Bedienungsanleitung Yamaha S90ES (Seite 191 von 204) (Englisch)

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Appendix

Troubleshooting

191

Owner’s Manual

• When the voice produces a wrong pitch, is the LFO Pitch Modulation Depth set too high?

• When the Performance/Multi produces a wrong pitch, is the Note Shift or Detune parameter of each Part set to a value

other than “0”?

■ No effects are applied.

• Is the [EFFECT BYPASS] button turned off? (page 17)

•Are the Control sliders (for REVERB and CHORUS) set to appropriate levels (other than zero or minimum)? (page 42)

• Have any or all of the Elements’ Effect Output parameters been set to “thru” in the effect setting display?

• Have any or all of the effect types been set to “thru” or “off”? (pages 121, 122, 123)

When this occurs in the Performance mode/Multi mode, check whether the Insertion Switch (INS SW) parameters are set

properly or not.

■ The Edit Indicator appears, even when parameters are not being edited.

• Keep in mind that simply moving a Slider changes the parameter, automatically displaying the Edit indicator. (page 25)

■ Cannot start the Arpeggio.

• Check whether the [ARPEGGIO] button is turned on or off. (page 17)

• Have you selected a User Arpeggio type (with no User data)?

To use the User Arpeggios, the User Arpeggio data created in the MOTIF ES must be loaded to the S90 ES. .. (page 39)

•Are the Arpeggio related parameters such as Note Limit and Velocity Limit set appropriately?

When this occurs in the Performance mode/Multi mode, check whether the Arpeggio Switch parameter for each Part is

set properly or not.

■ Cannot stop the Arpeggio.

• When Arpeggio playback does not stop even if you release the key, set the Arpeggio Hold parameter to “off.”

■ Microphone does not work properly.

• Check whether the S90 ES is in the Voice mode or not.

In the Voice mode, the A/D part which handles the microphone sound cannot be recognized.

• Check whether the Gain Knob on the rear panel is set to minimum position or not. (page 19)

[VOICE] → [EDIT] → Element/Key selection → [F5] LFO → P Mod (page 139)

[PERFORM] → [EDIT] → Part selection → [F4] TONE → [SF1] TUNE (page 154)

[MUTLI/SEQ PLAY] (selecting Multi mode) → [EDIT] → Part selection → [F4] TONE → [SF1] TUNE (page 159)

[VOICE] → [EDIT] → [COMMON] → [F6] EFFECT → [SF1] CONNECT → EL: OUT 1-4 (page 133)

[PERFORM] → [EDIT] → [COMMON] → [F6] EFFECT → [SF2] INS SW (page 152)

[MULTI/SEQ PLAY] (selecting Multi mode) → [EDIT] → [COMMON] → [F6] EFFECT → [SF2] INS SW (page 158)

[VOICE] → [EDIT] → [COMMON] → [F3] ARP → [SF2] LIMIT (page 130)

[PERFORM] → [EDIT] → [COMMON] → [F3] ARP → [SF2] LIMIT (page 151)

[MULTI/SEQ PLAY] (selecting Multi mode)→ [EDIT] → [COMMON] → [F3] ARP → [SF2] LIMIT (page 158)

[PERFORM] → [EDIT]] → Part selection → [F1] VOICE → [SF2] MODE → ArpSwitch (page 152)

[MULTI/SEQ PLAY] (selecting Multi mode) → [EDIT] → Part selection → [F1] VOICE → [SF2] MODE → ArpSwitch (page 159)

[VOICE] → [EDIT] → [COMMON] → [F3] ARP → [SF1] TYPE → Hold (page 130)

[PERFORM] → [EDIT] → [COMMON] → [F3] ARP → [SF1] TYPE → Hold (page 151)

[MULTI/SEQ PLAY] (selecting Multi mode) → [EDIT] → [COMMON] → [F3] ARP → [SF1] TYPE → Hold (page 158)

[UTILITY] → [F2] I/O → [SF1] INPUT → Mic/Line (page 164)

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