Bedienungsanleitung Yamaha PF1000 (Seite 115 von 164) (Englisch)

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Creating Accompaniment Styles — Style Creator

115

PF-1000

• NTT (Note Transposition Table)

This sets the note transposition table for the source pattern. Six transposition types are available.

Bypass

No transposition.

Melody

Suitable for melody line transposition. Use this for melody channels such as Phrase 1 and Phrase 2.

Chord

Suitable for chord transposition. Use for the Chord 1 and Chord 2 channels, especially when they contain piano

or guitar-like chordal parts.

Bass

Suitable for bass line transposition. This table is basically similar to the Melody table above, but recognizes on-

bass chords allowed in the FINGERED ON BASS ﬁngering mode. Use this primarily for bass lines.

Melodic Minor

When the played chord changes from a major to a minor chord, this table lowers the third interval in the scale by

a semitone. When the chord changes from a minor to a major chord, the minor third interval is raised by a

semitone. Other notes are not changed.

Harmonic Minor

When the played chord changes from a major to a minor chord, this table lowers the third and sixth intervals in

the scale by a semitone. When the chord changes from a minor to a major chord, the minor third and ﬂatted sixth

intervals are raised by a semitone. Other notes are not changed.

■ High Key/Note Limit

• High Key

This sets the highest key (upper octave limit)

of the note transposition for the chord root

change. Any notes calculated to be higher

than the highest key are transposed down to

the octave just below the highest key. This

setting is effective only when the NTR

parameter (page 114) is set to “Root Trans.”

• Note Limit

This sets the note range (highest and lowest

notes) for voices recorded to the style

channels. By judicious setting of this range,

you can ensure that the voices sound as

realistic as possible — in other words, that no

notes outside the natural range are sounded

(e.g., high bass sounds or low piccolo

sound). The actual notes that sound are

automatically shifted to the set range.

■ RTR (Retrigger Rule)

These settings determine whether notes stop sounding or not and how they change pitch in response to chord

changes.

Stop

The notes stop sounding.

Pitch Shift

The pitch of the note will bend without a new attack to match the type of the new chord.

Pitch Shift to Root

The pitch of the note will bend without a new attack to match the root of the new chord.

Retrigger

The note is retriggered with a new attack at a new pitch corresponding to the next chord.

Retrigger To Root

The note is retriggered with a new attack at the root note of the next chord. However, the octave of the new note

remains the same.

C3-E3-G3

F3-A3-C4



2-A



2-C



3-F3-G



Example — When the highest key is F

Root changes

Notes played

E3-G3-C4

High Limit

Low Limit

F3-A3-C4



F3-G



3-C



Example — When the lowest note is C3 and the highest is D4

Root changes

Notes played

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Yamaha PF1000 Seite 115

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