Bedienungsanleitung Yamaha QS300 (Seite 11 von 217) (Englisch)

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The QS300 — What It Is and What It Can Do

What It Is

Built into the QS300 are an advanced tone generator,

with comprehensive editing functions, three digital

multi-effect sections, and a full-featured sequencer

for recording and editing your performances, and a

flexible automatic accompaniment system that

produces complete backing in a variety of styles. The

QS300 also has a floppy disk drive, for storing and

organizing your important data.

■ Tone Generator Section

The tone generator of the QS300 features 954 high-

quality Voices, in 47 different Voice Banks. (See the

separate “Sound Lists & MIDI Data” supplement.) It

also provides complete compatibility with General

MIDI and the new XG-MIDI format, and gives you

full 32-note polyphony for even the most complex

song data. A set of comprehensive Voice editing

functions lets you create your own User Voices. (See

Voice Editing below.) And there’s internal memory

space for saving up to 128 User Voices — plus unlim-

ited storage capacity with the floppy disk drive.

■ Effect Sections

The three effect sections of the QS300 — Reverb,

Chorus and Variation — provide an enormous variety

of tools for enhancing the Voices. There are 11 types

of Reverb, 11 types of Chorus, and a full 42 different

Variation effect types, including Delay, Rotary

Speaker, Distortion and Auto Wah.

■ Voice Editing

The Voice editing functions give you an exceptionally

wide range of controls for changing both the actual

sound of a Voice and how that Voice responds to

various real-time performance controls. Altogether,

these functions give you the power to either subtly

enhance a Voice, or completely change its basic

character.

A single Voice can be created by combining up to four

different waveforms, or “Elements.” These are the

basic sonic building blocks of the QS300 and there

are 205 waveforms available. These can be assigned

to different sections of the keyboard, played at differ-

ent velocities, with different envelopes, and be given

completely independent filter, pitch EG, tuning and

LFO settings (page 43). This flexibility allows you to

create extremely complex Voices that can shift in

texture and pitch, and change dynamically according

to how you play.

In addition, each Voice that you create can be given

its own volume, velocity response and portamento

settings (page 45).

■ Sequencer Section — Song Playback and

Recording

The sequencer section features 16 tracks for recording

your own performances (page 97) — either in real

time or manually, by Step recording. Three additional

tracks — Pattern, Chord, and Tempo — let you record

fully automatic backing tracks and tempo changes

(page 119). You can use Punch-in recording to re-

record any part of an already recorded track (page 99).

In addition to independent Voice, pan, volume, tuning

and effect send settings, each track’s Voice can have

different filter and vibrato settings, velocity response,

and even be given independent EG and MIDI control-

ler settings (page 71). And all controls are available

in a “mixing console” layout for exceptional ease of

use. Moreover, there are a host of editing functions

— in the Song Jobs (page 139) — for transforming

the recorded data — such as transposing, quantizing,

changing note length and velocity, copying, and much

more.

How to Use This Manual / The QS300 — What It Is and What It Can Do

As its name indicates, the QS300 Music Production Synthesizer is more than just

a synthesizer — it is a fully equipped music production machine that has every-

thing you need to play and produce professional-sounding music.

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Yamaha QS300 Seite 11

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