Bedienungsanleitung Yamaha PSR-740 (Seite 111 von 188) (Englisch)

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• “CTAB” is the abbreviation of

“Channel table”.

■ About Recording User Styles

In recording a User song, the PSR-740/640 records your keyboard performance as

MIDI data. Recording of User styles, however, is done in a different way. Here are

some of the aspects in which style recording differs from song recording:

Style Recording

Loop Recording

Auto accompaniment repeats the accompaniment patterns of several measures

in a “loop,” and style recording is also done using loops. For example, if you start

recording with a two-measure main section, the two measures are repeatedly

recorded. Notes that you record will play back from the next repetition (loop),

letting you record while hearing previously recorded material.

Overdub Recording

This method records new material to a track already containing recorded data,

without deleting the original data. In style recording, the recorded data is not

deleted, except when using functions such as Clear (page 118) and Drum

Cancel (page 113).

For example, if you start recording with a two-measure main section, the two

measures are repeated many times. Notes that you record will play back from

the next repetition, letting you overdub new material to the loop while hearing

previously recorded material.

Using Preset Styles

The following notes and

cautions are important

points for you to keep in

mind as you record your

User styles.

• Make sure to clear at least

one of the three User styles

before recording a new User

style. Recording a new User

style cannot be started when

all three User styles have

recorded data.

• Be careful to avoid the data

loss that will occur during

recording if the power is

turned off, or the AC adaptor

is unplugged from the outlet.

• Using Registration Memory

(page 62) can make your

recording sessions much

more efficient, since various

settings (such as voices,

etc.) can be recalled by a

single button press.

When the record mode is

engaged, the Registration

Memory Freeze function will

be turned on (it cannot be

turned off while the record

mode is engaged).

• Using the Metronome

function (page 134) can

make your recording

sessions much more

efficient.

• In the Record Ready mode,

you can exchange or edit the

voice data in the recorded

tracks using Mixer on page

90 or Parameter Edit on

page 91.

• If the memory becomes full

while recording, an alert

message will appear on the

display and recording will

stop.

• Since recording is done in

measure units, you should

first select a style that has

the same number of

measures as the section you

intend to record.

• If none of the preset styles is

appropriate, select one that

has the same time signature

and number of measures as

the one you want to create,

then use the Clear function

(page 118) to clear all preset

data before entering your

own.

Preset style data

Copy

Internal memory for

User style recording

As shown in the chart at left, when you select the

internal preset style that is the closest to the type

of style you wish to create, the preset style data

will be copied to a special memory location for

recording.

You create (record) your new, original style by

adding or deleting data from the memory location.

All tracks (with the exception of the rhythm track)

must be cleared before recording (page 115).

■ Style File (Auto Accompaniment) Format

The Style File Format (SFF) combines all of Yamaha’s auto accompaniment know-

how into a single unified format.

By using the User style function, you can take advantage of the power of the SFF

format and freely create your own User styles.

CTAB ......................................... page 119

The chart at the left indicates the process by

which the accompaniment is played back. (This

does not apply to the rhythm track.)

The source pattern in the chart is the original style

data. As explained on page 115, in style recording

this source pattern is recorded.

As shown in the chart at left, the actual output of

the accompaniment is determined by various

parameter settings and chord changes (playing

chords in the auto accompaniment section of the

keyboard) made to this source pattern.

CTAB is a group of parameters which determines how the pitch of the source pattern

is converted when you play chords in the auto accompaniment section of the

keyboard. The User style function gives you exceptionally detailed and comprehen-

sive control by allowing you to record the source pattern to each track and set the

CTAB parameters for each track. The PSR-740/640 lets you set the following four

CTAB parameters:

• Source Chord Root

• Source Chord Type

• Highest Key

• Note Range (Low Limit, High Limit)

For details about the CTAB parameters, see page 119.

Source pattern

(recorded data)

Note transposition

(Source Chord Root/Type)

Chord change

Accompaniment

Highest key setting

Note key settings

(Low Limit, High Limit)

109

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