Bedienungsanleitung Yamaha SY35 (Seite 12 von 83) (Englisch)

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VOICE COMMON

AFTER TOUCH (Amplitude & Pitch Modulation, Pitch & Level Control)

VC>AFTER TOUCH

AM=on PM=on ->

Summary: Assigns keyboard after-touch to ampli-

tude modulation, pitch modulation, pitch

control, or level control — or any combination

of the above.

Settings: AM (Amplitude Modulation): off, on

PM (Pitch Modulation): off, on

Pit (Pitch Control): –12 … 0 … +12 max.*

Lev (Level Control): off, on

Procedure: Use the [4] and [6] cursor keys to place

the underline cursor under the AM, PM, Pit, or

Lev parameter. The arrows at either end of the

display mean that more parameters can be

accessed by scrolling in the indicated direction.

Use the [–1/NO] and [+1/YES] keys to turn the

AM, PM, and/or Lev parameter on or off, or to

select the desired Pit control range.

Details: As with the modulation wheel, amplitude

modulation produces a tremolo effect while

pitch modulation produced a vibrato effect. The

harder you press a key, the deeper the

modulation. This is only an “off/on” switch,

however, and the maximum depth of

modulation to be applied must be set using the

LFO AM Depth and PM Depth parameters in

the ELEMENT TONE edit mode.

When after touch is assigned to amplitude or

pitch modulation, LFO modulation can only be

applied via after touch.

The Pit parameter allows keyboard after touch

to be used for note bending. The greater the key

pressure the greater the amount of pitch bend.

Positive values produce an upward bend when

key pressure is applied, and minus values pro-

duce a downward bend. Each increment from

represents a semitone. A setting of “0” pro-

duces no pitch bend. A setting of “12” allows a

maximum upward pitch bend of one octave,

while a setting of “–4” allows a maximum

downward pitch bend of a major third.

When the Lev parameter is turned on it becomes

possible to control the level of the sound over a

limited range by keyboard after touch. The

amount and direction (i.e. an increase or de-

crease) of level change depends on the setting of

the AFTER TOUCH SENSITIVITY parameter

in the ELEMENT TONE edit mode.

If both WHEEL and AFTER TOUCH are as-

signed to modulation control, the controller via

which the highest modulation level is applied

will take priority when both are used simul-

taneously.

* This range may be more limited in some cases.

An exclamation mark (!) will appear after the

range value when the limit is reached.

ENVELOPE (Attack & Release Rates)

VC>ENVELOPE

AR= 0 RR= 0

Summary: Sets the overall attack and release rates

for the current voice.

Settings: AR (Attack Rate): –99 … 0 … +99 max.*

RR (Release Rate): –99 … 0 … +99 max.*

Procedure: Use the [4] and [6] cursor keys to place

the underline cursor under the AR or RR

parameter. Use the [–1/NO] and [+1/YES] keys

to set the selected parameter as required.

Details: Although much more detailed envelope

programming capability is available for

individual elements (see the ELEMENT

ENVELOPE edit mode), these functions provide

an easy way to adjust the most important

envelope parameters for the overall voice.

Positive values produce a faster attack or release

time, while negative values produce a slower

attack or release time. You might want to

lengthen the release time of a voice, for

example, to produce a lingering sustain effect

after you release the keys.

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