Bedienungsanleitung Yamaha PF1000 (Seite 109 von 164) (Englisch)

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Creating Accompaniment Styles — Style Creator

109

PF-1000

With this method, you can create a style pattern by entering notes and other data individually, without having to

perform them in real time. The operations here apply to step 4 on page 107.

The actual recording process is the same as in Step Recording of songs (page 94), with the exception of the points described

below. You can also edit each event from the Edit page, and the editing process the same as in editing songs (page 103).

•

In song recording, the end mark position can be changed freely. However, it cannot be changed when creating

accompaniment styles. This is because the length of the accompaniment style is automatically ﬁxed according to the

selected section. For example, when creating an accompaniment style based on a four-measure section, the end mark

position is automatically set to the end of the fourth measure, and cannot be changed from the Step Record screen.

• When editing the data recorded on the Edit page, you can switch between the type of data you want to edit (event

data or control data). Press the [F] (TRACK EVT) button to switch between the Event display (Note, Control Change,

etc.) and the Control display (System Exclusive, etc.).

Make sure to set the record channel from another display (e.g., BASIC display; page 108) beforehand.

Other Parameters in the BASIC Display

[I] (SAVE) button

Calls up the Style display for saving the accompaniment style data.

[3▲▼][4▲▼] (Section) buttons

Determines the section to be recorded.

[5▲▼][6▲▼] (Pattern Length) buttons

Determines the length of the selected section’s pattern in measures (1 - 32). The Fill

In/Break section is ﬁxed at a length of one measure.

[D] (Execute) button

Executes the Pattern Length change.

Recording — Precautions

• The basic chord used for the accompaniment style is called the source chord. All

chords that play and the pitches that sound are derived from the source chord. When

recording the Main and Fill In sections (for a source chord of CM7), keep the

following points in mind:

* When recording to the Bass or Phrase channels, try to use only the recommended

notes; this will ensure that you can play various chords with the accompaniment

style and get optimum results. (Other notes may work, providing you use them as short passing tones.)

* When recording to the Chord or Pad channels, use only the notes of the CM7 chord; this will ensure that

you can play various chords with the accompaniment style and get optimum results. (Other notes may work,

providing you use them as short passing tones.)

The source chord is set by default to CM7; however, you can change this to any chord you prefer. Refer to the

section “Making Style File Format Settings – Parameter” on page 114.

• When recording Intro and Ending sections, you can ignore the source chord and use any notes or chord

progressions you like. In this case, if you set the NTR parameter to “ROOT TRANSPOSE” and NTT to

“HARMONIC MINOR” or “MELODIC MINER” (in the PARAMETER page), the normal pitch conversions that

would result from playing different chords are cancelled (for playback) — meaning that the accompaniment

pitch conversion will only occur for changes in the root note or major/minor shifts.

You can also select the

desired section for recording

by pressing the appropriate

panel button. Pressing one

of the Section buttons calls

up the SECTION display,

from which you can change

sections by using the [6▲▼]/

[7▲▼] buttons. To actually

enter the change, press the

[8▲] button. To select the Fill

In section, press the [AUTO

FILL IN] button.

CRC CRC

C = chord note

C, R = recommended note

Step Recording

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