128, 145, 153, 235, 254, 271
Other Jobs (Sonstige Jobs)
.............................. 177
Out
.......................................................... 129,
Output (Ausgang)
............ 147, 152, 234, 235, 265
OUTPUT L/MONO und R, Buchsen
............... 18,
Output Level
.................................................... 110
Output Octave Shift (Oktavverschiebung
b. Ausgabe)
............................................. 102,
Output Select (Auswahl
des Ausgangs)
......................... 130, 148, 153, 266
Overdub-Aufnahme
.......................................... 191
P
P Mod (Pitch Modulation)
.................................. 125
Page List
............................................................ 53
Page Select
....................................................... 53
PageHold (Seite halten)
.................................... 131
PAN
................................................................... 90
Pan (Panorama)
........ 99, 122, 131, 145, 147, 152,
170, 188, 219, 232, 256, 257, 265
Param
...................................................... 169,
Param. with Voice (V. kopieren)
........................ 151
Part
160, 165, 231, 232, 245
Auf solo schalten 135, 142, 233
Auswä hlen ............................................... 151
Ein-/ausschalten 135, 142, 233
Lautstä rke einstellen ................................. 34
Stummschalten ........................ 135, 142, 233
Part 1 – 4
......................................................... 138
Part 1– 16 (P.-Einstellungen)
231, 232, 234
Part Edit
................................................... 141,
Mixing ...................................................... 235
Performance ............................................ 151
PART SW
......................................................... 139
Part Switch (Part-Schalter)
................................ 151
Part-EQ
...................................................... 68,
Part-Nummer
.................................................... 237
Part-Parameter
......................................... 159,
Password
......................................................... 262
Setting (Einstellung) ................................ 262
PAT (Polyphonic Aftertouch)
....................... 78,
Patch
....................................................... 211,
Pattern
..................................................... 207,
Definition ................................................... 60
Erzeugen ................................................. 212
Pattern Chain
..................................... 60, 209, 213
Bearbeiten ....................................... 214,
Pattern Edit (Pattern-Bearbeitung)
.................... 220
Pattern Record
................................................. 218
Pattern Scene (P.-Szenen)
................................ 209
Pattern Store
.................................................... 218
Pattern, ursprü ngliches
............................ 227,
Pattern, zu lö schendes
..................................... 228
Pattern-Jobs
............................................ 222,
Pattern-Name
210, 211, 219
Pattern-Nummer
140, 210, 237
Pattern-Play-Modus
.......................................... 208
PB Range
........................................................ 199
PB Range Lower
(Pitch-Bend-Bereich unten)
........................ 99,
PB Range Upper
(Pitch-Bend-Bereich oben)
......................... 99,
PDC-Name
....................................................... 261
PEG (Pitch EG)
................................................ 115
Pegelanzeige
........................................... 166,
PEQ
................................................................. 126
Perf (Performance kopieren)
..................... 237,
Performance
............................................ 160,
Auswä hlen ............................................... 135
Definition ................................................... 58
Initialisieren ............................................... 29
Speichern (Store) .................................... 142
Performance Bank
............................................ 137
Performance Copy (P. kopieren)
....................... 160
Performance Edit
............................................. 141
Performance Number (P.-Nummer)
........... 137,
Performance Play (Display)
.............................. 137
Performance Play (Modus)
............................... 135
Performance Record (Modus)
31, 61, 140
[PERFORMANCE CONTROL], Taste
................... 15
Performance-Jobs
............................................ 159
Performance-Kategorie
.................................... 143
Performance-Name
.......................................... 137
Pfad
................................................................. 273
Phase
.............................................................. 105
Phaser
............................................................... 71
PHONES (Kopfhö rerbuchse)
........................ 18,
Phrase
....................................................... 60,
Phrase Name
................................................... 212
Phrase, ursprü ngliche
...................................... 224
Phrase1 – 4
...................................................... 249
Phrase-Jobs
..................................................... 223
Pitch (Tonhö he)
57, 114, 174
Pitch 1 – 16
...................................................... 217
Pitch Bend (Tonhö henbeugung)
................. 76,
Pitch Bend Range (Pitch-Bend-Bereich)
............. 93
Pitch Key Follow (Tastaturskalierung f. Tonhö he)
115
Pitch Velocity Sens (Anschlagsempfindlichkeit
d. Tonhöhe)
............................................. 114,
Pitch-Bend-Rad
............................................ 12,
Play
................................... 93, 138, 210, 211, 259
Play FX (Abspieleffekte)
............................ 183, 211
Play Mode (Wiedergabemodus)
. 98, 105, 128, 170
Polyphonic Aftertouch (PAT)
............................... 78
Porta
.......................................................... 93,
Portamento
........................................................ 93
Auf Voice anwenden ................................. 94
Portamento Common (Performance-Parameter)
144
Portamento Legato Slope (P.-L.-Verlauf)
........... 100
Portamento Mode (Portamento-Modus)
93, 100, 152
Portamento Part 1 – 4 (Performance-Parameter)
144
Portamento Part Sw (Performance-Parameter)
... 152
Portamento Switch
..................................... 93,
Portamento Time
................................ 93, 100, 152
Portamento Time Mode (Modus f. P.-Zeit)
......... 100
Portamento Time Offset (P.-Zeit-Versatz)
........... 144
Power On Auto Factory Set (Werkseinstellungen
b. Einschalten wiederherstellen)
....................... 269
Power On Mode (Einschaltmodus)
.................... 262
