Bedienungsanleitung Yamaha reface CP (Seite 18 von 60) (Englisch)

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reface CS/DX/CP/YC Owner’s Manual

Functions of Front Panel Components

iOSC (Oscillator) section

For setting the oscillator(s). A voice can be

created by using the three sliders in this sec-

tion. In addition, the voice can be further

modified by setting the LFO section’s

[ASSIGN] slider (y-1) to “OSC” and

adjusting its [DEPTH] and [SPEED] sliders.

i-1. [TYPE] slider

i-2. [TEXTURE] slider

i-3. [MOD] (Modulation) slider

* The “LFO (OSC)” rows in the following

tables indicate what can be done when the

LFO section is set to “OSC.”

(Multi-saw)

Descrip-

tion

Produces a basic synthesizer voice

by using sawtooth waves. Multiple

sawtooth waves can be layered to

create thicker voices, or a “sub-oscil-

lator” that plays 1 octave lower can

be added to fatten the sound.

[TEXTURE]

Adds a sub-oscillator to fatten the

sound.

[MOD]

Layers multiple sawtooth waves to

make a thicker, more undulating

sound.

LFO (OSC)

The LFO modulates the oscillator’s

pitch. This does not affect the sub-

oscillator.

Mode of

use

Ideal for the creation of trance

pads, techno basses, and other

similar sounds.

(Pulse)

Descrip-

tion

Produces a basic synthesizer voice

by using square waves. Two

square waves with different pitches

can be layered to make the sound

more complex.

[TEXTURE]

Changes the pitch of the second

square wave.

[MOD]

Changes the pulse width. Raising

the slider produces a distinctive

thinner sound.

LFO (OSC)

The LFO modulates the pulse

width. This makes it possible to

create a distinctive effect known as

“pulse width modulation.”

Mode of

use

Ideal for the creation of leads,

pads, synth basses, and other sim-

ilar sounds.

(Oscillator Sync)

Descrip-

tion

Produces voices having two oscilla-

tors (OSC1 and OSC2), with OSC2

locked in sync with OSC1. Intense

harmonics can be generated by

changing the pitch and tone of

OSC2, making it possible to create

highly distinctive, dazzling sounds.

[TEXTURE]

Changes the pitch and tone of

OSC2. This makes the generated

harmonics mellower.

[MOD]

Sets the degree to which the OSC2

pitch is changed.

LFO (OSC)

The LFO modulates the OSC2 pitch.

Mode of

use

Ideal for lead voices used to play

solos and other similar sounds.

(Ring Modulation)

Descrip-

tion

Produces voices by multiplying the

signals from two oscillators (OSC1

and OSC2). Metallic-sounding

voices with no distinct pitch can be

created by changing the pitches of

the oscillators.

[TEXTURE]

Changes the pitch of OSC1.

[MOD]

Changes the pitch of OSC2.

LFO (OSC)

The LFO modulates the OSC2 pitch.

Mode of

use

Ideal for extreme basses and

sound effects.

(Frequency Modulation)

Descrip-

tion

Produces voices having two oscil-

lators (OSC1 and OSC2), with the

frequency of OSC1 modulated by

OSC2. This makes it possible to

create voices with intense harmon-

ics such as those of the Yamaha

DX7 and other FM synthesizers.

[TEXTURE]

Sets the degree to which modulation

is applied.

[MOD]

Changes the pitch of the modulat-

ing oscillator (OSC2).

LFO (OSC)

The LFO can modulate the degree

to which frequency modulation is

applied.

Mode of

use

Ideal for leads, synth comping

voices, and sound effects. With the

[MOD] slider moved all the way up,

noise and electronic snare drum

sounds can also be created.

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