Index
200 Mode d’ emploi
Annexe
Mode B .................................................................... 79
Mode Change ...................................................... 183
Mode File ......................................................... 12, 168
[MASTER], mode ................................................... 90
Mode Master .................................................. 12, 172
Mode Master Edit ................................................ 173
Mode Master Job ................................................ 175
Mode Master Play ............................................... 172
Mode Multi ...................................................... 12, 157
Mode Multi Edit ...................................................... 74
Mode Multi Job .................................................... 160
Mode Multi Play ................................................... 157
Mode Multi Voice ................................................. 161
Mode Multi Voice Edit ........................................ 161
Mode Multi Voice Job (Edit Recall) ................ 161
Mode Multi Voice Store ...................................... 161
Mode Performance ....................................... 12, 149
Mode Performance Job ..................................... 156
Mode Performance Play .............................. 34, 149
Mode Sequence Play ................................... 12, 162
MODE Touches ..................................................... 22
Mode Utility ..................................................... 12, 163
Mode Utility Job ................................................... 167
Mode Voice ..................................................... 12, 127
Mode Voice Edit .................................................. 128
Mode Voice Play .................................................. 127
Modes ...................................................................... 12
Modulation Wheel ......................................... 41, 181
Molette de variation de ton ................................. 41
Mono ....................................................................... 182
Mono/Poly ..................................... 127, 128, 152, 159
Morceaux de démonstration .............................. 29
Multi .................................................................. 70, 109
Multi Part Editor ..................................................... 77
[MULTI/SEQ PLAY], touche ................................ 12
MULTI/SEQ PLAY, touche ................................... 12
[MUTE], touche ............................................ 104, 105
MW (Modulation Wheel) ............................ 155, 174
N
Normal ................................................................... 111
Note On/Off ........................................................... 180
NoteLimit ....................................................... 130, 134
NoteLimitH (Note Limit High) ........................... 152
NoteLimitH, L (High, Low) ................................. 173
NoteLimitL (Note Limit Low) ............................. 152
NoteShift ................................................ 144, 154, 163
NRPN (Numé ro de paramè tre non
enregistré ) MSB ................................................... 182
NRPN (Numé ro de paramè tre non
enregistré ) LSB .................................................... 182
Number .................................................. 140, 144, 152
Numé ros de changement de commande ....... 62
O
OCT (Octave) ............................... 127, 149, 157, 172
Octave ........................................................... 163, 173
Offset EL1 - EL4 (Phase Offset
Element1 - Element4) ......................................... 132
Ordinateur ......................................................... 67, 70
Orgn (Caté gorie de types d'arpèges) ........... 124
OSR ........................................................................ 112
OUTPUT L/MONO & R, prises ........................... 19
OutputSel (Output Select) ................................. 154
OutputSwitch ................................................ 151, 165
P
PAN ......................................................................... 157
Pan .......................... 129, 137, 142, 150, 153, 174, 181
Touche [PAN/SEND] ............................................. 42
Part Edit ................................................................... 53
Part EQ ................................................................... 120
Partie d'entré e audio (AUDIO IN) .................... 118
PartSw .................................................................... 149
PartSw (Part Switch) ........................................... 152
PartSwitch ............................................................. 149
PB (Pitch Bend) ........................................... 155, 174
PB (Pitch Bend) Lower ....................................... 153
PB (Pitch Bend) Range ...................................... 153
PB (Pitch Bend) Upper ...................................... 153
PB Upper/Lower (Pitch Bend range
Upper/Lower) ....................................................... 129
PC (MIDI) ............................................................... 174
PC (TG) .................................................................. 174
PdMe (Caté gorie de types d'arpèges) .......... 124
PEG (Gén é rateur d'enveloppe de
hauteur de ton) ..................................................... 112
Touche [PERFORM] .............................................. 12
Performance ................................................... 34, 109
Performance Edit ................................................... 53
Pé riphé riques de stockage USB ....................... 20
PgmChange (Program Change) .............. 166, 174
Phase ...................................................................... 132
PHONES, prise ....................................................... 19
pilote ......................................................................... 70
Piste maître ............................................................. 90
Pitch ........................................................ 134, 141, 143
Pitch Bend ............................................................. 183
PitchSens (Pitch Sensitivity) .............................. 135
PLG - EF ........................................................ 103, 122
PLG100-VH ............................................................. 99
PLG100-XG ............................................................. 99
PLG150 .................................................................... 99
PLG150-AN ............................................................. 99
PLG150-DR ............................................................. 99
PLG150-DX ............................................................. 99
PLG150-PC ............................................................. 99
PLG150-VL .............................................................. 99
[PLG1] - [PLG3], touches .................................... 30
PLG-EF (Plug-in Effect) ...................................... 163
Plug1: – Plug3: ..................................................... 167
PMod (Pitch Modulation
Depth) ............................................ 139, 143, 144, 145
Poly ......................................................................... 182
PolyExpand ........................................................... 167
Polyphonic Aftertouch ........................................ 183
Polyphonie maximale ......................................... 115
PORT ...................................................................... 162
Port MIDI .......................................................... 67, 180
Portamento ............................................................ 181
Portamento Time .................................................. 181
PortaMode (Portamento Mode) ....................... 127
PortaSw (Portamento Switch) ................... 127, 149
PortaTime (Portamento Time) ................... 127, 149
PortNo. (Port number) ........................................ 167
PowerOnMode ..................................................... 164
[PRE1] - [PRE4], touches .................................... 30
Pré sentation g é né rale du syst è me ................. 108
Procé dure de copie ............................................ 146
Program Change ........................................... 71, 183
PureMaj (Pure major) .......................................... 147
PureMin (Pure minor) .......................................... 147
Q
Q (Frequency Characteristic) ........................... 150
QuntStrength (Quantize Strength) ...................130
QuntValue (Quantize Value) .............................. 130
R
Random .................................................................. 134
RandomPan .................................................. 137, 142
RandomSpeed ..................................................... 131
RB (Ribbon Controller) ............................... 151, 155
RcvBulk (Receive Bulk) ...................................... 166
RcvNoteOff (Receive Note Off) ........................ 141
RdPp (Caté gorie de types d'arpèges) ...........124
ReceiveCh (Receive Channel) ......................... 159
REL .......................................................................... 144
Release (Release Level) ............................ 154, 155
Release time ......................................................... 181
Remote Control ...................................................... 78
[REMOTE], touche ................................................. 17
Reset All Controllers ............................................ 182
Resonance .................................................... 136, 154
Ré sonance ............................................................ 113
Resonance/Width ................................................ 135
REV SEND (Reverb Send) ................................. 157
Reverb .................................................... 118, 121, 164
Reverb Pan ............................................................ 121
Reverb Return ....................................................... 121
Reverb Send ......................................................... 121
Reverb Typ (Type d'effet de
ré verbé ration) ....................................................... 121
RevSend (Reverb Send) ............ 129, 141, 150, 153
RPN (Numé ro de paramè tre
enregistré ) LSB .................................................... 182
RPN (Numé ro de paramè tre
enregistré ) MSB ................................................... 182
S
Save ........................................................................ 126
ScalingPan ............................................................ 137
Segment ................................................. 134, 136, 137
Sé lecteur au pied (attribuable) .......................... 59
Sé lecteur au pied (maintien) ............................... 59
Seq (Caté gorie de types d'arpèges) ..............124
SeqCtrl (Sequencer Control) ............................ 166
sé quenceur ............................................................. 70
[SF1] ARP1 (Arpeggio 1) – [SF5] ARP5
(Arpeggio 5) .......................................................... 157
Touches [SF1] – [SF5] .......................................... 23
SHAPE .................................................................... 150
Slider ............................................................... 173, 174
Slider1 ~ Slider4 .................................................. 165
Slope ....................................................................... 133
Slot (Logement) .................................................... 168
[SOLO], touche .................................................... 104
Sortie audio ............................................................. 63
Sostenuto Pedal ................................................... 181
Source .................................................................... 131
Spé cifications ....................................................... 188
Speed ..................................................... 131, 139, 145
Split ..................................................................... 37, 95