Bedienungsanleitung Yamaha MX61 (Seite 45 von 71) (Englisch)

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Song/Pattern File Utility RemotePerformance

MX49/MX61 Reference Manual

Performance

Performance Play

Performance Select

Performance Part Select

Performance Edit

Common Edit

Chorus Eff

Reverb Eff

Master EQ

Arp Switch

General

Name

Part Edit

Play Mode

Filter/EG

Arp Select

Receive Switch

Voice Edit

Voice Insert Eff /

DrumKit Insert Eff

Voice LFO

Voice Ctrl Set /

DrumKit Ctrl Set

Voice Name /

DrumKit Name

Voice Job

Voice Store

Performance Job

Initialize

Recall

Copy

Bulk

Performance Store

Supplementary

Information

The parameters of this display are applied to both Parts 1 and 2.

Arp Switch (Arpeggio Switch)

Parameter Description

Switch

(Arpeggio Common

Switch)

Determines whether Arpeggio is on or off for all Parts. This setting is the same as the [ARP] button on the

panel.

Settings: off, on

Tempo Determines the tempo for the Arpeggio.

Settings: 5 – 300

NOTE

If you are using this instrument with an external sequencer, DAW software, or MIDI device, and you want to

synchronize it with that device, set the “MIDI Sync” parameter in the MIDI display of Utility (page 66) to

“external” or “auto.” When “MIDI Sync” is set to “auto” (only when MIDI clock is transmitted continuously) or

“external,” the Tempo parameter here indicates “EXT” and cannot be changed.

NOTE

The tempo also can be set in the Tempo display by pressing the [TEMPO] button. It can also set by “playing”

or tapping the [TEMPO] button several times repeatedly at the desired tempo. This function is referred to as

“Tap Tempo.”

SyncQtzValue

(Arpeggio Sync

Quantize Value)

Determines the actual timing at which the next Arpeggio playback starts when you trigger it, while an Arpeggio

of a certain Part is playing back. This allows a more musical transition between successively played

Arpeggios. When set to “off,” the next Arpeggio starts as soon as you trigger it. The number shown at right of

each value indicates quarter-note resolution in clocks.

Settings: off, 60 (32nd note), 80 (16th note triplet), 120 (16th note), 160 (8th note triplet), 240 (8th note), 320 (1/

4 note triplet), 480 (1/4 note)

General

Parameter Description

KeyboardMode Sets keyboard splits and layers for Parts 1 and 2.

Settings: single, layer, split

single ....Only the selected Part will be sounded.

layer ......Both Parts 1 and 2 will be sounded together. They extend over the full length of the keyboard.

split .......Part 1 is used for all keys higher than the “SplitPoint” setting; Part 2 is used for all keys below the

“SplitPoint” setting.

SplitPoint Determines the point (or key) at which the keyboard is split between the left and right parts.

Settings: C-2 – G8

NOTE

When “KeyboardMode” is set to “Split,” the value also can be determined by holding down the [SPLIT] button

and pressing the desired key.

Cutoff Determines the cutoff frequency for the Filter. This is applied to both filters assigned to Parts 1 and 2.

Settings: -64 - +0 – +63

Resonance Determines the harmonic emphasis given to the Cutoff Frequency. This is applied to both filters assigned to

Parts 1 and 2.

Settings: -64 - +0 – +63

ChoSend

(Chorus Send)

Determines the Send level of the signal sent to the Chorus effect. This is applied to both Parts 1 and 2.

Settings: 0 – 127

RevSend

(Reverb Send)

Determines the Send level of the signal sent to the Reverb effect. This is applied to both Parts 1 and 2.

Settings: 0 – 127

Attack

(Attack time)

Determines how quickly the sound reaches its maximum level after a key is pressed. This is applied to both

Parts 1 and 2.

Settings: -64 - +0 – +63

Decay

(Decay time)

Determines how fast the volume falls from maximum attack level to the sustain level. This is applied to both

Parts 1 and 2.

Settings: -64 - +0 – +63

Sustain

(Sustain Level)

Determines the sustain level at which the volume will continue while a note is held, after the initial attack and

decay. This is applied to both Parts 1 and 2.

Settings: -64 - +0 – +63

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