Bedienungsanleitung Zoom 9200 (Seite 68 von 71) (Englisch)

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Croup

No.

Name

Effects

Link

Comments

This program simulates a plate rcverb sound, with low frequency

boost, and reverb peaks at SOOI-Iz and 8kHz. Basic reverb tirne is 3.

8s. w180ms. of predclay.

[l]

Rev6

This program simulates an exceptionally large plate, with asymmet-

rical reflections and extreme frequency peaks. Basic reverb time is

7.5, wIl40rns. of predelay.

Like the Small IIall, this program initially suggests a large sound

with fairly strong reflections, but then closes down. Basic reverb

time is 2.4s, w/70ms of predclay.

[l]

Rev6

Big Plate

Plate

Small Plate

[l]

Revl

Plate

Wide Plate

[l]

Rev6

This responsive, bright plate simulation moves in the stereo image

with asymmetrical reflections. Basic reverb time is 4.5s. wHOms.

of predelay, and almost no damping.

This bright plate also moves, but using the spread parameter, which

begins

the center and spread out. Basic reverb time is 2.6s,

wI55ms. of predclay.

Plate

Clear Plate

[l]

Rev6

Real Plate

Percussion

[l]

Rev6

This plate's tonal richness comes from open IIi Cut parameter bal-

anced

opposite scuings

the

EQ.

Basic reverb time is 3.2~~

w/70ms. of predelay.

This reverb fattens the source material initially, and then subsides

evenly, without pronounccd reflections. Reverb time is 2.0~~ w/O.

lms. of prcdelay

medium damping.

Vocal Plate

Warm Plate

[l]

Rev6

This program is a bright and open rcverb sound

with

resonant peaks

at 4 and 16kI-Iz. Customi7x: the tonc with

EQ.

Basic reverb time is

2.6s. w170ms. of predclay.

This warm tonality is created with

and resonant peaks at 350Hz

and 3kIIz, while damping is low for an even decay. Basic reverb

time is 3.8s. w178ms. of prcdelay.

[l]

Ktv6

[l]

Revl

Plate

Remain Plate

This high pass reverb effect is created by multiplying frequencies

over 2kIIz which finally spread to the sides. Basic revert, time is

4s, w190ms. of prcdelay.

;;l;;

Dark Shadow

Plate-EQ

This low pass effect scales frequencies above 800Hz by 50%, with

added help from

EQ.

Basic reverb time is 4.7s, wIll0ms.

prede-

lay, and surprisingly little damping.

Here the revcrb is scnt through a three band

EQ,

making adjust-

ments to the tonal colour of the effect extremely easy to alter. Basic

reverb tunc is 3.4s, wI6Oms. of prcdelay.

This program cnhanccs the source material with attack emphasis,

and then decays quickly with high damping. Basic rcvcrb time is

9s, wflms. or prctlelay.

[l]

Rev5

[l]

[2]

Revl

[l]

Revl

[2]

WR2

Serial

I'araIMix

This program patchcs an early reflection algorithm through a very

short reverb wilh medium attack emphasis. Reverb time is 0.5s.

w/O.lms. of prcdclay, and light damping.

plate

(

Natural Ambience

[l]

Revl

[2]

WR2

Ambience

This program sends the early reflec~ion through a longer brighter

revcrb, with asymmetrical reflections. Basic reverb time is 1.6s.

w/30ms. of predelay.

~mbicnce

Broad Ambience

[I]

Revl

[2]

ElH2

Shallow Ambience

Ambience

Tight Ambience

PardMix

Similar to program 38, but brighter. Sounds great with

Latin

Percussion, adding presence and body. Basic reverb tirne is 0.65,

w/O.lms. of predelay

light damping.

Ambience 41

Ibis

program does just what it says

for a full 30min! Try altering

the damping, attack, and Hi Multiply/Xover. Basic reverb time

30minutes,

w/O.

lms, of prcdclay.

[l]

Rev5

Infinity

[l]

Revl

[2]

E/R2

Ambience 42

Power Ambience

PardMix

I1 Another early reflection algorithm parallel patched through reverb,

this program reinforces bass, adding body to acoustic snares.

Reverb time is 0.9s. w/O. lms. of predelay.

This uniquc tonc first multiplies highs over 4kHz. and then sup-

presses IOkIIz with

IIQ

for

filter envelope effect. BaSic

revert,

timc

0.5~~ wll5ms. of predelay.

[l]

Revl

Now the first early reflection algorithm

I-Ii Cut and then parallel

palched into a vcry bright, long reverb. Basic reverb tirne is 3.6s.

w160ms. of predclay.

Ambience

Cool Ambience

Two vcry long, dark reverbs are mixed in parallel. Excellent for

rescuing sampled strings that lack a filter. Basic reverb time is

4.0s.

w/5(hns. of prcdelay.

[l]

Revl

[2]

Rev4

~mbience

Warm Ambience

Ambience

Prison Door

[l]

Rev4

[2]

Rev2

Here are two dark reverbs mixed in parallel with staggered reflec-

tions dramatically offset predclays. Reverb times are 4.213.4s. pre-

delays are 35/300ms.

This program is ideal for filling out solo lead instruments. Decay

he can

shortened by scaling the Hi Multiply. Basic reverb Lime

is 0.4~~ w/O.lms of predelay.

Ambience1

Tonal Enhance

[l]

Rev3

Ill

[2]

Revl

Ambience Serial

Here the reverb is scnt through a three band

EQ,

making adjust-

ments to the tonal colour of the effect extremely easy to alter. Basic

reverb tirne is 1.7s. w/lOrns.

prcdelay.

Echo

Big Dome

This programs has patches he reverb through an echo set to 222ms.

mixed

parallel. Hasic reverb time is 3.0~~ wi50ms. of predelay.

Ambience-EQ

[l]

Echo1

121

Rev2

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