Bedienungsanleitung Yamaha PF1000 (Seite 60 von 164) (Englisch)

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Styles

PF-1000

BREAK

ACMP

SYNC.STOP SYNC.START

START/STOP

STYLE CONTROL

BREAK INTRO

ENDING/rit.

SYNC.STOP SYNC.START

START/STOP

ACMP

AUTO FILL IN

OTS LINK

MAIN

STYLE CONTROL

BREAK INTRO

ENDING/rit.

SYNC.STOP SYNC.START

START/STOP

ACMP

AUTO FILL IN

OTS LINK

MAIN

Auto Accompaniment section

Split point

END

When the [ACMP] button is set to on, you can play/indicate chords from the auto

accompaniment section of the keyboard. (Depending on the settings, this may be

the range of the Left voice, or the entire keyboard.)

Turn SYNC. (SYNCHRONIZED) START on.

The Tempo can be adjusted

using the TEMPO [–][+] or [TAP

TEMPO] button.

If you tap the [TAP TEMPO]

button, the tempo will adjust to

the same speed that you tapped.

You can set the key range

for auto accompaniment

(page 127).

• You can begin the rhythm

channels (tracks) of the

Style by pressing the

[START/STOP] button.

• The rhythm channels of

the style can also be

started by tapping the

[TAP TEMPO] button.

With the style stopped,

tap the [TAP TEMPO]

button three, four or ﬁve

times (three for 3/4 time,

four for 2/4 or 4/4 time,

ﬁve for 5/4 time).

Stop the style.

When you simultaneously

play back accompaniment

styles with a song, the

accompaniment parts

recorded to the song (chan-

nels 9 - 16) are temporarily

replaced by the selected

accompaniment style — let-

ting you try out and use dif-

ferent accompaniment with

the song (page 75).

Turn ACMP off.

Sync. Start

Enabling this lets you start

the style simply by playing

the keyboard.

As soon as you play a chord with the auto accompaniment section, the style starts.

For details about chord ﬁngerings, refer to page 62.

Accompaniment Style Characteristics

The deﬁning characteristics of some of the accompaniment styles are indicated above the relevant style names in the Open/Save display.

Session!

These styles provide even greater realism and authentic backing by mixing in original chord types and changes, as well as special riffs with

chord changes, with the Main sections. These have been programmed to add “spice” and a professional touch to your performances of

certain songs and in certain genres. As a result, the styles may not necessarily be appropriate — or even harmonically correct — for all

songs and for all chord playing. In some cases for example, playing a simple major triad may result in a seventh chord, or playing an on-

bass chord may result in incorrect or unexpected accompaniment.

Piano Combo!

These accompaniment styles feature a basic piano trio (piano, bass, and drums), augmented in some cases with other instruments. Since

this is a small combo sound, the accompaniment backing is appropriately sparse, making it useful and effective for a wide variety of songs.

Pianist!

These special styles provide piano-only accompaniment — effectively recreating the left-hand performance of an accomplished pianist.

Just by playing the proper chords with your left hand, you can automatically add complicated arpeggios and bass/chord patterns — such as

difﬁcult-to-play stride piano parts.

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Yamaha PF1000 Seite 60

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