Bedienungsanleitung Yamaha MOTIF XS7 (Seite 73 von 320) (Englisch)

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Basic Structure

MOTIF XS Owner’s Manual 73

Basic StructureBasic Operation

Connections

Basic Section

VCM Equalizer 501

This effect emulates the characteristics of analog

equalizers used in the 1970s, recreating a warm, high-

quality ﬂanger effect.

VCM Flanger

These effects emulate the characteristics of analog ﬂanger

used in the 1970s, recreating a warm, high-quality ﬂanger

effect.

VCM Phaser Mono, VCM Phaser Stereo

This effect emulates the characteristics of analog phasers

used in the 1970s, recreating a warm, high-quality phaser

effect.

VCM Auto Wah, VCM Touch Wah, VCM Pedal

Wah

These effects emulate the characteristics of analog Wah

used in the 1970s, recreating a warm, high-quality wah-

wah effect.

REV-X is a reverb algorithm developed by Yamaha. It

provides a high-density, richly reverberant sound quality,

with smooth attenuation, spread and depth that work

together to enhance the original sound.

The MOTIF XS features two types of REV-X effects: REV-X

Hall and REV-X Room.

Effect Parameters

Each of the Effect Types has parameters determining how

the Effect is applied to the sound. A variety of sounds can

be obtained from a single effect type by setting these

parameters. For information about the Effect parameters,

see below.

Preset settings for parameters of each effect type are

provided as templates and can be selected in the Effect

Type selection display. To get a desired effect sound, try

ﬁrst selecting one of the Presets close to your imagined

sound, then change the parameters as necessary.

nSome parameters below may appear in different effect types

with the same name, but actually have different functions

depending on the particular effect type. For these parameters,

two or three types of explanations are given.

REV-X

Preset settings for Effect parameters

Effect Parameters

Parameter name Descriptions

AEG Phase Offsets the phase of the AEG.

AM Depth Determines the depth of the amplitude modulation.

AM Inverse R Determines the phase of the amplitude modulation for the R

channel.

AM Speed Determines the amplitude modulation speed.

AM Wave Selects the wave for modulating the amplitude.

AMP Type Selects the ampliﬁer type to be simulated.

Analog Feel Adds the characteristics of an analog ﬂanger to the sound.

Attack Determines the amount of time that elapses between the playing

of a key and the start of the compressor effect.

Attack Offset Determines the amount of time that elapses between the playing

of a key and the start of the wah effect.

Attack Time Determines the attack time of the envelope follower.

Bit Assign Determines how the Word Length is applied to the sound.

Bottom*1 Determines the minimum value of the wah ﬁlter.

BPF1–10 Gain Determines each output gain of BPFs 1 – 10 of the Vocoder

effect.

Click Density Determines the frequency at which the click sounds.

Click Level Determines the click level.

Color*2 Determines the ﬁxed phase modulation.

Common Release This is a parameter of “Multi Band Comp.” This parameter

determines the amount of time that elapses between the

releasing of a note and the end of the effect.

Compress Determines the minimum input level at which the compressor

effect is applied.

Control Type This is a parameter of “Control Delay.” When set to “Normal,” the

delay effect is always applied to the sound. When set to

“Scratch,” the delay effect is not applied if both the Delay Time

and Delay Time Offset are set to “0.”

Damper Control When the half-damper compatible FC3 footswitch is connected

to the SUSTAIN jack, the Damper Control parameter is controlled

by the FC3 over a range of 0 – 127, allowing for partial damper

effects, such as is available on an actual grand piano.

Decay Controls how the reverb sound decays.

Delay Level C Determines the level of the delayed sound for the center channel.

Delay Mix Determines the level of the delayed mixed sound when multiple

effects are applied.

Delay Offset Determines the offset value of the delay modulation.

Delay Time Determines the delay of the sound in note value or absolute time.

Delay Time C, L, R Determines the delay time for each channel: center, left and right.

Delay Time L>R Determines the amount of time between the moment the sound is

input from the L channel and the moment the sound is output to

the R channel.

Delay Time Ofst R Determines the delay time for the R channel as offset.

Delay Time R>L Determines the amount of time between the moment the sound is

input from the R channel and the moment the sound is output to

the L channel.

Delay Transition

Rate

Determines the speed (rate) at which the delay time is changed

from the current value to the speciﬁed new value.

Density Determines the density of the reverberations or reﬂections.

Depth When “Space Simulator” is selected, this parameter determines

the depth of the simulated room.

When “VCM Flanger” is selected, this parameter determines the

amplitude of the LFO wave which controls the cyclic change of

the delay modulation.

Preset settings can be selected here.

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