Bedienungsanleitung Yamaha PF1000 (Seite 136 von 164) (Englisch)

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Making Global and Other Important Settings — Function

PF-1000

136

Receiving MIDI Data — Receive

MIDI Receive Parts

Setting Root Note Channels — Root

The note ON/OFF messages received at the channel(s) set to “ON” are recognized as the root notes in the

accompaniment section. The root notes will be detected regardless of the accompaniment ON/OFF and split point

settings.

Setting Chord Channels — Chord Detect

The note ON/OFF messages received at the channel(s) set to “ON” are recognized as the chord notes in the

accompaniment section. The chords to be detected depend on the ﬁngering type. The root notes will be detected

regardless of the accompaniment ON/OFF and split point settings. The operation procedure is basically the same as that

of the ROOT display above.

OFF No MIDI data is received.

SONG Normally, the part receiving the MIDI data corresponds to the part/voice used in playing back the song data. Channels 1 - 16

correspond to song channels 1 - 16, respectively.

MAIN The MAIN part is controlled by the MIDI data received on the corresponding channel.

LAYER The LAYER part is controlled by the MIDI data received on the corresponding channel.

LEFT The LEFT part is controlled by the MIDI data received on the corresponding channel.

KEYBOARD MIDI note data received by the PF-1000 plays the corresponding notes in the same way as if they are played on the keyboard.

ACMP RHYTHM1-2 The received notes are used as the accompaniment RHYTHM 1 and RHYTHM 2 notes.

ACMP BASS The received notes are used as the accompaniment BASS notes.

ACMP CHORD1-2 The received notes are used as the accompaniment CHORD 1 and CHORD 2 notes.

ACMP PAD The received notes are used as the accompaniment PAD notes.

ACMP PHRASE1-2 The received notes are used as the accompaniment PHRASE 1 and PHRASE 2 notes.

EXTRA PART1-5 There are ﬁve parts specially reserved for receiving and playing MIDI data. Normally, these parts are not used by the instrument

itself. When these ﬁve channels are enabled, you can use the instrument as a 32-channel multi-timbral tone generator.

2 31 5 6 7 84

Determines the channel for

changing receive settings.

Determines the Part for the

selected channel. See below for

details about the receive parts.

Turns reception of the

speciﬁed data type on or off.

See page 135 for details on

the data types.

The dots corresponding to each

channel (1 - 32) ﬂash brieﬂy

whenever any data is received

on the channel(s).

The MIDI IN/OUT terminals

and Port A of the TO HOST

terminal (Port A of the CBX

driver) correspond to chan-

nels 1 - 16. Port B of the TO

HOST terminal (Port B of the

CBX driver) corresponds to

channels 17 - 32.

This determines which parts will

receive MIDI data and over which

MIDI channel the data will be

received.

2 31 5 6 7 84

Selects the channels in groups

of eight: 1 - 8, 9 - 16, 17 - 24,

and 25 - 32, respectively.

Sets the desired channel to ON or OFF.

Sets all channels to OFF.

The MIDI IN/OUT terminals

and Port A of the TO HOST

terminal (Port A of the CBX

driver) correspond to chan-

nels 1 - 16. Port B of the TO

HOST terminal (Port B of the

CBX driver) corresponds to

channels 17 - 32.

When several channels are

simultaneously set to “ON,”

the root note is detected

from merged MIDI data

received over the channels.

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Yamaha PF1000 Seite 136

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