Bedienungsanleitung Yamaha P-255 (Seite 51 von 60) (Englisch)

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P-255 Owner’s Manual

Voice List

Key-off sampling:

This feature reproduces the delicate noises produced when keys are released.

Sustain sampling:

This feature reproduces an authentic sustain sound when the damper pedal is pressed.

String resonance:

This feature simulates the string resonance of a real piano.

Voice

button

Voice name

Display

Touch

sensitivity

Stereo

sampling

Key-off

sampling

Sustain

sampling

String

resonance

Description

[PIANO]

Grand Piano

GP1

OOOOO

This sound was sampled from a concert grand piano. It

uses different samples depending on the strength of your

playing and produces smoother tonal changes. Even the

tonal changes produced by the damper pedal and the subtle

sounds of releasing a key are reproduced. The sympathetic

vibration (string resonance) that occurs among the strings of

an acoustic piano has also been simulated. Suitable not

only for classical compositions but also for piano pieces of

any style.

Live Grand

GP2

OO–––

Spacious and clear piano with bright reverb. Good for popu-

lar music.

Ballad Grand

GP3

O O O O O Warm and soft piano sound. Good for relaxing music.

Bright Grand

GP4

OOOOO

Bright piano sound. Good for clear expression and “cutting

through” other instruments in an ensemble.

[E.PIANO]

Stage E.Piano

EP1

O–O––

The sound of an electric piano using hammer-struck metal-

lic “tines.” Soft tone when played lightly, and an aggressive

tone when played hard.

DX E.Piano

EP2

O––––

An electronic piano sound created by FM synthesis.

Extremely “musical” response with varying timbre according

to keyboard dynamics. Good for standard popular music.

Vintage E.Piano

EP3

O––––

A slightly different electric piano sound often heard in rock

and popular music.

Synth Piano

EP4

O––––

A synth-generated type electronic piano sound often heard

in popular mu sic. Used in the Dual mode it blends well with

an acoustic piano Voice.

[ORGAN]

Jazz Organ 1

or1

–––––

The sound of a “tonewheel” type electric organ. Often heard

in jazz and rock music. The rotary speed of the “ROTARY

SP” effect can be switched by using the left pedal.

Jazz Organ 2

or2

–––––

The sound of a “tonewheel” type electric organ without

attacks. Select the normal or variation Voice depending on

the tunes. The rotary speed of the “ROTARY SP” effect can

be switched by using the left pedal.

Pipe Organ Principal

or3

–O–––

This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).

Good for sacred music from the Baroque period.

Pipe Organ Tutti

or4

–O–––

This is the organ’s full coupler sound often associated with

Bach’s “Toccata and Fugue.”

[CLV./VIB.]

Harpsichord 8’

CL1

–OO––

The definitive instru ment for baroque music. Since harpsi-

chord uses plucked strings, there is no touch response.

There is, however, a characteristic additional sound when

the keys are released.

Harpsichord 8’+4’

CL2

–OO––

Mixes the same Voice an octave higher for a more brilliant

tone.

Clavi

CL3

O–O––

This is the voice of a keyboard that produces sound by strik-

ing the strings with magnetic pickups. This funky sou nd is

popular in black contemporary music. Because of its unique

structure, the instrument produces a peculiar sound when

you release the keys.

Vibraphone

CL4

OO–––

Vibraphone played with relatively soft mallets. The tone

becomes more metallic the harder you play.

[OTHERS]

Strings

o 1

OO–––

Stereo-sampled, large-scale strings ensemble with realistic

reverb. Try combining this Voice with piano in the Dual

mode.

Slow Strings

o 2

OO–––

Spacious strings ensemble with a slow attack. Try combin-

ing this Voice with a piano or electric piano in the Dual

mode.

Choir

o 3

O––––

A big, spacious choir Voice. Perfect for creating rich harmo-

nies in slow pieces.

Slow Choir

o 4

O––––

A choir Voice with a slow attack. Try combining this Voice

with a piano or electric piano in the Dual mode.

Synth Pad

o 5

O––––

A warm, mellow, and spacious synth sound.

Ideal for sustained parts in the background of an ensemble.

Wood Bass

o 6

O––––

An upright bass played fingerstyle. Ideal for jazz and Latin

music.

Bass & Cymbal

o 7

O––––

Adds a cymbal Voice to the bass sound. Ideal for walking

bass lines in jazz tunes.

E.Bass

o 8

O––––

Electric bass for a wide range of music styles, jazz, rock,

popular, and more.

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