Bedienungsanleitung Yamaha VL7 (Seite 39 von 64) (Englisch)

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Getting Started

●

The Controllers

Physical Controllers

First, here’s a list of the physical controllers available for use with the VL7:

A natural candidate for controlling pressure, tonguing, throat, growl,

and other parameters.

This unique "controller" can be applied only through the Breath

Controller. When it is selected control is applied by

changes

in breath

pressure, rather than the absolute breath pressure itself. A constant

pressure — whether zero or maximum — produces no change. The

faster the change in pressure, the higher the control value.

The self-centering VL7 pitch wheel can be assigned to a range of

parameters, but it’s “standard” function is pitch control. A controller

parameter such as Embouchure can also be assigned to the pitch

wheel for more realistic pitch variations.

This wheel produces minimum effect in its lowest position and

maximum effect in the highest position. This modulation wheel is

permanently assigned to the standard MIDI modulation wheel control

change number — 001.

The VL7’s second modulation wheel is not self-centering, but it has a

center click-stop which makes it ideal for assignment to parameters

that have a “normal” central setting with variations above and below.

It can also be assigned to any MIDI control change number, function

in the same way as the breath controller, foot controller, etc.

Foot controller 1 has the standard MIDI foot controller control change

number — 004 — and can be assigned to any VL7 controller

parameter.

Like the modulation 2 wheel, foot controller 2 is assignable to any

MIDI control change number, and is frequently assigned to function in

the same way as the breath controller. It can also be assigned to any

VL7 controller parameter.

In addition to their obvious sustain and portamento functions, the foot

switches are independently assignable to any MIDI controller function

as well as a voice number increment function. Of course, they are

only really useful with on/off type parameters — not with parameters

that allow continuous control.

Keyboard aftertouch allows you to control any controller parameter by

the pressure you apply to a key after it is initially pressed. This is

perhaps the most “intimate” type of keyboard expression control.

Although normally assigned to pressure (particularly in plucked string

voices), keyboard velocity can also be assigned to any other

controller parameter.

The MIDI protocol provides 120 control change numbers, some of

which are pre-assigned to specific controllers — “001” is “Modulation

Wheel”, for example. All of these are available for assignments to the

VL7 controller parameters, so external MIDI control devices can be

used to full advantage.

Breath Controller

Breath Attack

Pitch Wheel

Modulation 1 Wheel

Modulation 2 Wheel

Foot Controller 1

Foot Controller 2

Foot Switches 1 & 2

Aftertouch

Velocity

MIDI

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