Bedienungsanleitung Yamaha PSR-273 (Seite 60 von 76) (Englisch)

635414

Zoom out

Zoom in

Vorherige Seite

1/76

Nächste Seite

Function

● Function parameters

* The “*” mark indicates that the setting can be restored to default value by pressing both [+]/[–] buttons simultaneously.

CATEGORY SELECT Display Range/

Settings

Description

Overall Transpose Transpos -12–12 This determines the transposition of the entire PSR-275/273 sound. *

Tuning Tuning -100–100 This determines the pitch of the entire PSR-275/273 sound . *

Split Point SplitPnt 000–127 This determines the highest key for the Split voice and sets the Split “point”

— in other words, the key that separates the Split (lower) and Main (upper)

voices. (The Split voice sounds up to and including the Split Point key.) The

default Split Point is 054 (F#2). The Split Point setting and Accompaniment

Split Point setting are automatically set to the same value.

Touch Sensitivity TouchSns 1–3 A setting of “1” results in limited touch response; this setting produces a rel-

atively narrow dynamic range, no matter how lightly or strongly you play

the keys. “2” lets you play over a normal dynamic range (soft to loud), while

“3” is designed for playing very soft passages, giving you slightly more de-

tailed control in the soft volume range. When Touch is turned off (page 27),

a constant velocity value of 80 is produced (total velocity range = 0–127).

Volume Style Volume StyleVol 0–127 This determines the volume of the style, letting you create an optimum mix

with your performance.

Song Volume SongVol 0–127 This determines the volume of the Song. *

Metronome

Volume

MtrVol 0–127 This determines the volume of the Metronome. *

Metronome Time

Signature

TimeSig 0–15 This determines the time signature of the Metronome. *

Main Voice Volume M.Volume 0–127 This determines the volume of the Main voice, letting you create an opti-

mum mix with the Dual or Split voice.

Octave M.Octave -2–2

(octave)

This determines the octave range for the Main voice. Use this to set the

most suitable range for the Main voice.

Reverb Send

Level

M.RevLvl 0–127 This determines how much of the Main voice’s signal is sent to the Reverb

effect. Higher values result in a louder Reverb effect.

Chorus Send

Level

M.ChoLvl 0–127 This determines how much of the Main voice’s signal is sent to the Chorus

effect. Higher values result in a louder Chorus effect.

Dual Voice Voice D.Voice 1–480 This select the dual voice.

Volume D.Volume 0–127 This determines the volume of the Dual voice, letting you create an opti-

mum mix with the Main voice.

Octave D.Octave -2–2

(octave)

This determines the octave range for the Dual voice. Use this to create an

octave layer for the Dual voice.

Reverb Send

Level

D.RevLvl 0–127 This determines how much of the Dual voice’s signal is sent to the Reverb

effect. Higher values result in a louder Reverb effect for the Dual voice.

Chorus Send

Level

D.ChoLvl 0–127 This determines how much of the Dual voice’s signal is sent to the Chorus

effect. Higher values result in a louder Chorus effect for the Dual voice.

Split Voice Voice S.Voice 1–480 This select the split voice.

Volume S.Volume 0–127 This determines the volume of the Split voice, letting you create an opti-

mum mix with the Main voice.

Octave S.Octave -2–2

(octave)

This determines the octave range for the Split voice. Use this to set the

most suitable range for the Split (lower) voice.

Reverb Send

Level

S.RevLvl 0–127 This determines how much of the Split voice’s signal is sent to the Reverb

effect. Higher values result in a louder Reverb effect for the Split voice.

Chorus Send

Level

S.ChoLvl 0–127 This determines how much of the Split voice’s signal is sent to the Chorus

effect. Higher values result in a louder Chorus effect for the Split voice.

Effect/

Harmony

Reverb Type Reverb 1–9 This determines the Reverb type (See the list on page 32). *

Chorus Type Chorus

1–5

This determines the Chorus type, including “off” (See the list on page 32). *

Harmony Type HarmType 1–26 This determines the Harmony type (See the list on page 31). *

Harmony Volume HarmVol 0–127 This determines the level of the Harmony effect when Harmony type 1-5 is

selected, letting you create the optimum mix with the original melody note.

Utility Local On/Off Local On/Off This determines the Local on or off.

Press the [+]/[–] buttons to set Local Control to on or off.

External Clock ExtClock On/Off This determines the External clock or Internal clock.

Press the [+]/[–] buttons to set External clock or Internal clock.

Initial

Setup Send

InitSend YES/NO This lets you save PortaTone initial data to another device (such as a se-

quencer, computer, or MIDI data filer).

Use the [+/YES] button to transmit the data.

Missbrauch melden von Frage und/oder Antwort

Libble nimmt den Missbrauch seiner Dienste sehr ernst. Wir setzen uns dafür ein, derartige Missbrauchsfälle gemäß den Gesetzen Ihres Heimatlandes zu behandeln. Wenn Sie eine Meldung übermitteln, überprüfen wir Ihre Informationen und ergreifen entsprechende Maßnahmen. Wir melden uns nur dann wieder bei Ihnen, wenn wir weitere Einzelheiten wissen müssen oder weitere Informationen für Sie haben.

Yamaha PSR-273 Seite 60

Brauchen Sie Hilfe? Stellen Sie Ihre Frage.

Missbrauch melden von Frage und/oder Antwort

Art des Missbrauchs:

Forenregeln

Neu registrieren

Andere Handbücher von Yamaha PSR-273

Das Handbuch wird per E-Mail gesendet. Überprüfen Sie ihre E-Mail.

Ihre Frage wurde zu diesem Forum hinzugefügt

Info